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No Time To Die (2021)

No Time To Die has finally been released and is no doubt one of the most anticipated films of the year. Marking Daniel Craig’s final outing as MI6 agent James Bond, there has been a lot of excitement for this film to come out and following numerous delays, it was definitely worth the wait. Not only does this film serve as Craig’s swansong to the franchise, but we also get to see a completely different side to the character that we haven’t been shown in the film’s history. Following on from the events of 2015’s Spectre, No Time To Die sees Bond enjoying a life of retirement with Madeleine Swann (Léa Seydoux) before tragedy strikes and he is brought back into the fold as Swann’s life is at stake. The film stars a slew of familiar faces including Jeffrey Wright as Felix Leiter and Ralph Fiennes as M as well as emerging stars such as Lashana Lynch as new 007 agent, Nomi and Ana de Armas as CIA agent, Paloma. The result of which is a film that merges the past and the future of franchise in a way that makes it exciting for what direction subsequent films will take under a new Bond.

The film is directed by Cary Joji Fukunaga who does a fantastic job showing Bond’s inner turmoil as he has to deal with the conflict between wanting to retire and live his life and his moral compass which leads him to follow through with the mission. The script is written by Neal Purvis and Robert Wade who have scripted each Bond film since 1999 as well as rewrites penned by Fukunaga and Phoebe Waller-Bridge. It’s easy to see where Waller-Bridge has added her flawless touch of wit and characterisation as we see the primary and supporting characters in a different light that makes them more relatable and relevant. In particular, we see an emotional side to Bond as he begins to be seen in a familial light and not just a heart-throb who sleeps with every woman he meets. Where Bond has previously completed his missions because it is his job and the right thing to do, he actually has a personal reason to complete this one now.

Daniel Craig’s performance as Bond could arguably be his best because we see this emotional side to the character which gives Craig more to play with than he previously has done before in the franchise. What makes Craig such a memorable Bond is his impeccable delivery and believability in the character which undoubtedly has helped reinvigorate the franchise and push it into the 21st century with ease. As this is his last Bond outing, there is more emphasis on Bond as a character and specifically his interpretation of Bond which means we get to see a grittier and more violent turn of events that rounds up his tenure perfectly.

Léa Seydoux returns as Madeleine Swann and acts as the emotional anchor for Bond. Swann’s character isn’t simply to stand and look pretty, as has been the case of many Bond girls of the past, as she is given complete agency in this film. Realistically, she doesn’t have the same training or fighting skills as Bond which is understandable but we are able to see her fight back in different ways. Seydoux has become renowned for her ability to provide subtly emotional performances and No Time To Die gives her more room to play with than Spectre which is great to see.

It wouldn’t be a Bond film if there wasn’t a Bond villain and in this case, we have Rami Malek as Lyutsifer Safin, a terrorist hellbent on developing and mass-producing a bioweapon that spreads by touch. On appearance, Safin may look like the classic Bond villain but there is an intelligence that this character has that makes him unlike any villain that Bond has come across before, especially Craig’s Bond. What makes Safin such a terrifying character is that he is completely fearless which means that he is unpredictable in his actions whilst also being ruthless and seemingly heartless as well. Where Bond has managed to tap into his emotional side, Safin is incapable of doing so because he is so focused on his tragic past.

One of the main things that characterise a Bond film is its theme tune. With past performers including the likes of Shirley Bassey, Duran Duran and Adele, it was important to recruit a great performer who could capture the magic of the film and there are few artists who are more recognisable today than Billie Eilish. Eilish’s titular song mixes her signature soft vocals with a dramatic backing track that is expected of Bond films. It may seem like an odd pairing at first but the song works perfectly within the tone of the film as there is a melancholic feeling with added cinematic tones underneath. The score is composed by Hans Zimmer who was hired last minute after Dan Romer dropped out due to creative differences and he manages to merge classic Zimmer sounds with a sleek Bond feel. Pieces such as the film’s climactic scene are signature Zimmer with slow strings to draw out the emotion of the scene and allow the viewer to take in the emotions of the character perfectly while the fast action scenes feel inherently Bond and work well within the franchise. Zimmer can always be expected to do a fantastic job no matter what film he is tasked to score but it would have been wonderful to hear what Romer had in mind for the film as he has proven to be a fantastic composer who is destined for greatness.

