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Dune (2021)

One of the most hyped films to come out of 2021 was Denis Villeneuve’s Dune which boasted one of the best casts and a huge budget, incorporating plenty of advanced special effects that have given a new sci-fi franchise room to thrive. Dune is based on the 1965 novel of the same name, written by Frank Herbert and was often regarded as “unfilmable” due to the enormous scope of Herbert’s universe. It follows Paul Atreides (Timothée Chalamet), the heir of the House of Atreides, who is gifted with powers bestowed upon him by his mother, Lady Jessica (Rebecca Ferguson), who is a member of the Bene Gesserit, a religious sect that strictly trains the body and mind to achieve things that ordinary people can’t. When the desert planet of Arrakis is under attack by the power-hungry Baron Vladimir Harkonnen (Stellan Skarsgård), Paul must master his powers and team up with the inhabitants of Arrakis, including a young woman called Chani (Zendaya) to overthrow the Baron and restore peace to the planet.

Denis Villeneuve is one of the most talented directors working today and he proves this with Dune. Villeneuve has worked in many other genres in his career but no project has been bigger than Dune. The result is absolutely spectacular despite the many challenges that a story like Dune has. It is a story with many characters and many moving parts, but Villeneuve never overwhelms the viewer with more than they can handle, while also ensuring that enough of the character is brought through. There are lots of star-studded films that feel overwhelmed by the scope of the actors but this isn’t the case with Dune, and this is because of Villeneuve’s impeccable directing. The actors really become their characters and where performances in sci-fi blockbusters are usually grand, the performances in Dune are more subdued and substantial.

Leading the film is Timothée Chalamet. who has proven to be one of the best young actors working today. Ever since his breakthrough performance in the 2017 film, Call Me By Your Name, which brought him an Oscar nomination, Chalamet has been leading all kinds of films from autobiographical dramas (Beautiful Boy) to period dramas (The King) to comedies (The French Dispatch). Dune allows Chalamet to showcase further range within the sci-fi field in the role of the protagonist, Paul Atreides, which he does with ease. What is great about Chalamet’s performance is that he showcases Paul’s struggle to master his powers while also facing pressure as the heir of his house. Despite his young age, there is a lot of responsibility on Paul’s shoulders and Chalamet brings forth Paul’s naivety and flawed nature rather than making him seem like a man who has all the answers. The scene in which Paul is tested by the Reverand Mother of the Bene Gesserit, Gaius Helen Mohiam (Charlotte Rampling), is a masterclass in acting as we feel the physical and mental pain that the character is enduring.

Arguably the most important character in Dune is Chani, the young woman who lives on Arrakis and fights back against those who try to oppress its people. Playing Chani is Zendaya, who is another actor that has proven a huge range at such a young age. The battle for Arrakis is not one that is grounded in power for Chani, but rather the fight for her home and to live a peaceful life. This means that the character’s motives are completely different from the House of Atreides and Paul in particular. However, as events unfold, Chani and Paul find that they have a lot in common and agree to work together in order to overthrow the Baron. The little we see of Zendaya shows a lot of promise for the upcoming films in which Chani has more presence as she showcases the loss that Chani has and her resilience.

In a film as vast and heroic as this, there has to be a villain that steps up to the plate and an excellent performer who can effectively put this across. The role of Baron Vladimir Harkonnen is filled with greed and corruption and is a difficult role to successfully pull off and Villeneuve entrusts none other than the fantastic Stellan Skarsgård to step up to the task. Skarsgård’s performance not only lies in the intimidating physicality of the character, but the unpredictability of his actions and the relentless nature he has in order to get what he wants and successfully reap back the power he believes he wrongly lost. Skarsgård isn’t in the film a lot, but the scenes that include him are among the best in the film, including the scene in which he has captured Duke Leto Atreides (Oscar Isaac). It’s a testament to his performance that his presence is felt throughout the film, even in the scenes that he is not in and it will be exciting to see the Baron and Paul’s eventual standoff in the upcoming films.

