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Dune (2021)

One of the most hyped films to come out of 2021 was Denis Villeneuve’s Dune which boasted one of the best casts and a huge budget, incorporating plenty of advanced special effects that have given a new sci-fi franchise room to thrive. Dune is based on the 1965 novel of the same name, written by Frank Herbert and was often regarded as “unfilmable” due to the enormous scope of Herbert’s universe. It follows Paul Atreides (Timothée Chalamet), the heir of the House of Atreides, who is gifted with powers bestowed upon him by his mother, Lady Jessica (Rebecca Ferguson), who is a member of the Bene Gesserit, a religious sect that strictly trains the body and mind to achieve things that ordinary people can’t. When the desert planet of Arrakis is under attack by the power-hungry Baron Vladimir Harkonnen (Stellan Skarsgård), Paul must master his powers and team up with the inhabitants of Arrakis, including a young woman called Chani (Zendaya) to overthrow the Baron and restore peace to the planet.

Denis Villeneuve is one of the most talented directors working today and he proves this with Dune. Villeneuve has worked in many other genres in his career but no project has been bigger than Dune. The result is absolutely spectacular despite the many challenges that a story like Dune has. It is a story with many characters and many moving parts, but Villeneuve never overwhelms the viewer with more than they can handle, while also ensuring that enough of the character is brought through. There are lots of star-studded films that feel overwhelmed by the scope of the actors but this isn’t the case with Dune, and this is because of Villeneuve’s impeccable directing. The actors really become their characters and where performances in sci-fi blockbusters are usually grand, the performances in Dune are more subdued and substantial.

Leading the film is Timothée Chalamet. who has proven to be one of the best young actors working today. Ever since his breakthrough performance in the 2017 film, Call Me By Your Name, which brought him an Oscar nomination, Chalamet has been leading all kinds of films from autobiographical dramas (Beautiful Boy) to period dramas (The King) to comedies (The French Dispatch). Dune allows Chalamet to showcase further range within the sci-fi field in the role of the protagonist, Paul Atreides, which he does with ease. What is great about Chalamet’s performance is that he showcases Paul’s struggle to master his powers while also facing pressure as the heir of his house. Despite his young age, there is a lot of responsibility on Paul’s shoulders and Chalamet brings forth Paul’s naivety and flawed nature rather than making him seem like a man who has all the answers. The scene in which Paul is tested by the Reverand Mother of the Bene Gesserit, Gaius Helen Mohiam (Charlotte Rampling), is a masterclass in acting as we feel the physical and mental pain that the character is enduring.

Arguably the most important character in Dune is Chani, the young woman who lives on Arrakis and fights back against those who try to oppress its people. Playing Chani is Zendaya, who is another actor that has proven a huge range at such a young age. The battle for Arrakis is not one that is grounded in power for Chani, but rather the fight for her home and to live a peaceful life. This means that the character’s motives are completely different from the House of Atreides and Paul in particular. However, as events unfold, Chani and Paul find that they have a lot in common and agree to work together in order to overthrow the Baron. The little we see of Zendaya shows a lot of promise for the upcoming films in which Chani has more presence as she showcases the loss that Chani has and her resilience.

In a film as vast and heroic as this, there has to be a villain that steps up to the plate and an excellent performer who can effectively put this across. The role of Baron Vladimir Harkonnen is filled with greed and corruption and is a difficult role to successfully pull off and Villeneuve entrusts none other than the fantastic Stellan Skarsgård to step up to the task. Skarsgård’s performance not only lies in the intimidating physicality of the character, but the unpredictability of his actions and the relentless nature he has in order to get what he wants and successfully reap back the power he believes he wrongly lost. Skarsgård isn’t in the film a lot, but the scenes that include him are among the best in the film, including the scene in which he has captured Duke Leto Atreides (Oscar Isaac). It’s a testament to his performance that his presence is felt throughout the film, even in the scenes that he is not in and it will be exciting to see the Baron and Paul’s eventual standoff in the upcoming films.

Although the film is filled with brilliant performances, the real highlight for me was Hans Zimmer’s score which undeniably contains traces of Zimmer’s signature sounds but also combines a new sound that enhances the overall experience. It’s difficult to pinpoint one track that stands out because the music flows so naturally with the film and works perfectly to highlight the struggles that Paul is facing. What Zimmer has always done brilliantly is incorporating vocals into his tracks, which is what makes the music in Gladiator so entrancing. For Dune, he takes a similar approach with tracks such as “Gom Jabber” boasting aggressive vocals that provide an otherworldly feel, while using instruments such as bagpipes in the track “Arrival on Arrakis” shows the unpredictability and clashing nature that Villeneuve is capturing. Hopefully, Zimmer’s work will get rewarded with a deserved second Oscar win.