Overall, No Time To Die is not only worth the wait, but it marks a new direction for Bond as we see 007 in a completely new light that feels exciting and refreshing. Showing that there is space for Bond in today’s world, the film thrusts Bond into modern times by incorporating representation, emotion and a complex character who is more than his well-fitted tux and charm. This is sure to be looked back fondly as a strong point in the franchise and gives Craig the ending that he deserves after a fantastic turn as one of film’s most beloved characters.

What did you think of No Time to Die? Let me know in the comments below!

No Time To Die is available to watch in cinemas now!

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91st Academy Awards – Technical Awards

My last blog on this year’s Oscars concludes with the Technical awards. This year has seen a huge number of large scale blockbusters that heavily use CGI to achieve their vision as well as smaller films that rely on using what they have. Both methods take imagination and it’s great to see films recognised across this spectrum.
Just in case you want to read my other blogs on this year’s Oscars, I’ll put the links below here:
Acting Awards
Creative Awards – Part 1
Creative Awards – Part 2
Creative Awards – Part 3
Here is my roundup of this year’s technology award winners!

Best Visual Effects
It seemed that Black Panther was the favourite to take this award home but the team for Neil Armstrong biopic First Man won. I feel that this film was deeply overlooked in various categories, particularly sound editing and this one throughout awards season but to see it recognised for its terrifically executed effects was deserved. I don’t think I have ever felt so claustrophobic watching a film before but this film managed to accomplish this from the first scene. Although the cast was the main talking point for this film on its release, I think that the visual effects were the standout feature of this film.

Best Sound Editing
I was happy to see First Man nominated in this category but given that it was up against box office smash Bohemian Rhapsody, I knew that it would lose. Personally, I feel that First Man should have taken this home but Bohemian Rhapsody is a film that relies heavily on its sound editing. I think that First Man used sound in a way that I hadn’t expected or seen before.


Best Sound Mixing
Again, Bohemian Rhapsody was the expected winner here and didn’t disappoint. I was happy with the win considering how they utilised mixing the Rami Malek’s vocals with Freddie’s so it wasn’t simply a case of Malek lip syncing his way through the film. It helped enhance Malek’s amazing performance and I think the win in this category was thoroughly deserved.

Best Editing
A lot of wins for Bohemian Rhapsody in the categories in this blog and this is the one of the film’s wins that I strongly disagreed with personally. I think that my main problem with the film as a whole was its editing. There were scenes that consisted of numerous cuts that made the film jittery. The film on the whole doesn’t flow well because it is badly paced and the editing is one of the main contributors to this problem. I thought that Hank Corwin should have won this category for his brilliant editing in Vice. It was innovative and unexpected, keeping the audience in a state of discomfort as we didn’t know what would happen next. The editing in Vice reflected the erratic nature of its subject and I think it conveys this fantastically.

Best Cinematography
Without a shadow of a doubt, this was Alfonso Cuaron’s for the taking and he won it completely deservedly for Roma. He manages to convey the problems of a Mexican classist society by keeping the focus solely on protagonist Cleo. Cleo becomes an embodiment of the working class female and the struggles of living a life that seems to be against her. Her story is told in black and white but the film is anything but. It teeters on a spectrum of emotions as we see Cleo in her darkest moments as well as her happier times as she navigates a pregnancy. Cleo’s friendship with her employer is beautifully conveyed as well as the two women bond over their mutual struggles.

That’s it for my Oscars roundup! What did you think of this year’s ceremony? Leave your comments below!

