Tag: netflix

Categories
Uncategorised

Mank (2020)

There are few films that have generated such concersation this year than David Fincher’s new film, Mank. Following Hollywood screenwriter, Herman J. Mankiewicz (Gary Oldman) and the inception and creation of Orson Welles’ masterpiece, Citizen Kane, Mank is not your regular run-off-the-mill Hollywood film that glorifies filmmaking. Fincher looks into the dark side of film production and the manipulation that happens behind the scenes. Admittedly, I wasn’t sure what to expect going in beyond it having an amazing cast and crew and the backlash it appears to be receiving on social media but I personally loved it. Not only in its black and white appearance but the tone and direction reflects Citizen Kane which at points blends fact and fiction as Mank begins to succumb to the alcoholism that haunts him.

David Fincher’s direction is fantastic as ever and I truly think this may be the film that puts an Oscar in his hands. Based on a screenplay written by his late father, Jack Fincher, Mank is an intricate character study into the mind of a brilliant man who is challenged by the rules and regulations of the Hollywood Studios. In many ways, Mank feels as though you are watching a film from the Golden Age at points but from a behind-the-scenes vantage point. What is fantastic about how Fincher directs is the shift in tone. There are many points that feel like a thriller or even horror as Mank descends in madness while writing the project. The whole span of the film is sixty days and yet the amount of action feels as though it spans years. The passion Fincher has, arguably in part due to adapting his late father’s script, is evident and I think he does a flawless job at conveying the darkness that lies beneath the glamour. What is brilliant about Fincher’s films is that each one is completely different from the other. He truly is one of the most exciting filmmakers working today, even if his filmography isn’t the most extensive.

Gary Oldman’s performance has played a major part of the discussion in the conversations regarding the film. Playing a man 20 years his junior does seem a little miscast but look beyond this and there lies an amazing performance. Mank is such a layered man who loves his craft and his lifestyle yet isn’t afraid to bite the hand that feeds him. He treasures his friendships but risks it all in the name of his sharp wit and even harsher writing. Oldman is undoubtedly one of the best living actors and although Mank isn’t the best performance of his whole career, it’s still a fantastic turn.

The support in this film comes from Amanda Seyfried who, in my opinion, is the highlight of the film for me. Playing 1930s Hollywood icon, Marion Davies was no easy feat. During the Golden Age of Hollywood, Davies was well-known and admired and unfortunately her affair with William Randolph Hearst (Charles Dance) is what history associates her with. Seyfried will no doubt be nominated for a Best Supporting Actress and I really hope she wins. She’s given flawless performances, particularly in comedies in her early career such as Mean Girls (2004) and Jennifer’s Body (2009). Mank is a welcome dramatic stretch for her while still maintaining the intelligent wit Davies possessed. From her first scene, Seyfried is magnetic in the same nostalgic way the leading ladies were commanded to be.

There are many scenes in Mank that have stayed with me but the one that is the true standout is when Mank begins to discuss his plans for his upcoming film at a dinner that is attended by Marion Davies, Louis B. Mayer (Arliss Howard) and William Randolph Hearst no less. Oldman’s phenomenal acting in this scene is horrendously intense and extremely uncomfortable as he insults and berates the guests at the dinner before setting his attention on Hearst and discrediting his name and political career. Watching Mank make his way slowly around the table as the guests start to leave one by one until only Mank, Mayer and Hearst are the only ones left.

Overall, Mank is a fantastic insight into the overlooked mind behind what is often considered the greatest film ever made. The similarities in filming style of Citizen Kane and Mank are evident that go beyond the black and white stylistic choice. Citizen Kane may be about Hearst but really the creation of the film is primarily about Mank himself and his outlook on the world. Watching Citizen Kane with this new outlook will definitely make it a different experience. I have also been thinking of writing a David Fincher ranking list and it’ll be interesting to see where Mank would fall.

What did you think of Mank? Let me know in the comments below!

Mank is available to stream now on Netflix.

Categories
Uncategorised

Da 5 Bloods (2020)

Admittedly, it has taken me a long time to get around to watching this film but it has been one of my most anticipated for the year. As a huge Spike Lee fan, I am always excited to see what he brings out. After his brilliant 2018 offering Blackkklansman that finally won him a deserved competitive Oscar, the anticipation for Da 5 Bloods has been a repeat of much discussion for the upcoming awards season. The film follows four American veterans known as the “Bloods” who meet up in Vietnam to reflect on their time in the war and to search for their leader and the treasure they buried. Featuring a fantastic cast led by Delroy Lindo with support from the late great Chadwick Boseman.

As we have come to expect from Lee’s films, the direction and writing is top-notch. For Da 5 Bloods, Lee has collaborated with Danny Bilson, Paul De Meo and Kevin Willmott and I think usually four screenwriters can cause a bit of conflict in tone and dialogue but it works here. Da 5 Bloods is a two and a half epic filled with an array of detailed characters. Having multiple screenwriters actually enriches the quality of the writing and paired with Lee’s realist directorial approach, is pulled off brilliantly. Mixing the modern Vietnam with flashbacks as well as frequent clips from the news to draw parallels with the Vietnam War and the modern racial war in America. What makes Lee’s films so unique is his ability to combine multiple film mediums that feels as though you are watching a documentary at some points. Lee is undoubtedly a political filmmaker and this makes some viewers uncomfortable but it is an unapologetic point of view that I think contributes to a fearless and boundary-pushing approach to filmmaking itself.

As American veteran Paul, Delroy Lindo is phenomenal. Paul is clearly damaged from his experiences in the war. The more time he spends in Vietnam, the more aggressive and vulnerable he becomes. All of the men suffer from PTSD but in Paul’s case, this causes him to lash out violently. In one particular scene, a Vietnamese man tries to sell a chicken and this causes Paul to reach a boiling point, almost jumping to beat the man up when accused of killing his parents. The visit to Vietnam allows Paul to face his demons and confront the problems he has had in the subsequent years since Vietnam. His reluctance to talk about his experiences to a professional has resulted in the issues surfacing in such a way that he is unable to deal with his emotions. Netflix are campaigning for Lindo in the Leading categories for the upcoming awards season and I think he presents a very strong competition. It would be great to see such a challenging and developed role rewarded.