It’s difficult to talk about a film like Dune and not discuss the cinematography. What Greig Fraser manages to achieve is astonishing as he captures a world that is vast and seemingly endless, while contrasting it with feelings of entrapment and claustrophobia at the same time. It is thanks to Fraser’s use of the camera that we are able to explore the planet of Arrakis through Paul’s perspective, so it feels as though the audience is on the journey with the protagonist. Despite the abundance of special effects in the film, Fraser makes the landscape seem as natural and real as possible, truly allowing the audience to escape and feel as though Arrakis could be real.

Dune is one of those books that has always proven to be difficult to film, but what Villeneuve does is enhance the grittiness and realism of the story and uses the special effects fantastically to transport us to Arrakis. It’s no surprise that Dune has received so many award nominations and it is certain to swipe the technical categories thanks to the immersive experience. Dune: Part Two is sure to be just as exciting and thrilling as the first installment as it will explore Chani’s character more and follow Paul’s improvements. A star-studded spectacle that works beautifully and showcases blockbusters at their very best.

What did you think of Dune? Let me know in the comments below!

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Army of the Dead (2021)

One of the biggest releases this weekend was Zack Snyder’s zombie blockbuster, Army of the Dead which made it’s way to Netflix on Friday. After his success with his Dawn of the Dead remake in 2004 (the original of which is arguably the best zombie film of all time), it was great to hear that Snyder was returning to the apocalypse on an even bigger scale. Boasting an all star cast and a unique concept, Army of the Dead sees Las Vegas overrun by zombies who are swiftly contained within the area. The survivors who managed to escape the containment are approached by a casino owner who gives them the task of getting back into Vegas to his casino and getting $200 million that has been stored in its underground vault before Vegas is nuked by the government. The survivors, led by Scott (Dave Bautista) have to face zombies that have super speed and strength while also facing an intense countdown.

Army of the Dead was greenlit in 2007 but faced a series of problems in pre-production before Netflix bought the rights in 2019. Unfortunately, a lot films that experience development hell for long periods of time like Army of the Dead suffer due to constant rewrites and differing directorial visions. This seems to be the case with the film. While the concept and basic idea has a lot of promise, the actual execution seems to clash in a lot of ways which causes the pacing of the script and characterisation to suffer. We see the initial outbreak take place over a ten minute montage at the beginning followed by forty minutes of set up before we even revisit the site. While setting up a plot isn’t a bad thing by any means, it feels as though the introductions for each character are too brief and not characterised enough, especially Scott.

In the leading role of Scott, Dave Bautista does a great job bringing that action star quality to the film. He does the best with the material written and his chemistry with the other survivors, especially his friend, Maria Cruz (Ana de la Reguera). Where the film fails Bautista’s character is the way they try to push his relationship with his estranged daughter, Kate (Ella Purnell). Sadly, it feels like the dialogue between them is artificially forced whereas there is a much more natural chemistry between Scott and Maria so having more scenes between them would have enhanced their characterisation and made the film that much stronger

With a huge cast, it’s inevitable that not everyone is going to get the same amount of attention or screentime which can affect the characterisation. The most controversial being Tig Notaro’s character, Marianne, who has her main bulk of screentime in the final act of the film as the character had to be recast during filming which meant that they only had limited time with Notaro. Considering Marianne is the pilot who is tasked with getting the group in and out of Vegas, she definitely would have been in it more was Notaro cast in the role from the very beginning. What we do see from Notaro is great and she brings her signature deadpan delivery which makes the final scenes of the film really enjoyable to watch. Another great supporting turn is from Matthias Schweighöfer who plays locksmith expert, Dieter, whose job is to break into the safe. As one of the smaller characters in the ensemble, it wasn’t expected that he would be given a lot of characterisation beyond the basics or screentime but what we do see is great. Schweighöfer’s performance is charismatic and funny, bringing a lighter touch to the film.

When watching a zombie film, the most important aspect is the design and special effects involved. This is definitely a plus for the film as the zombies are a similar design from Snyder’s remake Dawn of the Dead making it believable that it could be within the same universe. At the same time, there are more unique inclusions such as a zombie tiger as well as some comical touches such as a zombie Elvis who is featured in the montage at the beginning. It feels as though there is a lighthearted approach to some of the ideas while still maintaining the gore level expected from such a film.

Overall, Army of the Dead is a film that is full of interesting ideas and if you are a fan of zombie flicks, it’s definitely worth a watch. However, it seems that there is tightness missing from the story as the pacing suffers badly while the two and a half hour running time could have easily been cut down to create a better viewing experience. It would be great to see if this film receives a sequel that furthers the story and hopefully brings a sharper focus to the characters and the writing. In the meantime, there is a prequel and an anime series in the works that will look into the characters before and during the events of Army of the Dead so hopefully, we’ll get to know the characters a lot better.

What did you think of Army of the Dead? Let me know in the comments below!

Army of the Dead is available to watch on Netflix now!