Categories
Uncategorised

Robin Robin (2021)

One of the most exciting additions to Netflix this year is Aardman’s latest short, Robin Robin. Following Robin (Bronte Carmichael), a robin who is raised by mice and longs to be a mouse who struggles to fit in with her family and is unable to gather food and complete tasks in the same way that they do. What follows is Robin venturing on a quest to forge her own identity and accept herself as a robin thanks to the friendship she forms with the Magpie (Richard E. Grant) and her terrifying encounter with the Cat (Gillian Anderson). A beautiful little adventure to be enjoyed by all ages, Robin Robin sees Aardman returning with something new and unique in terms of style and story to create a short film that feels timeless and relevant at the same time.

This is the first new Aardman project we have seen in a while and it has been directed and written by some new faces that promise to propel Aardman into a new phase. Robin Robin is directed by Daniel Ojari and Michael Please and co-written by Ojari, Please, and Sam Morrison and the result is a short film that has a completely different aesthetic thanks to its use of felt over clay while still maintaining Aardman’s sense of whimsy and charm that makes it so popular with families across the globe. The character of Robin is that she longs to be a mouse but she soon learns of the positives that come with her differences and the writing lends itself to this message beautifully. We feel Robin’s anguish as she struggles to fit in but her journey of self-discovery and self-acceptance is one that is relatable for everyone, especially in modern times.

Playing Robin is newcomer Bronte Carmichael who is brilliant and charming as she brings the naivety to the role. Robin is an extremely likeable character thanks to her kind nature and we feel sorry for her as she struggles to act like the members of her mouse family. We feel Robin’s confidence grow throughout the film as she begins to accept herself and her differences and this is thanks to Carmichael’s flawless performance as she conveys Robin’s struggles across perfectly. Despite the film’s short running time, Carmichael manages to capture a depth of Robin so that she is a protagonist that we really get to understand and we want her to succeed.

As with most Aardman productions, Robin Robin has its fair share of stars and the first of these is the always brilliant Richard E. Grant as Magpie. When it was first announced that Grant would be part of the cast, it seemed to be the perfect match and this is definitely the case. Magpie loves to collect shiny objects and hide them in his home inside a tree but he isn’t truly happy as he lives his life in fear. Together, Magpie and Robin work together in order to live a life that both of them enjoy and this is achieved when thwarting the Cat’s plan to kill them. Grant really captures Magpie’s longing for something more than hiding inside a tree and although Magpie may seem unlikeable initially, Grant does well to convey that there is something lingering beneath his cold exterior so we know that there is more to his story.

The villain in Robin Robin comes in the form of Cat who is voiced by the impeccable Gillian Anderson. It is established from the beginning that cats are to be feared and when Cat comes into the mix in her first encounter with Robin, it is genuinely terrifying as Robin struggles to fly away and has to use her intuition to escape. Like Grant, Anderson is a perfect choice for the role because of her ability to truly dig deep into the character despite the short running time. Cat may not have the same level of characterisation as Robin or Magpie but Anderson’s performance ensures that Cat’s menacing presence is felt through the latter half of the film.

There are wonderful music numbers dotted throught Robin Robin and this allows us to hear the starry cast really bring their characters to life. The song that Cat sings as she chases after Robin is sinister and calculated which is miles away from Magpie’s song as he shows off his shiny collection of objects to Robin. The songs help to pace the film nicely while also giving us a glimpse into these characters without having to spend a lot of time doing so.

Robin Robin sees Aardman at their best by venturing into new stop motion territory by using felt models that look beautiful that fit perfectly into the Christmassy aesthetic. Combining different styles, Robin Robin is a heartwarming tale that weaves different plot points together perfectly in its climactic scene. Starring newcomers and familiar voices, these characters and the message it brings is a perfect story for those looking for a warm-hearted Christmas treat for all the family.

What did you think of Robin Robin? Let me know in the comments below!

Robin Robin is available to watch on Netflix now!

Categories
Uncategorised

“Amok, amok, amok, amok, amok”: Halloween Family Fun

“I’m a master of fright, and a demon of light, and I’ll scare you right out of your pants!” 

