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Dune (2021)

One of the most hyped films to come out of 2021 was Denis Villeneuve’s Dune which boasted one of the best casts and a huge budget, incorporating plenty of advanced special effects that have given a new sci-fi franchise room to thrive. Dune is based on the 1965 novel of the same name, written by Frank Herbert and was often regarded as “unfilmable” due to the enormous scope of Herbert’s universe. It follows Paul Atreides (TimothĂ©e Chalamet), the heir of the House of Atreides, who is gifted with powers bestowed upon him by his mother, Lady Jessica (Rebecca Ferguson), who is a member of the Bene Gesserit, a religious sect that strictly trains the body and mind to achieve things that ordinary people can’t. When the desert planet of Arrakis is under attack by the power-hungry Baron Vladimir Harkonnen (Stellan SkarsgĂ„rd), Paul must master his powers and team up with the inhabitants of Arrakis, including a young woman called Chani (Zendaya) to overthrow the Baron and restore peace to the planet.

Denis Villeneuve is one of the most talented directors working today and he proves this with Dune. Villeneuve has worked in many other genres in his career but no project has been bigger than Dune. The result is absolutely spectacular despite the many challenges that a story like Dune has. It is a story with many characters and many moving parts, but Villeneuve never overwhelms the viewer with more than they can handle, while also ensuring that enough of the character is brought through. There are lots of star-studded films that feel overwhelmed by the scope of the actors but this isn’t the case with Dune, and this is because of Villeneuve’s impeccable directing. The actors really become their characters and where performances in sci-fi blockbusters are usually grand, the performances in Dune are more subdued and substantial.

Leading the film is TimothĂ©e Chalamet. who has proven to be one of the best young actors working today. Ever since his breakthrough performance in the 2017 film, Call Me By Your Name, which brought him an Oscar nomination, Chalamet has been leading all kinds of films from autobiographical dramas (Beautiful Boy) to period dramas (The King) to comedies (The French Dispatch). Dune allows Chalamet to showcase further range within the sci-fi field in the role of the protagonist, Paul Atreides, which he does with ease. What is great about Chalamet’s performance is that he showcases Paul’s struggle to master his powers while also facing pressure as the heir of his house. Despite his young age, there is a lot of responsibility on Paul’s shoulders and Chalamet brings forth Paul’s naivety and flawed nature rather than making him seem like a man who has all the answers. The scene in which Paul is tested by the Reverand Mother of the Bene Gesserit, Gaius Helen Mohiam (Charlotte Rampling), is a masterclass in acting as we feel the physical and mental pain that the character is enduring.

Arguably the most important character in Dune is Chani, the young woman who lives on Arrakis and fights back against those who try to oppress its people. Playing Chani is Zendaya, who is another actor that has proven a huge range at such a young age. The battle for Arrakis is not one that is grounded in power for Chani, but rather the fight for her home and to live a peaceful life. This means that the character’s motives are completely different from the House of Atreides and Paul in particular. However, as events unfold, Chani and Paul find that they have a lot in common and agree to work together in order to overthrow the Baron. The little we see of Zendaya shows a lot of promise for the upcoming films in which Chani has more presence as she showcases the loss that Chani has and her resilience.

In a film as vast and heroic as this, there has to be a villain that steps up to the plate and an excellent performer who can effectively put this across. The role of Baron Vladimir Harkonnen is filled with greed and corruption and is a difficult role to successfully pull off and Villeneuve entrusts none other than the fantastic Stellan SkarsgĂ„rd to step up to the task. SkarsgĂ„rd’s performance not only lies in the intimidating physicality of the character, but the unpredictability of his actions and the relentless nature he has in order to get what he wants and successfully reap back the power he believes he wrongly lost. SkarsgĂ„rd isn’t in the film a lot, but the scenes that include him are among the best in the film, including the scene in which he has captured Duke Leto Atreides (Oscar Isaac). It’s a testament to his performance that his presence is felt throughout the film, even in the scenes that he is not in and it will be exciting to see the Baron and Paul’s eventual standoff in the upcoming films.

