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Top 5 Films of 2020

2020 has certainly been a whirlwind of a year for many reasons thanks due to global pandemic. Like many others within the film community, I have found solace in films during the difficult times and the closure of cinemas have resulted in the majority of new releases being released onto streaming services. My website has seen huge growth and I feel more confident in my writing now thanks to all of the support. This year also saw me review my first lot of film festivals with London Film Festival and Raindance Film Festival providing unforgettable experiences.

As a lot of people begin to post their Best of 2020, I thought I would do the same. Rather than do a top 10, I thought I would do a top 5 instead (it’ll become clear why when you see my choices). Bear in mind that I am counting films that were released after this year’s awards season so films like Parasite won’t be included (if I had included them, it would have to be a top 30 and I don’t have the time sorry!). I will be writing a mini review for each but my full reviews that be accessed by clicking the links.

Before I commence my top 5, I want to give an honourable mention goes to Pedro Almodóvar’s spectacular short film, The Human Voice. As my list consists of feature length films, I thought I would mention The Human Voice here. Featuring a stellar Tilda Swinton performance (as if she delivers anything less!), it’s a fantastic glimpse into the deterioration of a woman whose life slowly becomes to fall apart as she comes to terms with the end of her relationship. You can read my fuller review for The Human Voice here.

Without further ado, here are my top 5 films of the year:

5) Soul

Kicking off this list is the first of two animation choices. In a year of strong animation output, Pixar’s Soul was the most discussed, especially since their awards attention was going to be pushed onto this film more than Onward which was released just before lockdown. Just when you thought Pixar couldn’t get bigger with their imagination, they got Pixar legend Pete Docter in to direct yet another masterpiece. A film that delves deep into one man’s life and his purpose, Soul is mesmerising in both its animation and narrative. At times abstract and bizarre, it feels artistic at times thanks to the limitless minds at Pixar which is what makes the studio so exciting. Boasting an A list cast and a score to die for (pun intended), Soul kicks off this list with hugely high standard.

4) Small Axe

So my number 4 choice is a tad controversial as I have given it to Steve McQueen’s revolutionary anthology film series Small Axe rather than a specific film from the collection. Hear me out though! I initially had compiled a top 10 and unsurprisingly, it was overwhelmed with the films from Small Axe and so I wanted to acknowledge McQueen’s phenomenal cinematic achievement in one go. Spanning several decades and showing the discrimination faced by the West Indies community in London, Small Axe explores well known stories such as first installment Mangrove and lesser known issues as seen in the concluding installment Education. Each film as good as the last, McQueen is one of the most exciting directors working today (you can read my article on his films here). He is a fearless filmmaker who isn’t afraid to confront the racial issues head on, whether that is through the realistic brutality endured at the hands of the police sworn to protect or the vile discriminatory language used to belittle the community. Small Axe is an anthology series that has flipped the script on how filmmaking can be perceived as well as making that important statement that the issues explored haven’t completely gone away.

3) Da 5 Bloods

It couldn’t be a proper top 5 without the incredible Spike Lee. Following on the flawless Blackkklansman with the equally stellar Da 5 Bloods, Lee takes us through the African-American experience in Vietnam during the war and its aftermath. Following 4 men returning to Vietnam to locate their fellow soldier’s body, Da 5 Bloods is a film that makes it statement, showcasing the struggle of men who fought for a country that treats them unfairly. Mixing in different forms of film to provide a wider historical perspective, Lee is a true master of making his films into political statements that have plenty to say. His films are made to show the disturbance within a system that is sworn to protect its people. The racial discord is clearly one that is still evident today and those connections from the Vietnam War to now is evident in how Da Bloods are treated throughout the film. Disrespected wherever they go, the men can only find true solace in each other because no one else has had their experience both in the literal war and racial war.

