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The Nightmare Before Christmas (1993)

For those who enjoy alternative Christmas films, there’s Tim Burton’s marvellous creation The Nightmare Before Christmas. Based on characters created by Burton and directed by Henry Selick, the film follows the residents of Halloween Town and popular figure Jack Skellington on his quest to bring Christmas joy in a bid to change things up. A mash up of Halloween and Christmas films that also flits across various genres such as light horror, musical, drama and comedy. The Nightmare Before Christmas also has the added bonus of being a great choice for family viewing as well which I have discussed in a previous post that you can read here.

The screenplay by Caroline Thompson perfectly encompasses Tim Burton’s vision with Selick’s direction perfectly complimenting the darkly comic tones of the writing. As we shift between the two worlds, we really get the inner struggle Jack has as he remains loyal to Halloween Town but also wants to explore the Christmas traditions. The Nightmare Before Christmas feels like a collaborate effort between its various creators in production and is clearly a labour of love. The stopmotion animation is perfect for the film as it brings something new to the Disney animation catalogue. Full of amazing sequences throughout, the contrast between the darker, murkier tones of Halloween Town and the bright dazzling colours of Christmas Town keep the audience attention as the two eventually merge together.

The voice acting in this film is among the best in animation with Chris Sarandon and Catherine O’Hara doing brilliant performances as Jack and Sally. Elfman provides Jack’s singing voice and does a superb job as well. Sarandon’s voice is hugely energetic and charismatic and captures that childlike wonder that Jack has when venturing into Christmas Town and bringing the Christmas cheer to Halloween Town. Likewise, Elfman’s vocal performances are all stellar and particularly in “What’s This?” when Jack is exploring Christmas Town. O’Hara’s take on Sally is a contrast, however, as she is melancholy and longing for freedom and Jack’s affection. There are so many beautiful sequences in this film but few get as iconic as the image of Jack and Sally on the whirly tree in the graveyard (you know which one I mean).

The star of the film comes in the form of the amazing Ken Page as antagonist, Oogie Boogie. A character that is literally a sack of bugs, Oogie Boogie is hellbent on taking Jack Skellington down with the help of his three minions: Shock (O’Hara), Lock (Paul Reubens) and Barrel (Elfman). Page’s voice is full of power and his performance of the appropriately named “Oogie Boogie Song” is fantastic. You can also sense how much fun Page is having with the role. Everytime I watch this film, I am always in awe of his performance. It is definitely among my favourite voice performances of all time.

Danny Elfman’s score and songwriting is a wonder to behold and his signature whimsical sound marks another amazing collaboration between him and Burton. In many ways, this feels like Elfman’s film as much as Burton’s with Elfman providing his usual genius score and songs as well as his singing voice for various characters. The soundtrack is full of many highlights from the instantly memorable “This Is Halloween” that opens the film to the sinister “Kidnap the Sandy Claws” in which Oogie Boogie’s henchmen, Shock, Lock and Barrel plan various ways to kidnap Santa Claus.

Overall, The Nightmare Before Christmas is a film that demands to be watched time and time again. It can be watched at Halloween and certainly at Christmas, making it a perfect film to crossover between the two. Despite not being directed by Burton, it remains a key part of his filmography and has become synonymous with his image. Burton’s vision is so strong that people tend to forget that it was Henry Selick that directed the film. The resulting film is a fantastic look into the dark side of imagination that manages to be both creepy and fun at the same time.

What do you think of The Nightmare Before Christmas? Let me know in the comments below!

The Nightmare Before Christmas is streaming on Disney+.

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“Amok, amok, amok, amok, amok”: Halloween Family Fun

“I’m a master of fright, and a demon of light, and I’ll scare you right out of your pants!” 

– Jack Skellington, The Nightmare Before Christmas

Halloween is a favourite time of year for many. The spooky decorations, costumes and sweets galore, Halloween is the perfect time of year to whip out the horror films and have a marathon. Also, given that we’re in a lockdown situation, it seems like a movie night will be the best way to celebrate the scariest night of the year. However, not everyone can stomach the gore of the Saw films or Midsommar but don’t fret, there are so many films available for younger audiences and the faint of heart. But why do people of all ages love to watch scary films? Filled with creepy costumes, unimaginable monsters and black magic, horror has always been relied on to entertain and stretch the imagination to its limits.