Chadwick Boseman’s performance as squad leader, Norman, is flawless. When onscreen, he commands the scene and acts the hell out of his character. It is clear that he is having fun in the role, maintaining the importance and dignity that the character represents. After gaining worldwide acclaim for his performance as the titular Black Panther, it’s brilliant to see Boseman in a film that is entirely different and demanding in a different way. Boseman’s performance is a snippet of what he could have continued to achieve before his untimely death earlier this year. I hope his performance is recognised in the Supporting categories with at least a nomination come award season. This role is a phenomenal addition to his extensive legacy and showcases his ability to adapt to genre pieces.

As with Blackkklansman, another great collaborator who Lee frequently works with is composer Terence Blanchard. Blanchard’s specialty is the trumpet and the strong brass sounds come through in this score, bringing the militia sound as a constant backdrop to the action. In addition, there are many songs fro. The 1970s included as well as classical pieces such as Richard Wagner’s “Ride of the Valkyries” which has become iconic in modern culture thanks to its inclusion in  the film Apocalypse Now, another film that looks at the Vietnam War. What Lee and Blanchard are doing by including such pieces are subverting the typical white-dominated war film and showing it from an African-American perspective.

Overall, Lee has knocked it out the park yet again with his fearless look into the African-American experience during the Vietnam war. Proving that he is still at the top of his game more than ever, Lee has made a film that again shows parallels with the mistreatment of African-Americans today with the mid-20th century. His ability to masterfully mix various mediums such as feature film, news clipping, cultural references in the music and performances that push the actors to their limits combine to make a film that seems as though it transcends the film medium and becomes art. A fantastic achievement for Spike Lee and I hope his efforts are rewarded come awards season.

What did you think of Da 5 Bloods? Let me know in the comments!

Da 5 Bloods is available to watch on Netflix now.

Categories
Uncategorised

The Queen’s Gambit

The show that everyone has been talking about at the minute is a series that revolves around chess. The Queen’s Gambit follows female chess player, Beth Harmon, and her quest to become the world’s best chess player period. The show was created by Scott Frank and Allan Scott and based on the 1983 novel of the same name by Walter Tevis. A lot of people have commented that the show has made a boring subject amazing but I beg to differ. I think it’s a brilliant show enhanced by an interesting and unexpected topic. As someone who used to play chess when they were little, it is an understatement to say that the competitions were very much male-dominated and there was more anticipation for the male categories than the females. Beth is subject to much belittlement and astonishment from her male peers. Even when at the top of her game, she is looked down upon by the grandmasters and champions.

To assume that the show is just about chess is to undermine it completely. Beneath the surface, we encounter themes of gender inequality, gender roles, alcoholism, drug addiction and loss among many more. In a way, all of these issues are brought to the light through chess and specifically Beth’s journey in the game. From the very beginning, Beth is an outsider as she doesn’t enjoy the same activities to her counterparts. The moment she sees the orphanage custodian, Mr Shaibel (Bill Camp), playing chess in the basement, she is curious and eager to learn. This curiosity then turns into an obsession fueled by tranquilliser drugs the orphanage controversially gives its pupils. Beth becomes a product of a traumatic childhood and her inability to lose gracefully and overanalyse hinders her at important moments in her career. Because of her reluctance to conform to societal ideals, she is often reclusive and isolated but all the more determined to climb her way to the top. The shows structure does a great job at presenting her challenges and obstacles.

Anya Taylor-Joy’s performance as Beth is nothing short of revolutionary. She is so captivating that every expression and word leaves the audience waiting with anticipation. Beth is one of the most complex female characters that TV has seen in a while. Academically brilliant and naturally talented at chess, she also struggles with drug and drink addiction as well as an unhealthy obsession with the game. Chronicling her life from her time in an orphanage after her mother’s tragic suicide to her adulthood in which she travels the world playing grandmasters in a bid to become one herself, The Queen’s Gambit is the most exciting and riveting TV show to air this year. From a curious novice to a strategic professional, Beth’s story is one of aspiration and tragedy as her career’s incline also results in an inner downwards spiral. Despite her flaws, the audience still roots for Beth and that’s mainly due to Taylor-Joy’s ability to really dig deep in her characterisation.

In support, Marielle Heller does a stunning performance as Beth’s adoptive mother, Alma Wheatley. Alma is a sickly woman who quickly gages onto Beth’s potential as a chess prodigy and assists her in her first bout of tournaments. I am very familiar with Heller’s work as a director (you can read my previous post on her films here) but haven’t encountered her in an acting role before. An important character in the first half of the series, Alma is just as flawed as her daughter. Leaving Beth to her own devices most of the time as she succumbs to frequent sickness and alcoholism, Alma is both a friend and mother, although the latter comes later as Beth begins to succeed in professional chess. Watching the intense moments between Beth and Alma makes for some of the highlights in the show as well as Alma’s ability to bring out the more human side of Beth.

In a year full of unfortunate events piled on more unfortunate events, The Queen’s Gambit is the show we all need for a good dose of quality television. I predict that Taylor-Joy will be the one to beat at the Golden Globes and hopefully will even receive Emma recognition as well. The fact that it has received overwhelming praise from female chess players, including grandmaster Jennifer Shahade, is only proof of the impeccable details and emotion that has been poured into every second. Without a doubt, The Queen’s Gambit is my favourite new show of the year and I don’t think it will be beaten.

The Queen’s Gambit is available to watch on Netflix and I strongly recommend you catch it if you haven’t seen it yet.