2) I’m Thinking of Ending Things

My number 2 pick takes us deep into the wonderful world of writer-director-genius Charlie Kaufman with his adaptation of I’m Thinking of Ending Things. In true Kaufman style, what begins as a straightforward narrative in which an unnamed woman (Jessie Buckley) contemplates ending her relationship with partner, Jake (Jesse Plemons) soon turns into a winding labyrinth into the subconscious where reality and fiction and time and space become completely fluid to the point where nothing really makes sense. Eventually, the woman’s name is changed on a regularly basis and the tone shifts from drama and comedy to thriller and suspense. It’s a film that doesn’t allow you to glance away for a moment. Kaufman really is one of a kind but it is his mind and imagination that has drawn fans in again and again. His films are entirely up to interpretation so one person may take something from the film whereas the person next to them will take another. I’m Thinking of Ending Things is a film you will either love or hate but the bottom line is you will feel strongly about it one way or other.

1) Wolfwalkers

Just as we begun the top 5 with an animation, we’ll end it with an animation as well. Easily my top pick for this year is the incredible Wolfwalkers. Cartoon Saloon’s latest offering is beautiful beyond words and becomes even more magical on every rewatch. Available now on Apple TV, not only does it deserve to sweep the animation categories, it fully deserves to be a contender among the Best Picture nominees when the time comes. I go into more detail on my review which you can access by clicking the film title but be assured that Wolfwalkers is a film that will impact you long after viewing it. From the contrasting artistic styles to showcase the conflicts within the film to the spellbinding music, Wolfwalkers is a film that provides escapism while also incorporating important life lessons and folklore in a way that is engaging to audiences of all ages.

While this year has been one full of challenges and sadness, film can always be a portal to escape those troubles for an hour or two. Despite the closure of cinemas, this has been an extremely strong year for film and the upcoming awards season has proved to show huge competition, particularly in the acting, directing and writing categories. A year of diversity across all mediums has shown the desire and importance to create films from cast and crew from varying background. Not only does this give something different to what the usually white mainstream cinema is accustomed to but the differing perspective makes way for revolutionary discussion and helps to break those barriers.

What were your favourite films this year? Let me know in the comments below!

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2021 Awards Season

It goes without saying that the pandemic has certainly flipped every sector of life upside down. In terms of films, we have seen the industry reach a point where the fate of cinemas will now be in the hands of 2021. In the meantime, we have seen the majority of award frontrunners released on streaming websites, particularly Netflix who have a huge chunk of award worthy films this time around. The topic of streaming service films being up for major awards has been subject of much debate. I personally think that a film that can transfer the emotion and grandeur from the big screen to small screen and still keep its impact is a hugely difficult challenge and commend filmmakers who are able to do so.

Bearing this in mind, in the 13 years I have actively followed awards season, watching films for this awards season is turning out to be a unique experience. I love the fact that I can revisit the films for multiple views whenever I want. That being said, I cannot wait for cinemas to reopen and experience the full magic of the movies again.

I’ll be discussing my award season predictions in a week or so when I have watched a few more but for now, I’ll be leaving the links to the reviews I have written thus far and add to them as my film list grows.

Here is the list:

Ammonite

Another Round

Borat Subsequent Moviefilm

Crip Camp

Da 5 Bloods

The Dig

Eurovision Song Contest: The Story of Fire Saga

The Father

The Forty-Year-Old Version

Hillbilly Elegy

The Human Voice – short film

I Care a Lot

I’m Thinking of Ending Things

Judas and the Black Messiah

The Life Ahead

Lovers Rock

Ma Rainey’s Black Bottom

Malcolm and Marie

Mangrove

Mank

The Midnight Sky

Minari

Nomadland

On the Rocks

One Night in Miami

Palm Springs

Pieces of a Woman

The Prom

Promising Young Woman

Saint Maud

Soul

Sound of Metal

The Trial of the Chicago 7

The United States vs. Billie Holiday

The White Tiger

Wolfwalkers

There are so many more films for me to see and I am very excited. I’ll be posting links to those reviews in this article as well so you can follow any updates here.

Which film has been your favourite so far? Any potential Oscar winners on your list? Let me know in the comments below!