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91st Academy Awards – Creative Awards (Part 3)

Now I’m well into my roundup of this year’s Academy Awards and the more I write about it, the more I realise just how many surprises there actually were. In my first blog I spoke about the acting awards (here) and the following posts looked at the creative awards with the first batch here and the second lot here.

In this post, I will discuss the last batch of”creative awards”: Best Original Score, Best Song, Best Costume Design, Best Makeup and Best Production Design.


Best Original Score

This year’s win in this category was surprising, going to Ludwig Gorranson for his score for blockbuster Black Panther. Up to this point, Black Panther had been sweeping the technical categories and minor creative categories with multiple wins so this wasn’t as much of a shock on the night. However, I personally preferred Nicholas Brittell’s spectacular work for Barry Jenkins’s If Beale Street Could Talk and hoped that he would grab the win. I hope that there are many Jenkins/Brittell collaborations in the future and I am sure that he will win his Oscar one day.


Best Song

This is the one category where they may as well not have even had any other nominees. Smash it “Shallow” from A Star is Born is instantly recognisable even to those who haven’t seen the film. It is a brilliant track and definitely the highlight of the film. Personally, the film overall was a little underwhelming for my taste but this win was beyond deserving. Not to mention the undeniable chemistry between the film’s leads, Bradley Cooper (who directed the film) and Lady Gaga (who won the Oscar for her songwriting), which was one of the major talking points of the night. I think the song’s place in the film is the perfect starting point for the relationship of the two characters. I’d honestly be surprised if anyone voted otherwise just because it was pretty much a given as soon as the film was released.


Best Costume Design

Another category won by Black Panther and I can see why. One of the standout features of the film, the costumes were perfectly balanced between vibrant and muted costumes that had an eclectic mix between traditional tribal costume and a futuristic feel. I loved the hand-knitted pieces especially. Ruth E. Carter’s speech was one of my favourites of the night. I was sad that Sandy Powell didn’t win for The Favourite but the costumes in Black Panther are unique and haven’t been done before whereas I think The Favourite was enhanced by the makeup (badger) than the costumes themselves.


Best Makeup

Seeing as The Favourite was weirdly snubbed in this category, I am happy to see Vice recognised for the amazing transformation of its leading cast. The makeup allowed Christian Bale in particular to be completely lost in the role of vice president Dick Cheney. I personally enjoyed Vice a lot more than other people did so to see it win at all is welcome news.


Best Production Design

Another gong that went to Black Panther, I do think that this one should have gone to The Favourite. I understand that I am very biased to The Favourite but I do think it lost in categories that it shouldn’t have necessarily lost in. But also, these two films have great production design in their own way. Black Panther is a film that travels which gives the production team a chance to show of an array of various designs whereas The Favourite is mainly set in the one palace and is brilliantly designed to feel claustrophobic despite being an enormous estate.


That’s it for the creative awards. My next Oscars roundup will look at the technical awards.

What do you think of the winners? Do you agree with my thoughts? Let me know in the comments below!

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91st Academy Awards – Acting Awards

So Sunday night was the 91st Academy Awards and as usual, I stayed up for them so suffice to say I am still recovering!

The night was full of expected wins (here’s looking at you “Shallow”) and even more surprises. Given that there is a lot of debate regarding the awards (particularly the Best Picture winner Green Book), I thought I would give my opinion on some of the awards. In this post, I will be discussing the acting awards.


Best Supporting Actress
By this point in awards season, it appeared to be Regina King’s Oscar to lose and she didn’t disappoint, claiming the Best Supporting Actress gong for her nuanced turn in Barry Jenkins’s brilliant adaptation of James Baldwin’s If Beale Street Could Talk. It was a performance that allowed King to shine as the matriarch who is determined to fight for justice for her daughter’s partner in jail. It was nice to see this film recognised because it was wrongly snubbed in major categories including Best Picture which had rightly caused a furore on social media.

