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Song of the Sea (2014)

Cartoon Saloon’s second feature and the middle installment of Tomm Moore’s “Irish Folklore Trilogy” is a beautiful story that explores a plethora of Irish mythology including selkies, faeries and Celtic goddess, Macha. Song of the Sea follows human child, Ben who lives in a lighthouse on an isolated island with his father, Conor and younger sister, Saoirse. Still feeling the pain from his mother’s death six years prior when she died giving birth to Saoirse, Ben blames his younger sister for the tragedy and treats her badly because of it.

Marking Moore’s second directorial feature and based of a script written by Will Collins, Song of the Sea delves even further into Irish mythology than The Secret of Kells as Saoirse deals with her new identity as a selkie. As well as this, the film also explores the story of goddess Macha who has been turning faeries to stone. With Saoirse being the last of her kind, it is up to her and Ben to find her magic coat so she can sing releasing the faeries to they can travel to Tír na nÓg. There is a lot going on but not so much that elements are lost. The script does a fantastic job of tying the different plot points together.

As protagonist, Ben, David Rawle does a fantastic job of bringing the character’s conflicting feelings of pain and adventure. Ben fills his life with the stories he mother told him but he is terrified of the water and still feels the pain from his mother’s death. Only a young boy, he has a very black and white view on the world and this leads him to become stubborn in his ways. As the film unfolds, Ben begins to grow and develop a positive relationship with Saoirse. Despite being mute, Saoirse’s big vocal moment comes in the film’s beautifully climatic scene when she sings her song. Lucy O’Connell does a wonderful job thanks to her lovely singing which feels magical. Singing in both Irish and English and helping the spirits go to Tír na nÓg. Saoirse is such a lovable character throughout and when she finds her voice it is both emotional and exciting as this is where the magic comes to life.

In supporting roles, we see some of the cast take on two roles. Brendan Gleeson returns to Cartoon Saloon’s productions as father, Conor and mythological Mac Lir. As expected, he does a flawless job as the grieving father who struggles to bring up his children alone. His performance as Mac Lir is only small as we see flashbacks of him crying an ocean of tears as folklore dictates before being turned to stone. Using Gleeson for both voices is a clever choice as it allows the story to draw parallels between the magical world and reality as both characters experience grief through losing the one they loved. Fionnula Flanagan also performs dual roles as Granny and Macha. Again, there are similarities between these characters ad they are matriarchs trying to make life better for their children and grandchildren but don’t think through the consequences fully which creates the conflict in both the magical world and reality.

As expected with Cartoon Saloon films, the music plays an integral part. None more so than in this film where the plot is all about Saoirse reciting the song that will save the magical creatures. With a title like Song of the Sea, it was expected that the film was going to be full of wonderful music. Regular Cartoon Saloon collaborators Bruno Coulais and Kíla bring a world of excitement through their music, particularly with flute sounds and other woodwind instruments to reflect the sounds that would be heard through the shell. “The Song” track is among the best in any Cartoon Saloon film as it combines that magic and whimsy as Saoirse sings the song of the sea.

Overall, Song of the Sea is a film that will leave you wanting to know even more about Irish folklore and mythology. From the stunning animation to breathtaking music and the emotional storyline, this is a film that is sadly overlooked but is a major player in modern 2D animation. If The Secret of Kells helped to put Cartoon Saloon on the map then Song of the Sea ensured that it will be staying there for a long time.

What did you think of Song of the Sea? Let me know in the comments below!

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The Secret of Kells (2009)

Cartoon Saloon’s first feature delves deep into Irish history and folklore as it revolves around the mysterious illuminous text the Books of Kells and its inception in the 9th century. The Secret of Kells follows 12 year old Brendan (Evan McGuire), a young monk who has lived in the small town of Kells for as long as he can remember. Unable to pass the town’s walls thanks to the strict orders of his uncle, Abbot Cellach (Brendan Gleeson). With the help of his mentor and master illuminator, Brother Aiden (Mick Lally) and Aisling (Cristen Mooney), a mysterious fairy who lives in the forest around Kells, Brendan is able to work on his skills and add to the Book of Iona that Brother Aiden has been working to finish.