Categories
Uncategorised

The Trial of the Chicago 7 (2020)

One of the most anticipated films of this upcoming awards season, The Trial of the Chicago 7 is the new film written and directed by Aaron Sorkin. Following the trial of eight men with varying backgrounds who organise protests at the Democratic National Convention to end the Vietnam War. Featuring an all-star cast including Eddie Redmayne, Mark Rylance and Sacha Baron Cohen, The Trial of the Chicago 7 is a major event of a film showing that issues that occurred in the 1960s are just as relevant today during a tumultuous year. Considering Sorkin’s previous filmography, it is no surprise that he would be at the helm of a film that showcases the miscarriages of justice and he is the perfect person to do so. Netflix are going to be pushing this film hard for awards season and it’s easy to see why as the cast and crew on paper is enough to entice an audience alone.

As expected, Sorkin’s screenplay is intense and atmospheric, perfectly creating the societal chaos from the first few minutes. The set-up is also unexpected as we are introduced to the characters and then goes straight to the court case, skipping the actual demonstration initially. The first demonstration is interwoven bit by bit during the trial as the facts and fiction are spouted in court. The demonstration and riot itself is brilliantly directed providing a midpoint climax that makes use of the tension built up in the first half of the film. Sorkin’s use of real footage of the riot coinciding with the film’s scenes showcases the discomfort and conflict. There is also an unflinching fearlessness in Sorkin’s approach to the riot. The second half then explores the second riot which sees the main group, sans Bobby, trapped and beaten by members of the police who removed their name badges so they could not be identified.

The performances are all reliable as to be expected from a cast of this calibre. Although the cast are all being pushed for Supporting awards this awards season, I would argue that Sacha Baron Cohen and Eddie Redmayne could be considered the leads given their screen time and characterisation. Both do a superb job in roles that I haven’t seen from either before. I was particularly impressed by Sacha Baron Cohen who has been having a stellar year. Playing hippie activist, Abbie Hoffman, Baron Cohen is able to channel his usual humour and wit while equally showcasing a more dramatic range that is really impressive. Redmayne on the other hand pulls off a great American accent as up and coming activist, Tom Hayden, who is President of the Student for a Democratic Society. His final scene in which he reads the names of the fallen soldiers since the trial began is

In the more traditional supporting roles we see the other members of the eight as well as the lawyers of both the defense and prosecution. In this category, one major standout for me was Yahya Abdul-Mateen II as Black Panther Chairman, Bobby Seale. Seale is constantly ignored and belittled by the court resulting in a scene where he is literally gagged and chained to his seat in an extremely upsetting scene. Abdul-Mateen’s performance is small but hugely significant and he commands every scene he is in. It would also be a catastrophe if I didn’t mention the fantastic turn by Mark Rylance as Defense Counsel, William Kunstler. Rylance can always be counted on to bring flawless performances but he truly excels in this. I wouldn’t be surprised to see his name on the nominee lists come awards season.

Naturally, I had high expectations for The Trial of the Chicago 7 and they were met with ease. Sorkin brings out his strongest writing since The Social Network and does a brilliant job with the direction as well. The fact that he is able to give a good amount of characterisation to the eight men that makes them distinct and identifiable is a true testament to his skill as a writer. I think Sorkin’s passion and intricate research into the case really comes to light and he manages to condense a lot of information into a 130 minute film in a way that is engaging and not overwhelming at the same time

What did you think of The Trial of the Chicago 7? Let me know in the comments below!

Categories
Uncategorised

Top 5 It’s Always Sunny in Philadelphia Episodes

There are a lot of comedy sitcoms around nowadays that serve to shock and push boundaries. One such comedy series is It’s Always Sunny in Philadelphia which has been shaking things up since 2005. Following the owners of Paddy’s Pub, the Gang consists of brother and sister Dennis and Dee Reynolds (Glenn Howerton and Kaitlin Olsen), their father Frank (Danny DeVito), “bouncer” Mac (Rob McElhenney) and cleaner, Charlie (Charlie Day). The episodes follow their day-to-day lives, showcasing their offensive and ridiculous behaviour. A simple setup but what makes this show so great and iconic is the writing which is a shared collaboration between its stars, particularly Howerton, McElhenney and Day.

Now preparing for their 15th season and showing no signs of showing down, Always Sunny has become one of the household names in American comedy for its fearlessness in tackling taboo subjects whilst managing to maintain a charm. The cast are all perfect in their roles and the strength of the show has only improved throughout the years. What is so brilliant is how terrible the characters are but you still root for them anyway. The writing is done perfectly and flawlessly, giving a variety of memorable moments that is going to make it difficult to narrow down to five episodes. In true Smaller Pictures fashion, however, I have decided to pick my top 5 episodes from the 154 episodes that have aired so far.

Here are my top 5 episodes:

5) “The Gang Desperately Tries to Win an Award”, Season 9

Kicking off my countdown is this gem from the shows 9th season. One of the things Always Sunny does best is bringing in the outside world and incorporating that into the narrative. To go even further, “The Gang Desperately Tries to Win an Award” goes meta as it reflects the fact that Always Sunny has never been nominated for an Emmy. This fact in itself is outrageous but the result of the episode gives us one of the best songs of the whole show thanks to Charlie Day’s hilarious songwriting. This episode shows the gang trying to win an award for Paddy’s Pub so they decide to host an event for local critics. Charlie had prepared a lovely song to sing on the piano but as usual, he takes some drugs and starts to sing about spiders inside his soul before bursting into a chorus telling the audience to “go fuck” themselves. It’s the perfect response to the awards bodies in reality and is done with that amazing Always Sunny creativity. What better way to address your critics than by grabbing their attention and annihilating them? Always Sunny has never been the type of show that follows the crowd anyway so this episode is the perfect response that reflects this.