Although the film is filled with brilliant performances, the real highlight for me was Hans Zimmer’s score which undeniably contains traces of Zimmer’s signature sounds but also combines a new sound that enhances the overall experience. It’s difficult to pinpoint one track that stands out because the music flows so naturally with the film and works perfectly to highlight the struggles that Paul is facing. What Zimmer has always done brilliantly is incorporating vocals into his tracks, which is what makes the music in Gladiator so entrancing. For Dune, he takes a similar approach with tracks such as “Gom Jabber” boasting aggressive vocals that provide an otherworldly feel, while using instruments such as bagpipes in the track “Arrival on Arrakis” shows the unpredictability and clashing nature that Villeneuve is capturing. Hopefully, Zimmer’s work will get rewarded with a deserved second Oscar win.

It’s difficult to talk about a film like Dune and not discuss the cinematography. What Greig Fraser manages to achieve is astonishing as he captures a world that is vast and seemingly endless, while contrasting it with feelings of entrapment and claustrophobia at the same time. It is thanks to Fraser’s use of the camera that we are able to explore the planet of Arrakis through Paul’s perspective, so it feels as though the audience is on the journey with the protagonist. Despite the abundance of special effects in the film, Fraser makes the landscape seem as natural and real as possible, truly allowing the audience to escape and feel as though Arrakis could be real.

Dune is one of those books that has always proven to be difficult to film, but what Villeneuve does is enhance the grittiness and realism of the story and uses the special effects fantastically to transport us to Arrakis. It’s no surprise that Dune has received so many award nominations and it is certain to swipe the technical categories thanks to the immersive experience. Dune: Part Two is sure to be just as exciting and thrilling as the first installment as it will explore Chani’s character more and follow Paul’s improvements. A star-studded spectacle that works beautifully and showcases blockbusters at their very best.

What did you think of Dune? Let me know in the comments below!

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Top 5 Andrew Garfield Performances

Andrew Garfield is one of the most exciting millennial actors out there with a huge resume under his belt that boasts film, theatre and television. Since his breakout role in David Fincher’s The Social Network, Garfield’s talents have gone from strength to strength and his career has brought him an Academy Award nomination, two BAFTA nominations and a Tony Award for his performance in the Broadway production of Angels in America. He’s a fearless actor and clearly wants to stretch himself and show off the range he has.

His filmography isn’t as extensive as his television and stage work but this proves the care that he takes in selecting his roles. One his earlier roles that I absolutely adore is The Imaginarium of Doctor Parnassus (2009) which in true Terry Gilliam style is utterly bonkers but Garfield is wonderful as troupe member, Anton. The fact that that performance doesn’t even make the top 5 just shows his skill as an actor.

Without further ado, here are my top 5 Andrew Garfield performances in chronological order:

The Social Network (2010)

The one that gave him his big breakout into the mainstream, Garfield plays Harvard student, Eduardo Saverin a seed investor for Thefacebook, a website created by fellow student and friend, Mark Zuckerberg (Jesse Eisenberg). In this biopic following the founding of the world’s biggest social media platform, we see Garfield in a significant supporting role in which sees him as a crucial part of Facebook’s inception and then ultimately his ownership is reduced and his profit is minimal. Bolstered by a stellar script by Aaron Sorkin and brilliant direction by Fincher, the part of Saverin is already a meaty role but Garfield goes the extra mile and makes the most of his limited screen time. Even when he is not on the screen, his impact is felt throughout the film. It shows that even at the early stages of his film career, Garfield is looking for risky roles. Not to mention the perfect delivery of the line: Sorry! My Prada’s at the cleaners! Along with my hoodie and my ‘fuck you’ flip-flops, you pretentious douchebag!