– Jack Skellington, The Nightmare Before Christmas

Halloween is a favourite time of year for many. The spooky decorations, costumes and sweets galore, Halloween is the perfect time of year to whip out the horror films and have a marathon. Also, given that we’re in a lockdown situation, it seems like a movie night will be the best way to celebrate the scariest night of the year. However, not everyone can stomach the gore of the Saw films or Midsommar but don’t fret, there are so many films available for younger audiences and the faint of heart. But why do people of all ages love to watch scary films? Filled with creepy costumes, unimaginable monsters and black magic, horror has always been relied on to entertain and stretch the imagination to its limits.

The first name that comes to mind when thinking of family horror is Tim Burton. Combining Halloween with a Christmassy texture in his earlier films such as The Nightmare Before Christmas (1993) which features characters he created. His imagination sparked a new wave of gothic childlike films that have gained millions of fans around the world. From the magical music numbers to the vulnerability of his characters, Tim Burton’s vision is undeniably horror but also mixed a variety of genres such as comedy and musical to make it suitable and accessible for all ages. Even in his later films such as 2005’s Corpse Bride, he adapts this approach and it still remains as popular as ever.

Seeing how successful it was on release, Disney have taken ownership of The Nightmare Before Christmas since and before this appeared to channel their Halloween offerings into their live-action films. It’s rare to find someone who isn’t aware of the 1993 hit Hocus Pocus which follows the evil Sanderson sisters, a trio of witches set on killing the children of Salem to regain their youth once more. Led by Bette Midler in one of her best performances, Hocus Pocus follows the same approach at exploring the scary topics through comedy and music. It’s no surprise that, despite being critically panned, dedicated fans watch the film every Halloween. Between the likeable characters and the fantasy aspects introduced through the eyes of a Californian native who has recently moved to Salem with his family. What transpires is the terrifying resurrection of three witches who are hellbent on killing the town’s children before sunrise on Halloween night or they will vanish again. It’s a fun film with quite a bit of adult humour to appeal to older viewers and lots of creative costumes to captivate children. It’s such a great watch. Besides, who doesn’t love to sing along to Midler’s fantastic rendition of “I Put A Spell On You”?

Despite never having made a feature film for them, Burton did work at Disney in the 80s but was fired as his work was deemed too dark for children. However, it cannot be argued that his influence has had an affect on Disney’s approach to scarier films in the years since. This reasoning is odd considering that 1985 saw Disney release their scariest movie to date with The Black Cauldron bringing the Studio’s first PG rating. However, it may be due to the film’s failure at the box office that supported their decision to fire Burton. Aside from The Black Cauldron, the only horror animated films Disney had released by 1990 was The Tales of Ichabod and Mr. Toad (1945) which, despite its dark ending, was much lighter in tone than The Black Cauldron. Needless to say, Disney is not the only studio producing horror content for a younger audiences.

Another popular way that filmmakers integrate horror into their films is through satire. Even if younger audiences don’t understand all of the punchlines or references, there are still plenty of laughs to be had. Take Aardman’s Wallace & Gromit: The Curse of the Were-Rabbit and Laika’s Paranorman, two stopmotion animations that take the horror genre and change the rules. The former taking the classic monster werewolf and turning it to a vegetable-crazed were-rabbit and the latter making its protagonist the “monster” as he is a young boy who can see dead people. What makes these films so successful in their audience outreach is that the visuals and stories are enough to captivate and scare younger audiences and older audiences will understand the deeper context.

Halloween has always been a popular time for film fans with new horrors being released every year. Not only is it fun to watch new films but revisiting old favourites for nostalgia always makes for a great time and although it is entertaining to watch some the more gory offerings, it’s nice to watch a lighter family Halloween film as well. Just because a film doesn’t contain massive amounts of blood and guts doesn’t mean that a film can’t be scary and entertaining. Films like The Nightmare Before Christmas and Paranorman have become modern classics because of their fearlessness in bringing out vulnerability in potentially scary characters. No one has to miss out on the jumpscares and thrills after all.