4) “A Very Sunny Christmas”, Season 6

In America, this episode is released in two parts but on Netflix UK, “A Very Sunny Christmas” is released as one long episode so I will be referring to both parts. Taking on the structure of A Christmas Carol, “A Very Sunny Christmas” shows the Gang’s attempt at getting Frank to get into the Christmas spirit. When growing up, Dee and Dennis would be subject to Frank’s pranks as their father would wrap up empty boxes and pretend they have gifts in. What tips the siblings over the edge is when Frank buys himself a designer handbag and Lamborgini which is what Dee and Dennis always wanted, respectively and it drives them insane. They recruit an old friend of Frank’s, Eugene, to act as Ghost of Christmas Past in a bid to get him to change his act with hilarious consequences. What puts this episode in my top 5, however, is a musical stopmotion animation sequence that is gory, crude and absolutely hysterical. Showing Frank being tortured and mutilated by the Gang for his behaviour, it helps him come to terms with how he treats them.

3) “McPoyle vs. Ponderosa: The Trial of the Century”, Season 11

Sometimes there are episodes that only focus on one character and then there are those that bring everyone together. This episode is amongst the latter and is a hilarious conclusion to the Ponderosa-McPoyle wedding fiasco. Bill Ponderosa is being sued for spiking the punch with bath salts by Liam McPoyle who lost an eye during the wedding. Charlie’s Uncle Jack agrees to be Bill’s lawyer and it is Jack who delivers my personal favourite moment in any Always Sunny episode. Ever. Uncle Jack has an obsession with large hands and wears giant fake hands over his own so no one knows that his hands are small. When interrogating a witness, Jack dramatically points to the McPoyles and one of his hands flies off to which he shrieks “NOBODY LOOK” repeatedly and runs to collect the hand. It is truly one of the funniest moments in comedy and had me in stitches long after the episode. The episode also features the unnamed Lawyer, representing the McPoyles who is one of my favourite side characters in Always Sunny for his deadpan sarcasm.

2) “Mac Finds His Pride”, Season 13

One thing about Always Sunny is that it is able to balance its comedy and seriousness well. This episode is a prime example of that. In “Mac Finds His Pride”, we see Mac trying to find comfort in coming out publicly with the help of Frank. Throughout the episode, Frank states that he doesn’t understand it but he accepts Mac but Mac struggles with how to come out to his dad, Luther, who is in prison. The result is a dance sequence where Mac performs with a professional dancer in a piece that explores his journey to acceptance. It’s a beautiful routine that would have taken a lot of practice to perfect and it also shows Rob McElhenney’s dedication to the character. Doing this dance would have seemed so out of character for Mac a few seasons before but the way McElhenney has developed Mac’s character through the years, it is the perfect way to let him come out. It’s a bittersweet ending to a season that has seen Mac really come to accept himself for who he is.

1) “The Nightman Cometh”, Season 4

Probably the most iconic episode to date, “The Nightman Cometh” accumulates everything we love about Always Sunny and puts it into a 20 minute masterpiece. Charlie enters the bar and announces that he has written a musical which he and the gang will be performing. Incorporating characters created in the previous season, the musical tells the story of a boy’s journey to manhood by defeating a troll and the evil Nightman thus becoming Dayman. It’s bizarre and is full of dark undercurrents but the songs are catchy and hilarious. It shouldn’t work but it absolutely does and will have you falling on the floor with laughter. From songs such as “Tiny Boy, Little Boy, Baby Boy” to “Troll Toll” to the iconic “Dayman”, the musical is filled to the brim with innuendo but what makes it funny is that Charlie doesn’t intend for it to be rude at all. He is confused by the Gang’s concern over the lyrics and becomes irritated when they decide to take creative control over their characters. Even if you haven’t watched Always Sunny, I would definitely recommend giving this episode a watch. It’s hilarious, bonkers and shows what the Gang does best which is ruin everything.

So there you have it! My top five Always Sunny episodes. I think each choice perfectly shows a different reason as to why I love this show and there were so many that didn’t make the list that would be just as deserving. With the 15th season due to arrive in 2021, now is a perfect time to rewatch all of the seasons on Netflix in time.

What do you think of my list? Which Always Sunny episodes are your favourite? Let me know in the comments below!

Categories
Uncategorised

Top 5 Bojack Horseman Episodes

The 21st century has seen an abudance of TV shows that have garnered iconic status such as The Sopranos (first aired in 1999 but majority was released this century), Breaking Bad and Game of Thrones. These shows are known for their big budgets and award sweeps season after season. It comes as no surprise that among all of these huge shows that a few are swept under the rug. None have gone under the radar so much as the brilliant animated Netflix series Bojack Horseman. Set in an alternative universe where animals have human characteristics, the show follows the titular Bojack, a “has-been” actor living in Hollywood who is wanting to make a comeback as he deals with his fading star status. Spanning six seasons with the final season split into two parts, Bojack Horseman was nominated for several Emmys but was never the winner which is a huge shame, particularly for its later seasons.

As I have recently decided to start writing on some TV shows I enjoy, I thought it makes sense to write about one my favourites. Bojack Horseman isn’t afraid to discuss heavy topics such as sexism and assault in the entertainment industry and abortion. It’s relevance to real life is what makes it fantastic considering it is an animated show that incorporates a universe populated by humans and human-like animals. The main cast consists of Will Arnett in the titular role, Aaron Paul as his housemate Todd, Amy Sedaris as agent Princess Carolyn, Paul F. Tompkins as celebrity Mr Peanutbutter and Alison Brie as writer, Diane Nyugen and each character is developed brilliantly through the show’s run.