The first name that comes to mind when thinking of family horror is Tim Burton. Combining Halloween with a Christmassy texture in his earlier films such as The Nightmare Before Christmas (1993) which features characters he created. His imagination sparked a new wave of gothic childlike films that have gained millions of fans around the world. From the magical music numbers to the vulnerability of his characters, Tim Burton’s vision is undeniably horror but also mixed a variety of genres such as comedy and musical to make it suitable and accessible for all ages. Even in his later films such as 2005’s Corpse Bride, he adapts this approach and it still remains as popular as ever.

Seeing how successful it was on release, Disney have taken ownership of The Nightmare Before Christmas since and before this appeared to channel their Halloween offerings into their live-action films. It’s rare to find someone who isn’t aware of the 1993 hit Hocus Pocus which follows the evil Sanderson sisters, a trio of witches set on killing the children of Salem to regain their youth once more. Led by Bette Midler in one of her best performances, Hocus Pocus follows the same approach at exploring the scary topics through comedy and music. It’s no surprise that, despite being critically panned, dedicated fans watch the film every Halloween. Between the likeable characters and the fantasy aspects introduced through the eyes of a Californian native who has recently moved to Salem with his family. What transpires is the terrifying resurrection of three witches who are hellbent on killing the town’s children before sunrise on Halloween night or they will vanish again. It’s a fun film with quite a bit of adult humour to appeal to older viewers and lots of creative costumes to captivate children. It’s such a great watch. Besides, who doesn’t love to sing along to Midler’s fantastic rendition of “I Put A Spell On You”?

Despite never having made a feature film for them, Burton did work at Disney in the 80s but was fired as his work was deemed too dark for children. However, it cannot be argued that his influence has had an affect on Disney’s approach to scarier films in the years since. This reasoning is odd considering that 1985 saw Disney release their scariest movie to date with The Black Cauldron bringing the Studio’s first PG rating. However, it may be due to the film’s failure at the box office that supported their decision to fire Burton. Aside from The Black Cauldron, the only horror animated films Disney had released by 1990 was The Tales of Ichabod and Mr. Toad (1945) which, despite its dark ending, was much lighter in tone than The Black Cauldron. Needless to say, Disney is not the only studio producing horror content for a younger audiences.

Another popular way that filmmakers integrate horror into their films is through satire. Even if younger audiences don’t understand all of the punchlines or references, there are still plenty of laughs to be had. Take Aardman’s Wallace & Gromit: The Curse of the Were-Rabbit and Laika’s Paranorman, two stopmotion animations that take the horror genre and change the rules. The former taking the classic monster werewolf and turning it to a vegetable-crazed were-rabbit and the latter making its protagonist the “monster” as he is a young boy who can see dead people. What makes these films so successful in their audience outreach is that the visuals and stories are enough to captivate and scare younger audiences and older audiences will understand the deeper context.

Halloween has always been a popular time for film fans with new horrors being released every year. Not only is it fun to watch new films but revisiting old favourites for nostalgia always makes for a great time and although it is entertaining to watch some the more gory offerings, it’s nice to watch a lighter family Halloween film as well. Just because a film doesn’t contain massive amounts of blood and guts doesn’t mean that a film can’t be scary and entertaining. Films like The Nightmare Before Christmas and Paranorman have become modern classics because of their fearlessness in bringing out vulnerability in potentially scary characters. No one has to miss out on the jumpscares and thrills after all.

