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Top 10 Tom Hanks Performances

It’s no secret that I am a huge Tom Hanks fan. He has been one of my favourite actors for as long as I can remember and there is a reason why he is so loved by everyone. An extremely talented actor and nice personality, Tom Hanks has built a reputation for being one of the most respected actors in history and it’s easy to see why. It was so difficult for me to pick a top 5 so I’ve gone ahead and done a top 10 instead. This list is only the tip of the iceberg for this man’s career and shows his range. We see him evolve from a kid adult to a prison officer working on Death Row to portraying Walt Disney himself.

Hanks is an actor who encapsulates his roles and is a constant draw for the box office. He’s worked with some of the best directors and actors around particularly Robert Zemeckis (Forrest Gump, Cast Away and The Polar Express) and Steven Spielberg (Saving Private Ryan, The Terminal, Catch Me If You Can and Bridge of Spies). There’s no performance that he has done that I don’t love. Admittedly, the Dan Brown films are one of my guilty pleasures even though they are absolutely ridiculous but Tom Hanks brings such an enthusiastic performance that I find them so much fun to watch, especially Angels and Demons.

Here are my top 10 in chronological order:

Big (1989)

Big is one of those films that I could watch time and time again and never get bored. Following Josh Baskin, a young boy who wishes to grow up and then does overnight. This film is made even better when he grows up into Tom Hanks. Hanks has so much fun as adult Josh in this role as he fills his apartment with everything a cool kid had in the 80s. He is the perfect mix of charming and hilarious. I mean, who doesn’t love the scene with the piano?

Sleepless in Seattle (1993)

It wouldn’t be a true Tom Hanks list without featuring a classic Nora Ephron romcom with Hanks and costar Meg Ryan. My favourite of the bunch is Sleepless in Seattle which makes my heart melt every time I watch it. Hanks plays Sam, a grieving architect whose son calls into a radio show to tell their story. In true Ephron form this film is the true epitome of the romcom genre and is a delight to watch. The climactic scene on the observation deck of the Empire State building has me screaming at the TV every time.

Forrest Gump (1994)

Possibly the most famous Tom Hanks role, Forrest Gump sees Hanks play the iconic titular character who sees the world in a different way. Bringing Hanks the Best Leading Actor Oscar for the second year in a row after the previous year’s Philadelphia, Forrest Gump propelled Hanks into a global phonenom and landed him at the top of every director’s list. His performance is not condescending nor over the top as he places a heavy focus on Forrest’s naivity rather than his disabilities.

Toy Story Franchise (1995-present)

It would have been a crime not to include these but I couldn’t pick just one. Tom Hanks’ Voicework as Woody the toy cowboy is nothing short of extraordinary and really brings the toys to life. For over 20 years, Pixar have charmed us with the story about a group of toys who watch their owner grow up. Hanks’ performance is worked up and super stressed as Woody struggles to keep his control. He’s a brilliantly flawed character who constantly makes mistakes doing what he thinks is right. The fourth installment that was released this year was revolutionary for Woody as he finally embarks on a life that he wants.

Saving Private Ryan (1998)

Hanks’ first collaboration with Spielberg is probably the most dramatic and to that point, “blockbustery” of his career. Playing Captain John H. Miller who leads a small group of soldiers to find and rescue the missing Private James Ryan (Matt Damon), Hanks made his mark as the big leading man in cinema. It’s the film that should have swept the Oscars but was beaten by Shakespeare in Love in a huge misjustice for the Best Picture gong (don’t get me started). What separates this film from other war films is that Hanks between the heart of the film and shows the emotion behind the fighting.

The Green Mile (1999)

The Green Mile is one of those films that brings me to tears every time I watch it. Following Hanks as head prison officer, Paul Edgecomb, working in the Death Row block. When a 6 foot black man, John Coffey (Michael Clarke Duncan), is jailed on the block, mysterious events begin to happen that cause Paul to challenge his morals and his faith. It’s a brilliant film that I don’t think receives the praise that it deserves, mainly due to it being the second prison based Stephen King adaptation after The Shawshank Redemption in 1994. Hanks is fantastic as Edgecomb. He is sharp, observant and has a strong moral compass. The scenes with him and Duncan make for some heart wrenching cinema as the truth behind Coffey’s imprisonment come to light.