Here are my top 5 episodes:

5) “Fish Out of Water”, Season 3

Kicking off the ranking is this fun episode from the third season. We see Bojack venture underwater for a film festival where Secretariat is showing. The world underwater differs to Hollywood and Bojack as usual struggles to adhere by their rules and regulations, quickly finding himself lost in the process. After successfully returning a lost baby seahorse to his father, Bojack feels jealous that he wasn’t afforded a normal family life as he ventures back to the festival. He tries to rekindle a friendship with director, Kelsey, but his note is blurred and ruined due to being underwater. One thing that the writers do well is incorporating outer social problems into the show so in this episode, seeing how different cultures are to be respected is brought in. In a great move, the episode is predominantly silent because Bojack can’t talk with his airtight helmet on. At first, Bojack doesn’t understand what to do and is frustrated that he can’t communicate but by the end of episode he does understand and it is all capped off with a brilliant gag at the end where there is a button on his helmet that allows him to speak.

4) “The View from Halfway Down”, Season 6

The next entry on my ranking is the penultimate episode of the show’s final season. As Bojack has to face the consequences of his actions, he finds himself in a near-death situation and spends the episode in purgatory where he is faced with various important figures from his past. The result is a surreal half hour filled to the walls with symbolism and realisation as Bojack goes back and forth on whether to go through the white door that lingers on a stage, waiting for him. One by one, each person performs on the stage and goes through the door. The episode feels like closure of this chapter in Bojack’s life as he has to choose whether to go through the door or wake up and face his punishment. Rounding up six seasons of the show seems like a heavy task in just half an hour but this episode is so bizarre and deconstructed that the writers don’t have to follow the rules and instead the audience delves deep into Bojack’s conscience. The standard of Bojack Horseman has been so high and this episode does such a good job of saying farewell.

3) “That’s Too Much, Man!”, Season 3

The third entry in this list is the second episode from the third season. Up to this point, the show doesn’t really delve into a serious tone of darkness but the penultimate episode of season 3 is a turning point. Sarah Lynn, the child star of Horsin’ Around, has been sober for 9 months and her career is thriving. Bojack calls Sarah Lynn up and invites her on a bender where he provides her with alcohol and drugs. The two of them go down a rabbit hole of blackouts and flashbacks. It seems as though the drug use and drinking will never end, even when they begin to snort heroin. What then follows is a brilliant changing of pace as the two friends go to the Planetarium and Sarah Lynn succumbs to a heroin overdose and dies. As Bojack repeatedly says her name and the screen goes black, the seriousness of what has happened changes the entire show for the following seasons as Bojack’s actions have finally resulted in death. It’s an episode that always leaves me speechless because of its horrifying ending. As Bojack and Sarah Lynn look at the cosmic display in the Planetarium, it feels as though they have their whole lives ahead of them and that they may change, the way we see Sarah Lynn slowly die is heartbreaking.

2) “Free Churro”, Season 5

My second place on this list goes to the midpoint episode of season 5 that sees Bojack delivering the eulogy at his mother’s funeral. That’s literally what the episode consists of. Bojack at the podium delivering a monologue. What puts this as second on my ranking is how brilliant the script is. Will Arnett’s performance is fantastic as we watch Bojack pick apart his mother’s last words as he tries to discuss various meanings as well as his usual rambling. With its use of one location and one shot, it would have been easy to assume that this episode would be boring and full of exposition but it is actually the opposite. The brilliance of the writing comes from what Bojack doesn’t say as the audience is forced to read between the lines. Much like the “Fish Out of Water” episode, the best joke in this episode is that Bojack has been delivering his eulogy in the wrong room and has opened up about his past to a room full of geckos.

1) “Time’s Arrow”, Season 4

To fans of Bojack Horseman, this probably doesn’t come as a surprise. Season 4’s penultimate episode rounds up the story on Bojack’s mother, Beatrice, who has been battling with dementia throughout the season. In this final segment, we see Beatrice meet Butterscotch, an aspiring writer and run off with him, much to her father’s despair. Finding herself pregnant and excited to see what a new life in San Francisco would bring the couple, Beatrice’s dreams are soon crushed as we fast forward some years to see her and Butterscotch evolve into the bitter, heavy drinkers that the show has portrayed them to be. What this episode does is conclude Beatrice’s journey as her dementia begins to deteriorate and actually ties together the background story in a way that isn’t forced. What comes through in this episode is Beatrice’s resilience which slowly turns into anger and regret. Sadly, we see her turn into the person she never wanted to be as she takes out her frustrations on Bojack. She also blackmails their maid, Henrietta, to get an abortion after she falls pregnant with Butterscotch’s child by giving her the money to get into nursing school. It’s a difficult episode to stomach but that’s because Bojack Horseman is a show thay dares to look into the dark side of the human (or animal) condition.

It goes without saying that Bojack Horseman is not the easiest show to watch and has not been without controversy for Alison Brie’s performance as Diane Nyugen, an American-Vietnamese writer but it is a show that isn’t afraid to push the conversation. Having watched the show through several times, I find that I notice new details and joke pay offs each time that makes it a fun and rewarding watch. It is definitely one of my favourite shows and I would recommend anyone to give it a go.

What do you think of my list? Which episodes of Bojack Horseman are your favourite? Let me know in the comments below!

Categories
Uncategorised

I’m Thinking of Ending Things (2020)

One of the most anticipated films of 2020 comes in the form of this psychological horror from the genius that is Charlie Kaufman. I’m Thinking of Ending Things is based on the 2016 novel of the same name by Iain Reid with Kaufman adapting the screenplay and directing. Oscar-winning writer enlists Jessie Buckley and Jesse Plemons as the film’s leads following Buckley as a Young Woman who is hesitant with her new boyfriend, Jake (Plemons). In true Kaufman fashion, the dialogue is complex and layered as the Young Woman’s open voice over is interwoven into the discussions that she partakes in as though the other characters can hear her thoughts. The film takes place during a visit the Young Woman and Jake take to the latter’s parents and the impending mental breakdown that ensues when they are all trapped due to a snowstorm.