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A Nightmare on Elm Street Ranking

If you had to ask me what my favourite horror franchise is, I would say A Nightmare on Elm Street with no hesitation. Home to Wes Craven’s iconic slasher villain, Freddy Krueger, a dream-haunting nightmare with knives for fingers on one hand. He’s disgusting and terrifying and doesn’t let his victims die easily. The first film was released in 1984 and has seen multiple sequels, a reboot and even a feature mashup with another certain horror icon. They’re not to everyone’s taste due to their extreme violence and inappropriate content but as a horror fan, I find them fun to watch. Kruegar is the first truly charismatic slasher to come from this genre as Jason and Michael Myers silently stalk and kill their prey. Freddy on the other hand likes to torment his victims and is constantly making grim jokes about their pending demise. Wes Craven has always been a skilled filmmaker but he really reached his peak with this creation. It’s brilliant and crosses the line between horror and humour. This makes the films entertaining and, dare I say, enjoyable to watch.

Now I’ve already done a ranking for the Child’s Play and Final Destination films which you can read here and here, respectively, but I thought it would be fun to look at this franchise as a whole and see where the films would slot from best to worst.

Without further ado, let’s delve into the nightmare and get on with the reviews:

A Nightmare on Elm Street (1984)

The one that started the nightmare. A Nightmare on Elm Street is a pioneer in the slasher genre, coming after Halloween (1978) and Friday the 13th (1980). Spearheaded by horror legend, Wes Craven and featuring Robert Englund as the gruesome killer, Krueger, we are plunged into a world that sees the teens of Elm Street slashed to death one by one. The film is widely known for its explicit violence, paedophilic themed subtext and also marked Johnny Depp’s film debut. A group of teens start being killed off one by one, apparently by a badly burned man with knives for fingers. Led by Nancy Thompson (Heather Langenkamp), the group work together to trap and kill the monster. It’s an iconic film. Even if you haven’t heard of it, you know what Krueger looks like and the basic premise of the film. Nancy is a brilliant protagonist and just like Laurie Strode in Halloween franchise, she is fearless when needed. It’s strange to think that a genre associated with the subjectification and glorification of violence towards women (which is a completely legitimate issue) also provides such progressive roles for women as well. There’s a humour in this film that you don’t really see in other slashers that would set a trend for franchises like Child’s Play and the sequels for Friday the 13th which purposely become weirder as the films went on.

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A Nightmare on Elm Street 2: Freddy’s Revenge (1985)

It’s no secret that I love camp horror films. I love a film that isn’t afraid to be highly satirical of itself and the genre. Despite only being released a year before, Freddy had become somewhat of a titan of horror. A sequel was rushed through with no involvement from Craven and the result is the polar opposite of its predecessor. The film follows the Walsh family who move into the Thomson family home five years after Freddy’s initial defeat. Teenage Jesse (Mark Patton) is struggling to fit in and finds himself getting into fights with his peers at school but his world is quickly flipped when the people who . The film has become a cult classic among fans and is known for its homosexual undertones with Englund himself declaring it a “bisexual film”. There is a strong argument to suggest that Jesse’s inability to fit in is due to his conflict with his own sexuality. The big issue that I have with this film is that it flips Freddy around to be the hero. When he’s bullied by a group of partying teenagers, the audience sympathises with him. This sentiment was shared by Craven himself who stated that Freddy should be “threatening and overpowering” which I think was missing. Freddy becomes a punchline in this feature rather than a genuine threat.

A Nightmare on Elm Street 3: Dream Warriors (1987)

This sequel does not get enough love. Coming off the failure of the previous installment, Dream Warriors is a brilliant addition to the franchise. It’s known among fans of the franchise that this film is fantastic but not as well known to horror fans in general who truthfully are missing out. Following a group of young people in a psychiatric ward, we see Freddy messing with the minds of these vulnerable individuals and watch as their pleas are quashed by the doctors and other authorities figures. The film marked Patricia Arquette’s film debut as Kristen Parker, a young teen who is chased in her dreams by Freddy who then cuts her wrists which looks like a suicide attempt to her mother who swiftly commits her to Westin Hills psychiatric hospital. She teams up with a group like her who have had nightmares of the same man and soon they are killed one by one. Calling themselves “dream warriors”, they plan to use their weaknesses as strengths to quash Freddy’s murderous attempts. The film also marks the welcome return of Heather Langenkamp as Nancy who has grown to be a psychiatrist, inspired by the events of her childhood. This film features some of the best death scenes in the franchise and sees Craven taking control of his franchise once again.