Directed by Cartoon Saloon co-founders Tomm Moore and Nora Twomey, The Secret of Kells takes you into a world that is detached from all others. The small town of Kells sits in the middle of a forest with only a wall to protect them. As Abbot Callech becomes obsessed with building the wall, he forgets about the pure faith that is found within the pages of the book. The animation is beautifully done as the grey toned town clashes with the bright greens of the forest surrounding it. When we delve into Aisling’s world, it is spectacular with the trees taking their inspiration from Gustav Klimt’s Tree of Life incorporating Klimt’s signature swirls to encompass this all magical world. Compared to the dreary and structured town, there is a clear disconnect between the two worlds that live side by side.

Brendan, the film’s protagonist, is brought to life by Evan McGuire. McGuire brings that childlike wonder to the role as we are introduced to this mysterious world where Brendan lives, wanting to see what lies beyond the walls. His circular and free flowing features contrast with the linear designs of his uncle. Donning brighter clothes, Brendan physically and figuratively stands out as he wants to push himself out of his comfort zone. When it comes to venturing out into the forest, however, Aisling appears and brings us on an adventure full of magic and colour. Cristen Mooney’s performance is full of innocence as Aisling is dead set on protecting the forest and almost oblivious to the dangers and destruction that is en route. The clash between the two creates some natural conflict initially but they share a common bond thanks to their love of the natural land and the magic within it.

The two figures of authority represent Brendan’s conflicted sides. His uncle, Abbot Cellach is brilliantly voiced by Brendan Gleeson and is a harsh enforcer of rules and regulation. Brendan doesn’t feel fulfilled but also wants to impress his uncle regardless. On the other side, Brother Aiden has a more nurturing approach as he teaches Brendan how to become an illuminator and create his own pages. Mick Lally’s performance is calm and wholesome as he sees Brendan as a flicker of hope. Neither man is right or wrong and have their flaws, but they are super important to Brendan’s overall development and characterisation as they work as catalysts to the protagonist’s own internal conflict.

The music, composed by Bruno Coulais and Kíla is absolutely stellar, making the most of traditional Irish music. With varying tracks that help to enhance the atmosphere from the whimsical upbeat tracks that highlight Brendan’s excitement as he ventures through the forest or Aisling’s haunting spell rendition as she frees Brendan from the main tower in Kells, the music is as much a character as the actual characters. From the first moment, the music brings the entire film to life feeling both traditional and modern at the same time. There is something about the mix of tones and types of music that makes The Secret of Kells soundtrack feel new and refreshing.

Overall, The Secret of Kells is a wonderful debut and a brilliant start to Cartoon Saloon’s feature filmography. From the stunning animation, lovable characters and captivating soundtrack, The Secret of Kells is a film that deserves to be watched again and again so you can appreciate all of the beautiful details hidden within this gem of a film. Whether or not you know about the history of the Book of Kells or the Viking invasion, this film is an ideal starting point for young children and adults alike to learn and delve into Irish history and folklore.

What did you think of The Secret of Kells? Let me know in the comments below!