Cast Away (2000)

If I had to pick one Tom Hanks performance to put at the top of my list, this would be the one. It’s iconic, it’s fantastic and it should have earned Hanks his third Oscar. Hanks plays Fedex driver, Chuck Noland, who survives a plane crash and becomes stranded on a desert island for year. The premise is simple but the film is anything but. Hanks goes all out to deliver a career best performance that sees Chuck removing teeth with an ice-skate blade, catching fish with a spear and finding companionship with a volleyball called Wilson. What makes this film truly standout is Hanks’ ability to keep the audience’s attention by himself for the film’s 143 minutes.

Catch Me If You Can (2002)

This fun flick sees Hanks reunite with Steven Spielberg for the chase of a century as Hanks plays FBI agent, Carl Hanratty on the hunt for Frank Abagnale Jr (Leonardo DiCaprio), a young conman across the globe. It’s a brilliantly entertaining film to watch as Hanks fails time and time again to capture Abagnale. Hanks and DiCaprio are an odd pairing for leads but it works really well and you can tell that both are having a good time.

Captain Phillips (2013)

This gem of a film is a stellar thriller that showcases Hanks’ timelessness as an actor. Playing the titular character whose cargo ship is overrun by Somali pirates, Hanks works brilliant alongside Barkhad Abdi who plays Somali pirate, Abduwali Muse. Most of the cast in this film are fairly unknown and it’s nice to see that although Hanks is the lead, that others are given the chance to shine, particularly Abdi, who won a BAFTA for his performance. Hanks isn’t an actor who has to hog the spotlight every time he is onscreen.

Saving Mr Banks (2013)

Tom Hanks as Walt Disney. Do I even need to say more? It’s one icon playing another and it is perfect casting. I absolutely adore this film and am always watching it when it is on the TV. Following author P L Travers (Emma Thompson) as she is pursued relentlessly by Disney who wants to adapt her famous Mary Poppins books into a film, we see Travers enter a world she has no interest in. Hanks is truly magical as the big man himself and lights up the screen everytime he appears.

So there you have it! We have journeye through the highlights of this legend’s career. With a deserved life achievement Cecil B Demille award on its way from the 2020 Golden Globes, Hanks’ career is far from over. I am excited to see his upcoming films.

Which Tom Hanks performances are your favourites? Let me knows in the comments below!

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Top 5 Joaquin Phoenix Performances

Undoubtedly the man of the moment in the film that has the festival circuit buzzing, Joaquin Phoenix is the frontrunner for awards for his titular performance in Todd Phillips’ origin story Joker. During a film climate that seems dominated by superhero films, Joker seems like it is doing something entirely different by twisting the tone and idea of the superhero movie. It feels that after years of playing the underdog in Indie features and his reluctance to entertain the spotlight, the mainstream media has finally caught up. It feels only right that I compile a list of my top 5 performances although it’s very tricky to do so.

Here’s my top 5 in chronological order:

Gladiator (2000)

I never thought Gladiator would be in a top anything list. Truth be told, I find the film overwhelming overall but the one element of it I absolutely love is Joaquin Phoenix’s brilliant performance as the evil Commodus, the power hungry son of Marcus Aurelius who gives power to Maximus (Russell Crowe) until a new empire is formed. His lust for power knows no bounds as he murders his own father and has Maximus arrested. It’s Phoenix’s performance that brings the real depth to this film. He could have easily played this role as a cartoonish villain but instead brings a snakelike presence to the character. His strength comes from the power that others give him rather than strength that he has by himself which comes to fruition in the final fight scene with Maximus.

The Master (2012)

Undoubtedly my favourite Joaquin Phoenix performance, The Master follows ex-marine Freddie Quell (Joaquin Phoenix) as he becomes involved with a cult called The Cause, led by Lancaster Dodd (Philip Seymour Hoffman) and his wife, Peggy (Amy Adams). I won’t dwell too much on this film, mainly because I have written an extensive review for this film (which you can read here). Phoenix brings his A game to his performance and it truly is a career best. The scene where he initially undergoes “Processing” with Lancaster in which his darkest secrets and even darker past are revealed. It’s a brilliantly shot scene that brings together to titans of acting and should have won both Phoenix and Hoffman Academy Awards.