Although the film is filled with brilliant performances, the real highlight for me was Hans Zimmer’s score which undeniably contains traces of Zimmer’s signature sounds but also combines a new sound that enhances the overall experience. It’s difficult to pinpoint one track that stands out because the music flows so naturally with the film and works perfectly to highlight the struggles that Paul is facing. What Zimmer has always done brilliantly is incorporating vocals into his tracks, which is what makes the music in Gladiator so entrancing. For Dune, he takes a similar approach with tracks such as “Gom Jabber” boasting aggressive vocals that provide an otherworldly feel, while using instruments such as bagpipes in the track “Arrival on Arrakis” shows the unpredictability and clashing nature that Villeneuve is capturing. Hopefully, Zimmer’s work will get rewarded with a deserved second Oscar win.

It’s difficult to talk about a film like Dune and not discuss the cinematography. What Greig Fraser manages to achieve is astonishing as he captures a world that is vast and seemingly endless, while contrasting it with feelings of entrapment and claustrophobia at the same time. It is thanks to Fraser’s use of the camera that we are able to explore the planet of Arrakis through Paul’s perspective, so it feels as though the audience is on the journey with the protagonist. Despite the abundance of special effects in the film, Fraser makes the landscape seem as natural and real as possible, truly allowing the audience to escape and feel as though Arrakis could be real.

Dune is one of those books that has always proven to be difficult to film, but what Villeneuve does is enhance the grittiness and realism of the story and uses the special effects fantastically to transport us to Arrakis. It’s no surprise that Dune has received so many award nominations and it is certain to swipe the technical categories thanks to the immersive experience. Dune: Part Two is sure to be just as exciting and thrilling as the first installment as it will explore Chani’s character more and follow Paul’s improvements. A star-studded spectacle that works beautifully and showcases blockbusters at their very best.

What did you think of Dune? Let me know in the comments below!

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Spider-Man: No Way Home (2021)

Please note that there are spoilers in this review!

One of the biggest releases of the year was undoubtedly Spider-Man: No Way Home. Marking the last installment of the latest Spider-Man trilogy, we get to see Tom Holland make another great outing as everybody’s favourite neighbourhood superhero, Spider-Man. The film follows the aftermath of Spider-Man’s identity becoming known to the world following the events of Spider-Man: Far From Home and Peter Parker’s attempt to rectify the situation after his life and the lives of those he loves most including girlfriend MJ (Zendaya) and Ned (Jacob Batalon) as the trio are rejected from every college they applied for due to Peter’s notoriety. Inspired by previous events within the MCU, Parker seeks help from the reclusive Doctor Strange (Benedict Cumberbatch) to fix the situation but the spell goes awry and the multiverse is opened, bringing in previous villains from other Spider-Man films including Green Goblin (Willem Dafoe), Doctor Octopus (Alfred Molina), Sandman (Thomas Haden Church), Electro (Jamie Foxx) and Lizard (Rhys Ifans). The villains’ inclusion was known from the outset, but there was been a lot of speculation in the lead-up to the film’s release as there were rumours that Tobey Maguire and Andrew Garfield were due to join forces with Holland in order to fight the group which was in fact true and the result is a fantastic battle.

Spider-Man: No Way Home sees Jon Watts returning to direct following his previous efforts on Spider-Man: Homecoming and Spider-Man: Far From Home and is written by Chris McKenna and Erik Sommers. Where some franchises within the Marvel Universe can become inconsistent, especially when the teams behind the camera are changed on a regular basis but it feels that Sony and Marvel have done a great job ensuring that this Spider-Man trilogy is not only consistent, but shows growth and character development in a way that is slow-burning and believable meaning that watching them on release ensures that nothing feels too different from the preceding film while watching the three films together will clearly show Peter’s maturity develop and allowing the audience to see clearly differences between Peter at the start of Spider-Man: Homecoming and the end of Spider-Man: No Way Home.