Jessie Buckley is brilliant as expected. Proving herself to be a true rising star in the acting game thanks to her turns in Beast (2017), Wild Rose (2018) and the TV drama Chernobyl (2019), Buckley shows off a flawless American accent as the Young Woman who descends into madness as she loses her grip on what she wants and what she should do with her life. Opposite Buckley is Jesse Plemons who has rapidly risen in the acting ranks in recent years. Known to most for his turn on the final season of Breaking Bad (2008-2013), Plemons has built a fantastic portfolio starring in films like The Master (2012) and Vice (2018). It’s refreshing to see both actors lead in a film that is reliant on their performances. The rapport between them is credit to the perfect casting and their ability to bounce off each other naturally despite the complexity of the writing.

In the supporting roles we have Toni Collette and David Thewlis as Jake’s parents who unsurprisingly bring phenomenal performances. Jake’s Mother is aloof and eccentric contrasted with his Father who is opinionated and direct. The casting again is top notch as it is great to see two relative newcomers and two acting veterans bouncing off one another and building onto the tension up to breaking point. Collette is flying high on a streak of brilliant roles she has taken in recent years including her lead performance in Ari Aster’s 2018 hit Hereditary and it’s nice to see Thewlis working with Kaufman again after playing the lead in the 2015 animated masterpiece, Anomalisa.

The dinner scene in which the new couple and the parents break the ice and get to know each other. What Kaufman has always been brilliant at is fleshing out his characters to a point where you know them but at the same time you don’t know everything about them. The characters cannot be fully trusted but because Kaufman writes it this way. These extra dimensions and layers allow the plot to naturally unravel. The film is directed from the Young Woman’s perspective so as she begins to doubt everything that happens, so does the audience. Its depiction of mental and emotional breakdown starts subtle but soon enough, the audience is thrust into a confusing narrative where stories change, the ages of characters change and even the protagonist’s name changes. The audience doesn’t truly know who the Young Woman is and so she could be any of these woman; a scholar, a waitress or an artist but her inner conflict in who she is and what she wants means that the uncertainties that unfold in Jake’s parents’ household are not as peculiar as it may seem.

Another unspoken aspect that is worth mentioning is the brilliant decision made to cut out music from the majority of it so the natural soundscapes provide the background noise. The opening piece composed by Jay Wadley is wonderfully intense underlying the horror aspects of the film as the Young Woman talks about her relationship and her outlook on life as a whole. The ballet sequence later in the film is driven by the musical narrative that Wadley composes and complimented the dancing perfectly.

Kaufman has knocked it out of the park again with his strong direction and distinctive writing and insight into the human condition. I’m Thinking of Ending Things is available on Netflix and I would definitely recommend giving it a watch. The ups and downs of the relationship is reminiscent of Kaufman’s screenplay for the 2004 film Enternal Sunshine of the Spotless Mind while still remaining original and developing its own DNA. I wouldn’t be surprised to see I’m Thinking of Ending Things in discussion when it comes to awards season. Thrilling and indulgent, it is a film that demands to be watched more than once.
Have you seen I’m Thinking of Ending Things yet? Let me know what you think in the comments below!
Categories
Uncategorised

Uncut Gems (2019)

I have said this once and I will say it again. When Adam Sandler puts his mind to it, he can turn out a star-studded performance that most dramatic actors can only dream of. He did it in Paul Thomas Anderson’s 2003 Punch-Drunk Love and he’s done it again in the mind-warping Uncut Gems, directed by Josh and Benny Safdie (commonly referred to as the Safdie Brothers). Following Howard Ratner (Sandler), the owner of a luxurious jewellers in the Diamond District in New York and his inability to function as a normal human would. Crippled simultaneously by debt and a gambling addiction to boot, Howard is an awful human being and the Safdies make this no secret. The audience isn’t supposed to like him and yet we do because he is charismatic and pathetic at the same time. When a priceless gem is delivered to him and loaned to basketball star Kevin Garnett, Howard finds himself on the brink of self-destruction as he struggles to get the stone back and at the auction house where he expects to earn millions. Produced by powerhouse studio A24 and distributed on Netflix, Uncut Gems is the film equivalent of an anxiety attack thanks to the unrelenting actions of its protagonist who doesn’t know how to relax. Featuring a variety of celebrity cameos including The Week’nd, Tilda Swinton and Natasha Lyonne, there is also a strong supporting cast led by Lakeith Stanfield as Howard’s assistant, Demany and Julia Fox as Howard’s girlfriend, Julia.

The Safdie Brothers’ vision comes across brilliantly on the technical side. Known for their collaborations with Ronald Bronstein who cowrote the script with both Safdies and also co-edited the film with Benny Safdie. This is a film that needed more than one mind behind the vision and the result is crisp and sleek. The writing is sharp and to the point which is crucial as there are many characters and plenty of scenes in which lots of characters populate the screen. It’s a film that benefits from its direct nature meaning that there are few speeches and little emotion. When the film does delve deep into serious emotion, it feels almost disingenuous because the characters are so self-absorbed. It is the deeply flawed characters that gives the film its grit. What I love most about this film is how fantastical it feels in terms of the tone as Howard lives a luxurious life and yet the violence he is exposed to grounds the film. There is a disconnect between the life Howie should have and the life that he does have. Despite his wealth, he is constantly viewed as an outsider for a multitude of reasons. One such reason is his Jewish faith which is constantly remarked on by his clientele, friends and those he deals with when betting. Another such reason is his inability to maintain sustainable relationships. His paranoia overtakes his love for Julia because he cannot truly fathom that a woman like her could truly love a man like him. His insecurity is a constant throughout the film and is the main reason for his instability.

