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London Film Festival 2020: Roundup

With London Film Festival concluding today and all of my reviews done and dusted, I thought I would write this post to roundup my experience. Being my first film festival, I was so excited to be apart of something I have been a fan of for years. Looking at the lineup, it seemed that there were four major films: Steve McQueen’s Mangrove, Chloe Zhao’s Nomadland, Pete Docter’s Soul and Francis Lee’s Ammonite and I was determined to see at least two of these. Luckily I was able to see Mangrove and Ammonite on the screenings but sadly wasn’t successful in the ballot to see Nomadland and I don’t live in London to see Soul. However, I was thrilled with all the films I watched. I decided that my target was to watch 10 films and make them as varied as I could. In total, I watched 12 films and this includes documentaries, shorts, animation, drama, horror, foreign language, etc. There wasn’t one film that disappointed me and many standouts that I hope go on to receive award recognition and open new doors to create more films.

Overall, what stood out to me was the quality of the writing in the films I watched which was absolutely fantastic. The creativity and originality of the films I watched shows that the industry isn’t failing and there is room for films that push boundaries. From adaptations to original pieces, each film was so distinctive and unique that I was so pleased with how many well-rounded characters there were.

I thought it would be fun to come up with my personal winners from the Festival from the films I watched. As I previously said, there were no disappointments so this will be tricky. I have also added a special Shoutout category because the winner of this gave two brilliant performances and has clearly had a stellar year. I wanted to recognise this with their own special category.

Here are the Smaller Pictures Winners of London Film Festival:

Best Picture Wolfwalkers

Best Director – Tomm Moore and Ross Stewart for Wolfwalkers

Best Leading Actor – Riz Ahmed for Mogul Mowgli

Best Leading Actress – Tilda Swinton for The Human Voice

Best Supporting Actor – Fazlur Rahman Babu for The Salt in Our Waters (Nonajoler Kabbo)

Best Supporting Actress – Letitia Wright for Mangrove

Best Original Screenplay – Will Collins for Wolfwalkers

Best Adapted Screenplay – Pedro Almodóvar for The Human Voice

Best Documentary FeatureOne Man and His Shoes

Best Original Score – Jim Williams for Possessor

Best Song – “Running with the Wolves”, AURORA from Wolfwalkers

Best Cinematography – Stéphane Fontaine for Ammonite

Best Editing – Matthew Hannam for Possessor

Best Production Design – Tomm Moore, Ross Stewart and Maria Pareja for Wolfwalkers

Best Costume Design – Michael O’Connor for Ammonite

Best Hair and MakeupThe Human Voice

Special Shoutout Winner – Sean Bean for Wolfwalkers and Possessor

London Film Festival has given me some amazing memories and been a highlight of my year and a brilliant opportunity that I am so grateful for. I am also so excited to announce that I will be reviewing films from the upcoming Raindance Film Festival at the end of this month so my Festival journey hasn’t ended just yet!

So that’s it for my little awards section and roundup! Which film are you looking forward to seeing the most? Let me know in the comments below!

Just in case you want to read my reviews for the films, I have included them below. I really recommend watching all of them:

Ammonite

Farewell Amor

Herself

The Human Voice

Lovers Rock

Mangrove

Mogul Mowgli

One Man and His Shoes

Possessor

The Salt in Our Waters (Nonajoler Kabbo)

Siberia

Wolfwalkers

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London Film Festival 2020: Herself

Day 2 of London Film Festival proved to be a little busier than my first as I had not one but two films to watch back-to-back. The first of these was Herself, directed by Phyllida Lloyd, starring Claire Dunne and Harriet Walter with an original script written by Dunne and Malcolm Campbell. The film revolves around Sandra (Dunne), a victim of domestic abuse, who sets out to build her own house for herself and her girls. Working two jobs, dealing with the council and assessments, taking the girls to visit their dad and gathering a team for the house, Herself shows what can happen when you put your mind to something and never give up. It’s a brilliant film that looks at the treatment of domestic abuse in Ireland as well as the housing crisis.

The film opens with Sandra and her girls having lots of fun together, doing make-up and singing songs. This happiness is shattered when Sandra’s abusive ex, Gary (Ian Lloyd Anderson), turns up and attacks her brutally. It is a difficult scene to watch because of its realistic approach and refusal to hide the horrors. What follows is Sandra’s struggle to find a house to rent. As Gary goes to live at his parents house, Sandra and the girls are forced to live in a hotel while she waits on the housing list. The script is wonderfully written and really allows the audience to see Sandra’s struggle beneath the surface. What makes Herself a standout is its resonance and the erratic shift in tone. Just as could be expected, Sandra’s life could be stable one minute and collapse like a house of cards the next. The script does a good job of building up the struggle with the final act resulting in a culimation of emotion and hardwork.

Dunne’s performance as Sandra is flawless. She perfectly conveys the struggle Sandra is facing and the many factors and obstacles that threaten to stop her dreams. She is exhausted but resilient and this makes for a resonating character who isn’t perfect but she is trying her best. The courtroom scene is both heartbreaking and angering as the injustice Sandra faces shouldn’t have to be argued. Gary damages the nerves in Sandra’s hand at the beginning and she turns that pain in physically building her escape from him. The whole film becomes a metaphor for Sandra bettering the situation for her girls and finding sanctuary away from Gary. Whereas Gary is able to live with his parents and await the visits from his daughters, Sandra is constantly assessed by the council, struggling to find a suitable home while facing judgement from fellow mothers and working two jobs. Despite Sandra’s many roles in society, Dunne makes sure that she gives her character a distinct personality. Faced with many hardships, Sandra is fearless and unafraid to go ahead with her plan and builds the confidence to stick up for herself. The character arc she goes through is emotional and rough contributing to an unforgettable performance.

In supporting roles, there are a couple of familiar faces and plenty of newcomers, led by the wonderful Harriet Walter who plays Peggy, the doctor Sandra cleans and cares for part time. Peggy comes across as stubborn and hard initially but as the film progresses, she begins to let her guard down and allows herself to be vulnerable as she assists Sandra in building the house. Also in support is Conleth Hill as Aido, a local construction worker who eventually agrees to help Sandra build her house. Aido doesn’t understand Sandra’s plan until she mentions Gary and he agrees to help her. Hill isn’t onscreen a lot of time but is a welcome presence whenever he is. The supporting cast is rounded out by Molly McCann and Ruby Rose O’Hara who do fantastic performances as Sandra’s daughters, Molly and Emma, respectively.

Despite its heavy themes, Herself proved to explore the injustices of domestic violence victims by showing Sandra at her highs and lows. With the film shown from Sandra’s perspective her motivations and reasonings for her actions are fully understood by the audience. Even when it becomes too much for her to handle, she still keeps fighting. With its mix between newcomers and recognisable names, Herself has established itself already as a huge highlight from this festival and I hope it carries on its success.

Herself will be released in the UK on the 16th October.