Tom Holland is just as likeable as ever and in a film littered with even more stars from the Spider-Man universe, he is able to maintain his standing as the leading man with ease and hold his own against Macguire and Garfield’s Parker. What is great about Holland’s performance is that we see a more mature Peter compared to the previous installments while also capturing that glimpse of naivety that teenagers have during times of trouble. It’s a balanced performance that shows Holland capable of presenting us with a protagonist who finds that what is right and what is moral can be conflicting and the results of which can be devastating. His chemistry with Zendaya is also undeniable and the relationship between Peter and MJ feels as though it has grown so much since Spider-Man: Homecoming adding yet another layer to his performance as Peter.

As one of a couple female characters in the film, Zendaya is fantastic as MJ. MJ is not simply identifiable as Peter’s girlfriend but is defined by her intelligence and personality which shines through and the writing and Zendaya’s fearless performance ensure that MJ is an active part of the plan to defeat the villains. Where in the other Spider-Man films (as in Maguire and Garfield’s run), Mary Jane and Gwen were often reduced to the damsel in distress and used as a ploy for villains to get Spider-Man to fight them, MJ is never put in that box and consistently comes up with solutions for Peter to follow, despite not having the powers that he does.

The main event of the film was undoubtedly the return of Maguire and Garfield who bring their interpretations of Spider-Man to the film and the results are fantastic. Rather than just turning up at the final fight, Garfield and Maguire turn up around halfway through which gives plenty of time for the three Peters to become acquainted with each other and build a rapport that is enjoyable to watch and makes for one of the year’s best teams on film. It’s clear that each actor is having a blast with the role and that radiates from their performances. The writing picks up on the differences between each Spider-Man’s universe and includes jokes and comments such as Maguire’s Peter having no idea who the Avengers are while Garfield’s Spider-Man reflects on the loss of Gwen Stacy (which happened in The Amazing Spider-Man 2).

When it comes to the villain performances, the highlights are Alfred Molina as Doctor Octopus and Jamie Foxx as Electro. Doctor Octopus is initially seen as an unofficial leader of the group and Molina can always be counted on to provide a brilliant performance. Molina’s performance as Doctor Octopus is gripping from the outset as he has to deal with the confusion of being in an alternative universe while also encountering figures from his past who he believed had died. Spider-Man: No Way Home does a great job at blurring the lines between superhero and villain and this allows Molina to delve even deeper with Doctor Octopus’ character than ever before. Jamie Foxx is another highlight but in a different way. The Amazing Spider-Man 2 did not give Electro’s character the development and nuance needed for Foxx to really shine while the writing in this film does and Electro proves to be one of the best villain characters in the entire film thanks to his sharp wit and strong power that makes him incredibly hard to defeat. It’s clear that Foxx is even more comfortable and confident in the role in this film and the writing also helps to make Electro’s interactions with others feel more natural and believable when compared to his appearance in The Amazing Spider-Man 2.

On the surface, it can seem that there is too much going on in Spider-Man: No Way Home but the pacing of the film is perfectly done while still giving plenty of character development for the returning faces which makes it a fantastic watch. Being able to do justice for an interesting character like Electro who wan’t given much in The Amazing Spider-Man 2 was nice to see as well as allowing Holland, Maguire and Garfield to have plenty of fun as a team which makes the fight sequences incredibly fun to watch.

What did you think of Spider-Man: No Way Home? Let me know what you think in the comments below!

Spider-Man: No Way Home is available to view in cinemas now!

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Malcolm and Marie (2021)

One of the most hyped films to be filmed and released made in lockdown, Malcolm and Marie is a minimalist exploration of one couple’s relationship as they descend into an evening of real time arguments.