uncut-garnett-sandler-1576518581

Adam Sandler is nothing short of brilliant in this film and should have been nominated for all of the awards including the Oscar. His performance is manic and seems lucid but the amount of work Sandler put into this character is clear. Howard is deeply complex. He is fully aware of his issues and yet doesn’t do anything about them. The film is constantly moving up and down as Howard’s rollercoaster way of living reflects the wins and losses he experiences in gambling. This film has become instantly quotable with gifs and memes flooding the internet. Howard’s sleaziness only adds to his dark humour and helplessness. The film is from Howard’s perspective meaning Sandler is onscreen for the vast majority of the film’s 135 minute running time. What makes the character of Howard so hypnotic and engaging to watch is that he acts like an unreliable narrator at times. We hope he pulls through but at the same time his flaws often outweigh his strengths. The climactic scene in which Howard is watching the final basketball game that he has bet all of his earnings on is deeply intense and yet he seems relatively calm. His certainty that he will win when his first bet was reliant on a coin toss is unbelievable. If there was an award for the most frustrating character in film history, Howard would definitely be up there but that is exactly how he is meant to be. He is one of the most unlikeable likeable characters I have ever come across and I think it’s credit to Sandler’s skill that he manages to pull that off.

The score provided by Oneohtrix Point Never is a showstopper. The tone that the score gives is in a similar vein to Jóhann Jóhannsson’s brilliant score for the 2018 film, Mandy. Much like Jóhannsson’s score, Oneohtrix Point Never’s score has also proven divisive but I think that Uncut Gems is a film that doesn’t hold back in its performance, script and subject matter. The music is futuristically nostalgic, merging various genres and sounds to create a soundtrack that is unique. Much like the protagonist, the score doesn’t seem to settle and keeps crashing through, heightening the tension and making for an anxiety-ridden audience experience. The score category in awards season was very strong this year but I still think it was a shame that the Uncut Gems soundtrack wasn’t at least recognised. The fact that it clashes with what you see on the screen adds to the jarring effect that the film brought.

uncutgems

Uncut Gems lives up to the hype and delivers brilliance in spades. It’s a shame that it wasn’t recognised this awards season but I believe that Sandler’s performance specifically will not go unnoticed. If anything, Uncut Gems has opened the door for Sandler to continue tackling challenging roles and it makes me excited to see what the Safdie Brothers have planned next. It’s a film that isn’t afraid to make light of the dark topics it explores such as addiction and violence. It’s reluctance to fit into a specific box of film makes it a stand out in the same way that Parasite is and I think it was stronger than a lot of contenders this awards season.

What did you think of Uncut Gems? Let me know in the comments below!

Categories
Uncategorised

The Two Popes (2019)

The first film I watched this decade is a surprising choice in the form of biopic The Two Popes following the conservative Cardinal Ratzinger (Anthony Hopkins) who becomes Pope Benedict XVI and his eventual friendship with the more liberal Cardinal Bergoglio (Jonathan Pryce), who later becomes Pope Francis. Directed by Brazilian director Fernando Meirelles with a script written by Anthony McCarten based on the latter’s novel The Pope, The Two Popes manages to successfully avoid falling into the trap of becoming another studio churned out biopic. There is no doubt that the two leads are the stars of the show and contribute a lot to the film’s overall acclaim but Meirelles control on the tone of the film and McCarten’s deeply intense script make The Two Popes a thrilling watch, particularly scenes when it is the two gentleman by themselves. The film’s strength comes in its constant shift in dynamic. The opening scenes follow the death of Pope John Paul II and the deciding vote on who will be his successor and the differences between the two eventual popes are crystal clear. Cardinal Ratzinger does everything in his power to become Pope and succeeds by persuading his fellow Cardinals during breaks from voting whereas Bergoglio is discomforted by the prospect of becoming pontiff. There seems to be a projected rivalry on the two men which Ratzinger seems to act on but Bergoglio is perplexed by this narrative.

The power from this film comes from the brilliant screenplay by McCarten. His script reads like a power struggle at times as the dynamic shifts between the two popes’ favour throughout. The inclusion of flashbacks and context into their histories also helps the film to avoid being just a simple story of one Pope’s decline and another’s ascension. There is no bias for either one as we are just presented with facts such as Ratzinger’s admission that he knew about the molestation within the Church before the scandal came to light. Despite the two men being a part of the same religion, they have completely different viewpoints. Ratzinger feels that resigning is the only way to seek absolution whereas Bergoglio thinks that he should remain Pope and see the scandal through to the end. Bergoglio’s upbringing and story is filled with a lot more turmoil than Ratzinger who seems to have had a more privileged upbringing. Their conflicting interests and differing politics result in Bergoglio coming across as more compassionate than Ratzinger because he is more accepting and open to change. The ending scene with the two men watching the football is funny to watch and makes for a light tone to suggest that their friendship is on good terms.

The two leads excel in their roles as expected. Jonathan Pryce is absolutely brilliant in the leading role as Bergoglio who is the quietly outspoken of the two. Constantly having to justify his stance on controversial topics that differ from the conservative Church teachings, Bergoglio is seen equally as a disgrace and a revolutionary within the Church. It comes to light that this has been the case all his life with his complicated background during the Argentinian militaria regime. Whereas Ratzinger revels in the tradition and opulence of the Catholic Church, Bergoglio is happy with what he has. He doesn’t understand why those high up in the Church live in such luxury. Pryce is perfect casting in both his appearance and his characterisation, truly becoming the future pope. You never know what he is going to do or say next because he is unpredictable. One minute he will be conversing in Latin with Ratzinger and the next he will be teaching him how to tango.

Anthony Hopkins’ performance is his best in film for years. Bringing out mannerisms subtly with an understated accent and acting that seems effortless but is really meticulous, Hopkins is fantastic as the newly elected Pope. Ratzinger is not necessarily a likeable character because he is so set in his ways and has many dated opinions that don’t fit in with the times. He is clearly a highly intelligent man and extremely well-read but also detached from modern society. In some ways Bergoglio tests him to embrace the present world more and try to adapt. We don’t see as much of Ratzinger’s background as Bergoglio’s but Hopkins gives us enough to know that he has always been a lonely figure. The scene in which Ratzinger gives Bergoglio his confession is fantastic. The audience lingers on Hopkins’ words as he reveals his difficult time growing up and being saved by God.