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London Film Festival 2020: Wolfwalkers

With Soul only showing at the BFI Southbank cinema at the London Film Festival, I was worried there wouldn’t be an animation for me to watch. When I saw Cartoon Saloon’s new feature Wolfwalkers on the list, I knew immediately that I had to watch it. Directed by Tomm Moore and Ross Stewart and based on a script by Will Collins, Wolfwalkers is a hand drawn animation set in 1650 in Kilkenny, Ireland. The film follows Robyn Goodfellowe (Honor Kneafsey), a young English girl who aspires to be a hunter and assist her father, Bill (Sean Bean) in killing the wolves that run wild in the local woods. With her trusted falcon, Merlin, at her side, Robyn encounters Mebh (Eva Whittaker) who is a wolfwalker, a girl who is human when awake and becomes a wolf when she is asleep. The film explores surface themes such as relationships between family and friends and identity in a new place but also digs deeper into topical discussions on caring for the natural environment and the oppression on Ireland by England. The result is a masterpiece that combines an array of design techniques in the animation and a story that will melt anyone’s heart. Much like fellow animation studio Studio Ghibli, Wolfwalkers is suitable for children and adults alike and is equally rewarding.

The animation style is extremely unique and contrasting between the two locations used. The busy town is structured with a neutral colour palette. A lot of greys and browns fill the landscape and the structure of the town itself feels very enclosed. There is also a heavy use of straight linework and outlining to highlight the trapped feeling of its inhabitants. This is contrasted with the more free-form approach to the woodlands which is full of swirls and curves. The initial outlining of the inhabitants of the woods and the trees and plants can be scene but the bright colouring and expressive scenery exacerbates the freedom that Robyn longs for. When seeing the world through the wolves’ eyes, the animation style is wispy and minimal. Everything in the landscape is greyscale and free-form but the living things have a particular bright aura colour that trails behind them. In an industry that mainly resorts to computer animation nowadays, its wonderful to see a studio that is revolutionising hand drawn animation in a way that is so captivating.

The characters of Robyn and Mebh are the central point to the story. Coming from completely different backgrounds, the two share a common feeling that they are alone. Robyn living in a new country and struggling to fit in under the new orders that come from her father’s new boss, the Lord Protector and Mebh being one of two wolfwalkers in the pack with the other being her mother, Moll (Marie Doyle Kennedy) who has gone missing. Robyn longs to be a hunter and free but is constrained by the sexist society that threatens to contain her whereas Mebh is an extreme example of this freedom. She is free to the point where she is lost and doesn’t know where to look for her mother. Together, the girls agree to help each other in the hopes of breaking free of the threats from the Lord Protector who hopes to burn down the forest and kill all the wolves in it.

The supporting characters are also given a fair share of screen time. Sean Bean does fantastic voice work as Bill in his signature Yorkshire accent we all know and love. Bill is a single father who is afraid of his superiors and does everything he can to protect himself and Robyn. Society has clearly knocked him down and he is unhappy with the life he has been given but keeps this from Robyn. The character arc from Bill being trapped in his own way to finding freedom is beautiful because he is so hesitant on whether he deserves that freedom and it’s such great character development. Mebh’s mother, Moll, on the other hand is not onscreen as much but she has an ethereal presence throughout the film as it is her magic that threatens the Lord Protector. Wanting her daughter to leave her when she is captured and move the pack to a new location shows her dedication to the preservation of the natural land and the safety of those in it. Also, the design for Moll and Mebh is astonishing with both donning a mass of red hair adorned with flowers and leaves.

The music in the film is breathtaking with captivating songs sung by folk group, Kíla, with a score composed by Bruno Coulais. Using instruments heard in traditional Irish folk music, the score and songs help to enhance the world and assists in setting the scene. There is also a song by Norwegian powerhouse, AURORA which is beautiful as expected. As any great score and song should, it elevates the film to create a rounded experience and it all flows perfectly with the visuals.

Thought-provoking and powerful, Wolfwalkers is a deeply impactful film that has elements of Ghibli in its morals and storytelling. The characterisation was fully rounded and the world of the film is realised to minute details. It’s a gorgeous and rewarding watch and I am so happy I made the choice to watch it. My favourite of the festival so far. I hope that Wolfwalkers continues its success into awards season as it definitely deserves to be among the Best Animated Featire category and is, so far, my favourite animation of the year so far.

Wolfwalkers will be released in the United Kingdom on 30th October so make sure you catch it.