A Nightmare on Elm Street 4: The Dream Master (1988)

The film follows the remaining survivors of the third film (Tuesday Knight taking over the role of Kristen Parker) after they have been released from the psychiatric unit one year later. Kristen is still haunted by what happens and Freddy returns to cause havoc on the survivors and their school friends. This is where the films start to play the same routine and becomes more repetitive but trying to make the death scenes as ridiculous as possible. There is even a death where one of the girls is turned into a cockroach and squished! It’s still a good popcorn flick but largely unoriginal. This film also features Lisa Wilcox as new protagonist, Alice Johnson, who takes the helm as scream queen for this segment after befriending Kristen. I like the aspect of bringing someone else into the dream which is continued from the third film into this one. Freddy uses Alice to lure him to her friends who he starts to pick off one by one, including a horrific death involving her asthmatic friend. This installment was the highest grossing the original franchise and kept it that way until 2003’s Freddy vs. Jason so it was a huge hit with audiences.

A Nightmare on Elm Street 5: The Dream Child (1989)

The fifth film follows Alice (Lisa Wilcox) who is still haunted by the events of the fourth film. The opening scene throws us immediately into the dream world as we see Alice as Amanda Krueger, a nun who works in a men’s psychiatric ward who is subsequently raped by masses of inmates when she is accidentally locked among them. She has a second nightmare that sees Freddy as a baby digging up his remains from the fourth film and brings him back to life. After Alice’s boyfriend, Dan (Danny Hassel), dies tragically, Alice is convinced that Freddy is back which is swiftly followed by the revelation that she is pregnant and Freddy subsequently starts to give the unborn baby powers so he can be more like him. There is a lot going on in this film and the more I think about it, the more confused I become. There’s the usual plotline of Freddy killing teenagers then the subplot of Alice’s pregnancy and then there’s the second subplot involving Freddy’s origins. It’s a lot to cram into one film and naturally the film fails because of it.

Freddy’s Dead: The Final Nightmare (1991)

This installment is by far my least favourite. If you thought the previous film was overcomplicated then you’re not prepared for this one. Freddy has killed all the kids and teenagers in a small town and seeks out the one survivor to bring more teens to kill. There are so many questions that come to mind regarding the cannon and where this sits in the universe as there is no reason for his reincarnation from the last one. The adults in the small town have gone insane and there is definitely a strange Twin Peaks tone that they are going for that fails spectacularly. This is probably the rock bottom for the original franchise and seems to just be a money grab rather than a genuine passion project. It also features a cameo from Johnny Depp and a bizarre cameo from Roseanne Barr who plays one of the deranged townspeople.

Wes Craven’s New Nightmare (1994)

This film takes place outside the universe and is a unique experience as it is very meta. Following the making of a new film, Freddy breaks out and starts killing the cast and crew. Featuring a return from Heather Langenkamp and with many of the other parts played by cast and crew. Wes Craven returned for the project and the great thing is that it seems like everyone is genuinely having fun. It’s a shame that this film had become largely forgotten as it is a great addition to the franchise. It’s to Craven’s credit that he is always trying to think of something new while still being faithful to the originals. The Freddy in this film also goes back to darker routes and becomes less comical than the last few installments.

Freddy vs. Jason (2003)

This film is one of those that is so bad it’s great and I love it. Freddy resurrects Friday the 13th villain, Jason Voorhees in a bid to scare the residents of Elm Street while they’re awake so he can kill them while they sleep. Soon enough, Jason starts going on a killing spree which angers Freddy and the two become embroiled in a feud that brings a huge body count. It’s a fun film that ventures on the wackier side and also serves up a variety of stereotypes in an ironic way such as the resident stoner and drunk partying teens. The film is the last to feature Englund as Krueger and stars Ken Kirzinger as Jason. It’s a shame they didn’t follow this up with a sequel as it would have been great to see what more they can do with this universe cursed with this villains. It’s not a great film by any means but it’s a fun popcorn flick. I think what makes this film so enjoyable to watch ishat it isn’t afraid to poke fun at itself and be completely bonkers.