In terms of awards buzz, The Two Popes has garnered attention for Pryce and Hopkins’ performances. I don’t think either will win due to strong competition in both categories but they are deserved nominations. I didn’t think I would find this film particularly enjoyable but I was pleasantly surprised. The performances alone are enough to the grip the viewer but it proved to be even more. It’s not a film about religion but more of a character study about two very men who are connected because of that religion. There were many gripping scenes filled with tension as the two popes debate about various aspects of the church. I also wasn’t expecting the film to have so many funny moments as well and it doesn’t feel too heavy in subject matter. I think following it primarily from the point of view of Bergoglio was a smart choice as we see the events from both the inside and the outside depending on what is happening.

What did you think of The Two Popes? Let me know in the comments below!

Categories
Uncategorised

Dolemite Is My Name (2019)

Dolemite Is My Name is a brilliant look into the life of African-American icon Rudy Ray Moore played by Eddie Murphy in a career best performance. Moore is a man of many talents: acting, singing and stand-up. His comedy routines are his way into fame as he channels an alter ego Dolemite, a pimp style man of the 70s who speaks in rhyme and quickly builds up a fan base within the African-American community across the US. The film specifically follows his rise to stardom and the production of his first film Dolemite, a blaxploitation feature in which he plays his comedic alter ego. Directed by Craig Brewer and written by Scott Alexander and Larry Karaszewski, Dolemite is my Name marks a welcome return to Eddie Murphy as a leading man on the big screen and also boasts a brilliant supporting cast with Craig Robinson, Tituss Burgess, Keegan-Michael Key and Snoop Dogg. It’s brash and upfront, unafraid of its subject and showing just how far one will go for their time in the spotlight. The writing is spectacular and even the scenes where Moore isn’t speaking in rhyme almost have a poetic quality to them. Every pause and interaction has a flow that works brilliantly in the film and the characters interact naturally. You completely believe and engage with the characters and at no point are drawn away from the film. The direction is quick and sharp with eye-catching colour palettes that exemplify Moore’s even more colourful personality. Everything about this film was completely wonderful to watch.

In a sea of biopics, it would be easy to miss this one which seemed to sneak onto Netflix without fanfare but that would be your loss. Moore is a man who loves the limelight and will do anything to get it. He will do whatever it takes to become famous even if it means nudity, violence or strong language. He isn’t afraid of vulgarity and thrives on the offensive nature of his content. Who better to play such a controversial figure than Eddie Murphy? Murphy allows himself to embrace all aspects of Moore’s personality from his strong bravado to his insecurities and flaws. He has left no stone unturned in his preparation and the result is a captivating and stunning performance that does the Moore legacy proud. I hope Murphy continues releasing films like this that show his talent and range as an actor. In this film alone, he has to sing, act and perform stand-up as a man who is himself portraying a character. That is tricky to pull off and yet Murphy seems to do this effortlessly. This is a film that has a big cast list and yet Murphy is the draw and the centre of attention at all times. There aren’t many moments when he isn’t onscreen and yet his presence is anticipated and felt. Of course, this is only natural since it is a biopic on his character but it really is a magnetic performance.

dolemite

As mentioned before, the supporting cast is crammed full of amazing talent. If I had to choose one that stands out from the rest, it is probably Keegan-Michael Key as screenwriter and actor Jerry Jones. Jones is an earnest playwright who makes films that explore racism in modern society. When initially approached by Moore to write the screenplay for the Dolemite movie, he is reluctant to jump onboard but is eventually taken in by the scope of Moore’s fanbase. His reactions during and after filming the sex scene for the movie is priceless. Jones is a character who is taken way out of his comfort and it initially makes him seem like the only sane person in a crazy bunch but eventually he allows himself to have fun with it. I also really enjoyed Craig Robinson’s appearance as Moore’s friend, Ben Taylor, who provides the theme song for the Dolemite movie. His role is only small but when he is onscreen, it’s wonderful to watch. The character of Taylor is great to watch as it shows his support from before Moore’s fame and ascension. The supporting characters really do support one another. It is a film that, although centred around one individual, tells the stories of multiple people. One touching story is Lady Reed (Da’Vine Joy Randolph) who is cheated on by her husband and doesn’t know what to do with her life. Alongside Moore, she stars in the film and joins him on the stage for stand-up. Although she is assisted by Moore, Lady Reed is strongly independent and isn’t afraid of sticking up for herself and her beliefs. The scene in which she thanks Moore for putting a plus size woman of colour onscreen allows Moore to realise that his project goes beyond entertaining people.

Although it has grabbed the attention of awards panels, particularly Eddie Murphy’s performance, it feels as though Dolemite Is My Name has been swept under the carpet. This could be due to Netflix’s loyalty to its other release, The Irishman, and so they have pushed that far more. In truth, I prefer Dolmite Is My Name as a film because it feels like something new and unique whereas The Irishman brings out what Scorsese does best but nothing that we haven’t seen before. I hope that if anything Murphy gets an Oscar nomination because it would be a real shame not to acknowledge the brilliant work he does on this film.

dolemite1

In a climate that has seen a rise in racism and extremist politics taking hold, Dolemite Is My Name is a film that is desperately needed. It is thoroughly entertaining and provides plenty of laughs but it equally holds no punches in its subject matter and isn’t afraid to explore the darker truths of society. It’s interesting to think that such a diverse figure such as Moore was renowned and accepted in the 70s but the struggle and work he had to put in to get there is testament to the struggles that African-Americans face on a regular basis. I hope that there are more films like this released in coming years as it is so important to present stories from all walks of life.

What did you think of Dolemite Is My Name? Let me know in the comments below!