Most importantly, stay safe and happy holidays!

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London Film Festival 2020: Roundup

With London Film Festival concluding today and all of my reviews done and dusted, I thought I would write this post to roundup my experience. Being my first film festival, I was so excited to be apart of something I have been a fan of for years. Looking at the lineup, it seemed that there were four major films: Steve McQueen’s Mangrove, Chloe Zhao’s Nomadland, Pete Docter’s Soul and Francis Lee’s Ammonite and I was determined to see at least two of these. Luckily I was able to see Mangrove and Ammonite on the screenings but sadly wasn’t successful in the ballot to see Nomadland and I don’t live in London to see Soul. However, I was thrilled with all the films I watched. I decided that my target was to watch 10 films and make them as varied as I could. In total, I watched 12 films and this includes documentaries, shorts, animation, drama, horror, foreign language, etc. There wasn’t one film that disappointed me and many standouts that I hope go on to receive award recognition and open new doors to create more films.

Overall, what stood out to me was the quality of the writing in the films I watched which was absolutely fantastic. The creativity and originality of the films I watched shows that the industry isn’t failing and there is room for films that push boundaries. From adaptations to original pieces, each film was so distinctive and unique that I was so pleased with how many well-rounded characters there were.

I thought it would be fun to come up with my personal winners from the Festival from the films I watched. As I previously said, there were no disappointments so this will be tricky. I have also added a special Shoutout category because the winner of this gave two brilliant performances and has clearly had a stellar year. I wanted to recognise this with their own special category.

Here are the Smaller Pictures Winners of London Film Festival:

Best Picture Wolfwalkers

Best Director – Tomm Moore and Ross Stewart for Wolfwalkers

Best Leading Actor – Riz Ahmed for Mogul Mowgli

Best Leading Actress – Tilda Swinton for The Human Voice

Best Supporting Actor – Fazlur Rahman Babu for The Salt in Our Waters (Nonajoler Kabbo)

Best Supporting Actress – Letitia Wright for Mangrove

Best Original Screenplay – Will Collins for Wolfwalkers

Best Adapted Screenplay – Pedro Almodóvar for The Human Voice

Best Documentary FeatureOne Man and His Shoes

Best Original Score – Jim Williams for Possessor

Best Song – “Running with the Wolves”, AURORA from Wolfwalkers

Best Cinematography – Stéphane Fontaine for Ammonite

Best Editing – Matthew Hannam for Possessor

Best Production Design – Tomm Moore, Ross Stewart and Maria Pareja for Wolfwalkers

Best Costume Design – Michael O’Connor for Ammonite

Best Hair and MakeupThe Human Voice

Special Shoutout Winner – Sean Bean for Wolfwalkers and Possessor

London Film Festival has given me some amazing memories and been a highlight of my year and a brilliant opportunity that I am so grateful for. I am also so excited to announce that I will be reviewing films from the upcoming Raindance Film Festival at the end of this month so my Festival journey hasn’t ended just yet!

So that’s it for my little awards section and roundup! Which film are you looking forward to seeing the most? Let me know in the comments below!

Just in case you want to read my reviews for the films, I have included them below. I really recommend watching all of them:

Ammonite

Farewell Amor

Herself

The Human Voice

Lovers Rock

Mangrove

Mogul Mowgli

One Man and His Shoes

Possessor

The Salt in Our Waters (Nonajoler Kabbo)

Siberia

Wolfwalkers

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London Film Festival 2020: Wolfwalkers