A Nightmare on Elm Street (2010)

This is one of those rare films where I go against the grain a little bit. This film was (rightfully) torn apart by critics like one of Freddy’s victims despite its commercial success. It is equally hated by fans and despised so much that they didn’t even bother making any sequels for this reboot. It’s a rehash of the first film with newcomer Rooney Mara filling the boots for Nancy Thompson. The reason I go against the grain is that I am one of the few people who actually enjoyed this reboot. Don’t get me wrong, it doesn’t hold a candle besides the original at all but I thought it was an interesting take in bringing up the darker themes that couldn’t be discussed in the original, mainly Freddy’s paedophilic nature. I think Jackie Earle Healey is one of the most underrated actors working today and his performance is a darker take on Englund’s Krueger. I understand why his performance wasn’t well received because the humour and charisma is what differentiates Kruegar from other slasher villains. Also, Mara is one of my favourite actresses working today and this is the film that properly introduced me to her (aside from The Social Network but that was a small support role). I thought that the darker tone was an interesting aspect to explore but I do think ultimately the film suffers because of this and becomes just another horror film.

So that’s all of the reviews done and dusted. I am not sure if they’re going to create anymore, especially since Craven has since sadly passed, but it would be intriguing to see how they would reintroduce Freddy in this new revolutionary climate.

Here is my ranking:

1) A Nightmare on Elm Street (1984)

2) A Nightmare on Elm Street 3: Dream Warriors (1987)

3) A Nightmare on Elm Street 4: The Dream Master (1988)

4) A Nightmare on Elm Street 2: Freddy’s Revenge (1985)

5) Wes Craven’s New Nightmare (1994)

6) Freddy vs. Jason (2003)

7) A Nightmare on Elm Street 5: The Dream Child (1989)

8) A Nightmare on Elm Street (2010)

9) Freddy’s Dead: the Final Nightmare (1991)

What do you think? Which one is your favourite? Let me know in the comments below!

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Final Destination Ranking

The franchise that was one of my first introductions to the horror genre. The Final Destination franchise is almost a passage of rite for teens and have been massively popular since the first installment dropped in 2000. The basic set-up follows a teenage protagonist and their friends on some sort of adventure or activity when the protagonist suddenly has a tragic premonition that sees their demise. The protagonist then prevents them and their friends going through with the premonition only to discover that the group starts to die violently and mysteriously one by one.

With the news that the studios have sixth and seventh installments planned for release, it made me think back on the films that helped shape my love for horror and I thought it would be a nice idea to see where they would rank.

Here are my reviews for each installment:

Final Destination (2000)

The one that started the craze. We follow recent graduate, Alex Browning (Devon Sawa) who is venturing off to Paris with his classmates. He suddenly has a graphic premonition that sees the plane explode and every passenger diminishes. Alex freaks out and is escorted off the plane along with several of his classmates. Minutes after the plane takes off, it explodes and Alex finds himself under police investigation. It doesn’t end there however as the survivors start to die one by one in violently crazy ways as death seeks its revenge. The film brings something new to the table while also paying homage to previous franchises such as the welcome cameo by Tony Todd who works as a mortician. As the film goes on, the deaths become more and more elaborate compared to his friend Tod’s demise due to strangulation to his teacher’s death sequence which saw her computer explode, followed by a knife to the chest which was pushed in by a chair. We see Alex’s descent into madness as death becomes his nemesis and he escapes to a cabin in the woods with the help of his friend Clear (Ali Larter), who believed in him from the plane accident.