Her (2013)

Spike Jonze’s romantic Her shows a tender side to Phoenix in the role of Theodore Twombly, a depressed soon-to-be divorcé whose job is writing intimate letters for people who are too afraid to do so. He is so emotionally intense and yet detached at the same time as he begins a sexual relationship with his OS (voiced by Scarlett Johansson). Featuring a stellar cast that is rounded off by Amy Adams and Rooney Mara, this was one of the best films of 2013 and brought Spike Jonze a much-deserved Oscar for his screenplay. It’s a saddening portrayal of love and heartbreak in the 21st century. This is a film that easily could have fallen into ridiculous due to its eccentric plot but the sincerity that Phoenix brings to the role allows the audience to become truly invested in the plot.

Inherent Vice (2014)

Phoenix’s second collaboration with Paul Thomas Anderson brings renowned author Thomas Pynchon to the big screen in what is the only adaptation to date. Based on the drug-infused novel, Inherent Vice, we follow Doc Sportello, an alcoholic, drug-loving cop in 1969 as he tries to bring down a drug lord. It’s a hallucinogenic mesh of colour, music and Joanna Newsom who stars as a narrator only Doc can see. The film itself is hugely underrated, possibly due to the fact that it is too bizarre for a lot of people. Being a big fan of Pynchon, I was so excited to see how it would work adapting one of his books into film and it works perfectly. Phoenix is perfect casting and carries off Doc’s happy-go-lucky attitude with ease. He heads up a star-studded cast fantastically and commands the screen whenever he is on it. He brings the perfect amount of slapstick while also keeping the character’s dignity intact. It’s truly a brilliant film that I think is wrongly overlooked.

You Were Never Really Here (2017)

Lynne Ramsay’s gritty New York City based nightmare follows Phoenix as hitman, Joe, who lives and breathes violence and killing all while living with his elderly mother in his childhood home. He specialises in rescuing trafficked girls. He’s a character who’s backstory is stained with violence and abuse and there isn’t much else that he is capable of doing. He is quiet and alone but happy in his loneliness. When tasked with retrieving a Senator’s daughter from traffickers, Joe embarks on his hardest mission yet. The film is bloody and holds no punches. It’s brutal from beginning to end with devastating results. The direction and writing is super tight and brought both Phoenix and Ramsay prizes at Cannes Film Festival in a rare double win.

With the release of Joker, it seems that Phoenix is going to break into the mainstream and he’s the frontrunner come award season. It seems that these awards are long overdue. If it were up to me, he’d have a couple of oscars in his cabinet already but sadly that hasn’t been the case. I’d hope that those who are introduced to phoenix’s talents as the Joker watch him in other films and see his talents beyond that superhero universe.

I’ll be posting a review for Joker as soon as its released and I’m looking forward to seeing whether it would break into my top 5.

What do you think of my list? Do you agree or disagree? Let me know in the comments below!

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It: Chapter Two (2019)

Set twenty-seven years after the events of the first instalment, It: Chapter Two brings the Loser’s Club back together as they reunite in Derry to defeat It once and for all. Bringing in an ensemble cast led by Jessica Chastain and James McAvoy to play the Losers as adults, It: Chapter Two is just as unexpected as the forms It can take. It’s important to remember that even in the book, the adult segments and teenage segments create an entirely different viewpoint and therefore, this creates an entirely different film. While the first segment brings us that introduction to It (in particular, Pennywise the Dancing Clown), the adults are already familiar to his tricks and aims. By this point, we’re familiar with the individual fears and the gang know how to defeat them; however It isn’t willing to give up that easily as he has been wreaking havoc on Derry. This film is told from the perspective of the insider as outsider as they witness tragedies happen but are unable to do anything about it and question whether they should do anything about it. After all, what has Derry done for them? It’s a film that shows that right and wrong isn’t always black and white.