This Netflix film stars John David Washington and Zendaya as the titular characters and starts with the couple returning home after Malcolm’s film premiere. It soon emerges that he has forgotten to thank Marie in his speech and the night transitions from one argument to the next spanning conversations on their relationship their backstory and the film industry as a whole. Written and directed by Euphoria creator Sam Levinson, Malcolm and Marie has become a huge topic of discussion thanks to the polarising opinions shared by critics and audiences alike with some people loving the film and others disliking it.

One of the most controversial factors that has been discussed and debated is the script. Some people have claimed that Levinson uses the actors as a mouthpiece for his own opinions on the film industry. I am not sure whether I agree with this sentiment or not but I do find the script overwritten at times. As the film plays out in real time and brings a minimalistic and realistic approach to the portrayal of the relationship, the script feels disingenuous at times. There comes a point where it feels as though the monologues become soliloquy as the characters seem to ramble off on tangents that completely detract from the focus of the film. Even if this is the intent, it does feel unnecessary and it’s important to bear in mind that writing for the screen is a different medium to real life conversations so making sure you edit the conversations will make everything tighter and more cohesive.

Levinson’s direction makes good use of the limited location space. Solely taking place in the house and grounds, we get to know the space and feel the claustrophobia that Marie, in particular, feels at the hands of Malcolm. Despite the limited resources due to the pandemic, Lenvinson becomes creative with his shots and way of filming and creates a film that has a lot of aesthetic intuition and beauty. When you consider the conditions in which the film was made and the restrictions enforced meaning a smaller crew and limited space, it’s a big achievement that Levinson manages to create an visual impact. The choice to shoot in black and white was also a smart choice as it makes the space feel separated from reality.

Zendaya is great as Marie and proves that she can really shine on the big screen as well as the small screen. After her Emmy-winning turn in Levinson’s Euphoria, it makes sense that the two would collaborate. Marie is not afraid to call out Malcolm for his destructive and abusive behaviour, questioning whether his filmmaking would be as good if she wasn’t in his life. As the film goes on, we begin to see just how much Marie brings to Malcolm’s life. With her words, she breaks down everything Malcolm is to the point where every word and action he has made and is able to assert herself when Malcolm tries to dismiss her as nothing more than another person in his life.

Upcoming star John David Washington stars as Malcolm in a role that feels a bit wasted of Washington’s talents. It feels as though all the energy was put into Marie and her development whereas Malcolm’s character doesn’t feel as elevated or explored to the same extent. I think that a lot of my issues with the script lie with Malcolm’s monologues more than Marie’s because his point of view is littered with exposition. I understand that with the limited location and filming resource that backstory has to be shown through the dialogue but Malcolm is a character that feels a bit too over the top. It gets to the point where he becomes a caricature and it’s easy to switch off when he is taking because he rambles on. Washington does the best with the script but unfortunately the character doesn’t grab your attention in the way that Marie does.

The music by Labrinth is beautiful with hints of Jazz and RnB. Following his Emmy-winning music for Levinson’s Euphoria, his distinct and brilliant sound that fits in perfectly and becomes synonymous with the aesthetic of the film. Just as the house is full of character, so is the music. Perfectly blending different genres to show the clash between the protagonists’ points of view, the score and soundtrack is unique and keeps the film running smoothly even when the script becomes overbearing at times.

Overall, Malcolm and Marie deserves credit for its innovative filmmaking and achieves a lot despite the limited resources, cast and crew. With only two characters in the whole film, Levinson manages to make this minimalist film look visually stunning and delves into their characters in such a way that is rarely done. The writing is it’s weakest area but the scenes in which the dialogue is tight, the actors are able to really shine, especially Zendaya who is phenomenal and proves herself to be one of the new Hollywood leading ladies for a reason. Malcolm and Marie is worth a watch for its interesting approach as well as its incredible soundtrack.

What did you think of Malcolm and Marie? Let me know in the comments below!

Malcolm and Marie is available to watch on Netflix now!