Never Let Me Go (2010)

Based on the novel of the same name by Nobel prize winner Kazao Ishiguro, Never Let Me Go is a nostalgic dystopic story about unknowing clones who are raised and brought up to be harvested for their organs. Following the three protagonists Kathy H (Carey Mulligan), Ruth C (Keira Knightley) and Tommy D (Garfield) who are three donors. We watch their journey from their innocent childhood to fully aware adults and the deterioration of their friendships and their lives as they are forced to donate their organs and start dying in the process. Garfield holds his own against this starry cast which also features Charlotte Rampling and Sally Hawkins to name a few. Tommy D is such a complex character as he begins to express his feelings through art in the hope that this will save him and Kathy H. At the start of the film, Tommy is an angry young boy who doesn’t know where to project his frustration but the adult Tommy is more restrained. You can see the tension bubbling to the service with Garfield’s performance and the climactic scene in which he breaks down is heart-breaking to watch. Watching the desperation as Tommy accumulates years and years of art in which his love is expressed and ultimately rejected makes for one of the best performances of the year that was sadly overlooked.

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99 Homes (2014)

Now for my favourite Garfield performance. Fresh off the back from starring as Peter Parker in The Amazing Spider-Man and it’s subsequent sequel, you’d be forgiven for thinking that Garfield would be starring in blockbuster after blockbuster. However, he not only starred but also co-produced his next film 99 Homes, an indie following construction worker, Dennis Nash (Garfield) and his struggle to keep a job which leads to his family being evicted from their home. The eviction is led by the ruthless Rick Carver (Michael Shannon) who Nash starts to work for and begins to be led down a rabbit hole of corruption and deceit. It shows the desperation to survive in a failing climate and what people will do in the pursuit of security. Nash commits awful criminal and moral activities but we don’t judge him for it because we know the background behind this and the intentions. When Dennis is forced to carry out an eviction, his reaction is the complete opposite to Rick’s emotionless demeanor. Whereas Shannon thrives portraying impenetrable characters, Garfield’s characters always wear their heart on their sleeve and none more so than Dennis Nash. Shannon definitely dominates the film as a whole and also provides one of his own career bests but Garfield’s performance should not be overlooked because of this. Seeing him play a young, struggling father who is also tasked with taking care of his mother (Laura Dern) demonstrates his range and versatility.

Hacksaw Ridge (2016)

The biggest performance of his career so far and one that cemented him as a reliable leading man, Garfield leads this biopic about Desmond Doss, a pacifist soldier who acts as a doctor during the Battle of Okinawa at Hacksaw Ridge. Doss refuses to engage in any violent act and even goes into battle without a weapon to protect himself. He was renowned for savings the lives of countless soldiers on both sides. The film itself was a bit overrated as a whole in my opinion (it felt like an imitation of Full Metal Jacket in the first half and is overall an oddly paced film) but Garfield shines in the lead role. There are some unbelievably brilliant scenes such as the climb up the Ridge when the soldiers realise that the rope ladders is soaked with blood. The film is definitely worth a watch just for Garfield’s performance alone and was well worth the Oscar nomination it received. The film was met with controversy thanks to Mel Gibson’s involvement as director and his subsequent awards attention. In my opinion, however, I find his direction a bit too indulgent in this film and not one of the highlights. This is a film that Garfield alone elevates, telling the story of a peacemaker’s experience in the eye of a bloody war.

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Silence (2016)

2016 was unarguably a brilliant year for Garfield. His second feature of the year sees him working with Martin Scorsese in an adaptation of Silence as Father Sebastião Rodrigues, a Portuguese priest who ventures to Edo era Japan to seek out fellow priest Cristóvão Ferreira (Liam Neeson). The film is set during the Shimabara Rebellion that sees Christianity outlawed and anyone who refuses to denounce Christ tortured or killed. Accompanied by Father Francisco Garupe (Adam Driver), Sebastião’s faith is tried and tested throughout as this 3 hour epic follows the trials and tribulations of a suppressed community in a land where they are outsiders. The film is a slow burner but it is a deeply layered film with rewardingly textured performances. Both 2016 films see Garfield play devout Christians in war-torn Japan at different eras but the performances couldn’t be further apart. The psychological effects of torture that Sebastião is forced to endure is shown perfectly by Garfield. We feel Sebastião’s inner turmoil as his reluctance to denounce Christ harms not only himself but others around him.

It’s exciting to see an actor unafraid to showcase a diverse range in a multitude of mediums. He has achieved a lot in a relatively short amount of time and it’s exciting to see what projects he takes on next.

Which Andrew Garfield performance is your favourite? Let me know in the comments below!