With the exception of Mike (Isaiah Mustafa), who stayed in Derry, the gang moved away to various locations with their memories of the tragic events blurred the further they live. This may seem like an escape but the members of the club are leading unfulfilled lives. Bill (James McAvoy) is a seemingly successful writer who can’t seem to write a good ending, Beverly (Jessica Chastain) has found herself in another abusive relationship, Richie (Bill Hader) is an alcoholic stand-up comedian, Ben (Jay Ryan) is a dissatisfied architect and Eddie (James Ransone) has married a woman who is just like his mother (a funny touch being that they cast the same actress for extra measure). The only member of the gang who seems to be content is Stanley (Andy Bean) who is happily married and is looking forward to going on holiday. The trauma of the past events slowly piece together for the group as the film goes on but for Stanley, it immediately comes crashing down as soon as he sees the Derry number pop up on his phone. It’s brilliantly cast with Chastain and Hader particularly being my highlights from the Losers. The rapport between them feels as natural as it was in the first instalment.

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The forms that It takes in the first instalment are the fears of the gang members in particular. In this film, the forms become more bizarre and veer on the side of grotesque with baby heads on the bodies of cockroaches as one gruesome example. The scenes when these creatures dominate can tend to go on for too long but the effects are brilliant and it is terrifying to watch. With double the budget, the special effects team have gone to town with making It as disgusting as possible with all sorts of bodily fluids floating around the place.

And now it’s time to talk about It itself. Bill Skarsgård has somehow exceeded the expectations from the first one and manages to bring another level of depth as he uses his emotions to trick the kids of today. One little girl is touched by his story of being a lonely clown with no friends in a scene that sees Pennywise act weirdly human which is unsettling to watch. We see Pennywise become completely unhinged as he is gradually backed into a corner as the gang work together to figure out how to kill It once and for all. He’s cheeky and mischievous as ever but more determined to make the deaths as gory as possible.

Both Andy Mushietti and Gary Dauberman are reliable in the roles of director and screenwriter, respectively and clearly have love and passion for the novel as they are faithful as can be. Even the changes that have been made feel necessary and natural to the progression of the plot and are mainly because of the time difference between the book and films. The brilliance of it ensures that today’s audiences are terrified just as the 80s audience would have been terrified from the book. If the films had followed the timelines in the book then it wouldn’t have the same impact due to how much the world has changed since then. One change that I am uncertain about was that rather than have Ben remain in Derry, they stayed with Mike. Mike is the one in the book who does all the research rather than Ben so naturally that would mean that in the film Ben stays in Derry so that aspect seemed disjointed in the film as we don’t really see Mike’s progression and research into madness from that early age which is done really well in the book. This doesn’t take away from the film but it did make me wonder why they decided to do it this way instead.

pennywise

The younger cast also make welcome appearances in flashbacks from the firsts film as well as additional scenes that were mainly filmed alongside the first film. Seeing the shots of the gang as teenagers against their adult counterparts shows how perfectly cast the film is, particularly Eddie and Beverly.

It’s quite difficult to compare the two films as they have completely different tones and themes. It would be too simple to merely state that it is a “grown-up version” of the first part as the characters have actually struggled to grow-up and remain largely as adult versions of their teenage selves which begs the question of: have they really escaped It? Did It stunt their emotional and mental growth into adulthood? It’s certainly more mature than its predecessor in its themes and especially explicit in its portrayal of abuse with the homophobic attack at the beginning one of the most shocking scenes I have ever seen in a film. It was horrific to read it in the book but on the screen, they didn’t hold back with the brutality and it showed that the greatest monster is actually mankind.

My favourite aspect of the film is a cameo by the brilliant mind behind the book. Yes. Stephen King makes a brilliant cameo as an antique shop owner who extorts Bill when he wants to buy his bike. It’s a great scene to watch and makes the film feel homely. It’s also a nice homage to the works of Stephen King. Let’s not forget that his work has been adapted the most and not always successfully so it’s great to see that this has his seal of approval.

What did you think of the film? Did you enjoy it? Let me know in the comments below!