This category was full of strong competition, particularly from Rachel Weisz’s incredible performance as Lady Sarah in The Favourite. She had won the BAFTA a couple of weeks ago and personally, she would have been my first choice for the award. That being said, it is wonderful seeing King being recognised in film after a long absence from the big screen.


Best Supporting Actor
Much like King, this was Mahershala Ali’s for the taking. Having won the same award two years ago for his stellar turn in Barry Jenkins’s Moonlight, his acting talents are still very much fresh in Hollywood’s mind and he continued his winning streak as the genius Dr Shirley in feel-good piece Green Book. Admittedly, I didn’t really get on with this film as a whole (I will explain more later) but the performance Mahershala gives cannot be ignored nor his win argued. He is brilliant playing the pianist touring the deep south chauffered by Tony, a white New York Italian security guard who proves to be Dr Shirley’s polar opposite performed brilliantly by Viggo Mortensen. Ali brings such an elegance and grace to his performance showcasing the struggle of Dr Shirley.
Having swept every supporting actor award, this was one of the expected wins; however, I can’t not mention Richard E. Grant who has been charming the globe with his enthusiasm this season and bringing a much needed injection of joy that the film industry needs during the politically turbulent backdrop. That being said, Mahershala was my choice to win and he has continued to cement his status as one of the greats.


Best Leading Actor
Like the two previous awards, this gong also had a clear frontrunner in the form of Rami Malek for his performance of Freddie Mercury in the audience favourite Bohemian Rhapsody. I have been a fan of Rami’s since his supporting turn in The Master and knew it was only a matter of time before he achieved even more success which came from his appearances on TV in Mr Robot. His performance as Freddie was clearly no easy feat as the film had a very troubled production due to allegations against director Bryan Singer. I have to be honest, I wasn’t a fan of the film as a whole. I wish I loved it because I am a huge fan of Queen and Malek but the script was poor and pacing was all over the place. I do believe that it is Malek’s performance that carries the whole film and the charisma that made it so enjoyable for audiences.

I do think that while this performance was a huge hit with critics and audiences, there were other performances in the same category that I feel were more deserving. I also feel that we’re going to see Malek in even better roles in the future. Personally, my vote would have gone to Bradley Cooper for his performance as fading country star Jackson Maine in his directorial debut, A Star is Born. Not only is it his best performance to date, it is a turn that proves how timeless the film’s plot is while discussing current themes in the 21st century.


Best Leading Actress
My favourite category of the night (pun intended). The best surprise of the night saw Olivia Colman win for her portrayal of Queen Anne in Yorgos Lanthimos’ phenomenal The Favourite. I can’t even begin to explain how much I enjoyed this film. It was flawless in every way from the script to the make-up and of course, the cast particularly the three leading ladies (Olivia Colman, Rachel Weisz and Emma Stone). Olivia was my pick for the gong the whole way through awards season. As much as I love Glenn Close, I felt that giving her the award would be more of a celebration of her entire career rather than her performance in The Wife specifically. Of course, Close doesn’t ever put a foot wrong, there’s a reason why she has led such a successful career but this felt that it was more about her previous Oscar losses in the past. What was even better was Colman’s reaction and speech. She was clearly just as shocked as everyone else at her win but she showed exactly why she has captured everyone’s heart. It’s so wonderful to think that “Sophie from Peep Show” has become a Hollywood Leading Lady.

Now as I said, Colman was my choice for this award. She is flawless in every role she takes whether it is a small British sitcom or a big Hollywood film. She brings a nuanced humour that also has a depth to it and makes even the smallest character three dimensional. I am so excited to see what she does next. I am also certain that Glenn’s big Oscar moment will come eventually and it will be for a performance as memorable as Fatal Attraction. I also feel like I should give a shout-out to Melissa McCarthy’s career defining turn in Can You Ever Forgive Me? which showcased McCarthy’s range and allowed her to break out of the comedic trope that she is known for.


That’s it for my acting awards roundup. What did you think of the acting award winners? Let me know in the comments below!

My next blog will look at the original and adapted screenplays, director and Best Picture awards.