With Soul only showing at the BFI Southbank cinema at the London Film Festival, I was worried there wouldn’t be an animation for me to watch. When I saw Cartoon Saloon’s new feature Wolfwalkers on the list, I knew immediately that I had to watch it. Directed by Tomm Moore and Ross Stewart and based on a script by Will Collins, Wolfwalkers is a hand drawn animation set in 1650 in Kilkenny, Ireland. The film follows Robyn Goodfellowe (Honor Kneafsey), a young English girl who aspires to be a hunter and assist her father, Bill (Sean Bean) in killing the wolves that run wild in the local woods. With her trusted falcon, Merlin, at her side, Robyn encounters Mebh (Eva Whittaker) who is a wolfwalker, a girl who is human when awake and becomes a wolf when she is asleep. The film explores surface themes such as relationships between family and friends and identity in a new place but also digs deeper into topical discussions on caring for the natural environment and the oppression on Ireland by England. The result is a masterpiece that combines an array of design techniques in the animation and a story that will melt anyone’s heart. Much like fellow animation studio Studio Ghibli, Wolfwalkers is suitable for children and adults alike and is equally rewarding.

The animation style is extremely unique and contrasting between the two locations used. The busy town is structured with a neutral colour palette. A lot of greys and browns fill the landscape and the structure of the town itself feels very enclosed. There is also a heavy use of straight linework and outlining to highlight the trapped feeling of its inhabitants. This is contrasted with the more free-form approach to the woodlands which is full of swirls and curves. The initial outlining of the inhabitants of the woods and the trees and plants can be scene but the bright colouring and expressive scenery exacerbates the freedom that Robyn longs for. When seeing the world through the wolves’ eyes, the animation style is wispy and minimal. Everything in the landscape is greyscale and free-form but the living things have a particular bright aura colour that trails behind them. In an industry that mainly resorts to computer animation nowadays, its wonderful to see a studio that is revolutionising hand drawn animation in a way that is so captivating.

The characters of Robyn and Mebh are the central point to the story. Coming from completely different backgrounds, the two share a common feeling that they are alone. Robyn living in a new country and struggling to fit in under the new orders that come from her father’s new boss, the Lord Protector and Mebh being one of two wolfwalkers in the pack with the other being her mother, Moll (Marie Doyle Kennedy) who has gone missing. Robyn longs to be a hunter and free but is constrained by the sexist society that threatens to contain her whereas Mebh is an extreme example of this freedom. She is free to the point where she is lost and doesn’t know where to look for her mother. Together, the girls agree to help each other in the hopes of breaking free of the threats from the Lord Protector who hopes to burn down the forest and kill all the wolves in it.

The supporting characters are also given a fair share of screen time. Sean Bean does fantastic voice work as Bill in his signature Yorkshire accent we all know and love. Bill is a single father who is afraid of his superiors and does everything he can to protect himself and Robyn. Society has clearly knocked him down and he is unhappy with the life he has been given but keeps this from Robyn. The character arc from Bill being trapped in his own way to finding freedom is beautiful because he is so hesitant on whether he deserves that freedom and it’s such great character development. Mebh’s mother, Moll, on the other hand is not onscreen as much but she has an ethereal presence throughout the film as it is her magic that threatens the Lord Protector. Wanting her daughter to leave her when she is captured and move the pack to a new location shows her dedication to the preservation of the natural land and the safety of those in it. Also, the design for Moll and Mebh is astonishing with both donning a mass of red hair adorned with flowers and leaves.

The music in the film is breathtaking with captivating songs sung by folk group, Kíla, with a score composed by Bruno Coulais. Using instruments heard in traditional Irish folk music, the score and songs help to enhance the world and assists in setting the scene. There is also a song by Norwegian powerhouse, AURORA which is beautiful as expected. As any great score and song should, it elevates the film to create a rounded experience and it all flows perfectly with the visuals.

Thought-provoking and powerful, Wolfwalkers is a deeply impactful film that has elements of Ghibli in its morals and storytelling. The characterisation was fully rounded and the world of the film is realised to minute details. It’s a gorgeous and rewarding watch and I am so happy I made the choice to watch it. My favourite of the festival so far. I hope that Wolfwalkers continues its success into awards season as it definitely deserves to be among the Best Animated Featire category and is, so far, my favourite animation of the year so far.

Wolfwalkers will be released in the United Kingdom on 30th October so make sure you catch it.