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Final Destination 2 (2003)

This is one of those rare franchises where the sequel is better than the original. The second installment takes the ideas from the first film and builds on them. The film follows Kimberly Corman (A. J. Cook) who has a premonition of a major road accident on a motorway that sees a huge body count. Like the previous film, she freaks out and saves herself and others only to discover that the survivors are being stalked by death. There are so many iconic sequences in this film and it’s pretty much every death. From teenager Timmy being squished by a falling window pane to the creepy ladder through eyes fiasco with young millionaire, Evan. This sequel turns up the ante and the body count. It’s gruesome and brilliant and the acting and writing is a big improvement on the first installment. It also incorporates a new theory on evading death where life can counteract death and eliminate the whole list which is an interesting twist. We also see Ali Larter return as Clear and Tony Todd reprising his cameo. I don’t care what anyone says, I have a soft spot for this film and I think the deaths are great and imaginative.

Final Destination 3 (2006)

The most famous and recognisable installment comes with the third film which features the incredible rollercoaster premonition. Starring Mary Elizabeth Winstead as Wendy in a role that would solidify her position as the 21st century “scream queen”, Final Destination 3 has an abundance of imaginative sequences that have long tortured the minds of teens alike namely the sunbed death which sees two girls trapped and burned alive by their sunbeds where the temperature has been mysteriously tampered with. If I had to rank individual performances from the whole franchise, I would probably say by Winstead is by far and large the best of the bunch. It’s a really involved performance filled with guilt and sadness. This performance is what thrusted Winstead into the spotlight where she has managed to grow into a star. It’s nice to see that happen in the modern day the same way horror made stars of  Jamie Lee Curtis (Halloween) and Patricia Arquette (A Nightmare on Elm Street 3: Dream Warriors). It also features great support performances from Kris Lemche and Alexz Johnson as goth couple Ian and Erin who aren’t fazed by the concept of being chased by death.

The Final Destination (2009)

By far the worst installment, The Final Destination is a film that underestimated its audience and provides a film that is neither fun or memorable. The premonition takes place at a race track where a tyre flies off a speeding car and hell breaks loose. They shot this with 3D in mind and it shows. The studio was more bothered about making sure random objects and body parts are flying at you so much that they forgot to include any creativity in the process. It’s not a franchise known for its deep characterisations (nor do we expect it to be) but none of the characters are particularly likeable and they are all one note. The death sequences are predictable and elongated with some lasting way longer than necessary (the organs in the swimming pool drain being a prime example) and it soon becomes a tedious experience to watch. In a totally bizarre twist, this installment is by far the highest grossing in the series so far so Thankfully, the studios veered away from this aspect in the fifth installment.

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Final Destination 5 (2011)

The fifth and latest installment of the franchise looks back to the original for inspiration and becomes more old school. After the critical failure of the fourth film, the studios reflected on what went wrong and made what is the “best” installment in the franchise. The script is actually tight and the characters are well-developed compared to the other films. The opening disaster is a road accident which sees a bridge collapse while a group of colleagues are on their way to a work retreat. It’s a simpler set-up than previous installments but the effects are brilliant and the deaths are just as gory. Like the fourth film, this was also released in 3D but it didn’t feel as though they were just catering for 3D and the use of it was interesting and minimal. It didn’t need the 3D to succeed but it did amplify the experience in the cinema. Following Sam Lawton (Nicholas D’Agosto) who has the premonition and the usual set-up of rescuing his friends. This installment has an array of theories and twists that are not overthought or complicated and works brilliantly as a franchise installment and also a standalone.

With all of this said and done, I am even more excited for the new installments to be released. I think that the Final Destination idea is really interesting and they’re great fun to watch. I’ll definitely be front and centre on release day with a box of popcorn in hand.

I think it’s a credit to the writers for the franchise that all but one of the sequels managed to surpass the original and even the film that is deemed the worst was the one that made the most at the box office. There is a huge audience for these films and it’s a shame that there’s been such a big gap between the last installment and now.

Here is my final ranking:

1) Final Destination 2 (2003)

2) Final Destination 5 (2011)

3) Final Destination 3 (2006)

4) Final Destination (2000)

5) The Final Destination (2009)

What do you think of the ranking? Do you agree or disagree? Let me know in the comments below!