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Disney Animated Classics: Numbers 26-30 Ranking

Now we’re getting to the halfway point and already we have looked at some of the classic offerings that have stood the test of time. This period of films sees the Disney studios in a rut after the failure of The Black Cauldron and the emergence of what has become known as The Disney Renaissance. Some of the films in this post include cult classics such as The Great Mouse Detective as well as the film that garnered Disney its only nomination for Best Picture for an animated film, Beauty and the Beast. This post also sees the inclusion of the first sequel, The Rescuers Down Under which would remain the only sequel in the Disney Classic collection until the release of Ralph Breaks the Internet in 2018.

If you haven’t caught up, here are the other installments:

Films 1-5

Films 6-10

Films 11-15

Films 16-20

Films 21-25

Anyway, let’s crack on with Disney films 26-30:

26) The Great Mouse Detective (1986)

Based on the famous Sherlock Holmes by Sir Arthur Conan Doyle, The Great Mouse Detective (or Basil, the Great Mouse Detective as it was released in the UK) tells the story of detective, Basil and his sidekick, Dawson as they attempt to figure out the notorious Rattigan’s plan. Obsessed would not be a strong enough word to describe my feelings towards this film when I was younger. I used to watch it on a regular basis and loved the characters and songs. It is often forgotten as the story itself is rather simple and the animation for the most part isn’t the best; however, the climactic scene in the mechanics of Big Ben is phenomenally done. Compared to One Hundred and One Dalmatians which portrays London as quaint and lovely, The Great Mouse Detective gives the film a grimy look into Victorian England as Basil and co venture into the sewers. Much like The Black Cauldron before it, this film wasn’t as successful as it should have been and yet I still love it.

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27) Oliver & Company (1988)

The next Victorian adaptation brings us to modern day New York City. Based on Charles Dickens’ novel Oliver Twist, Oliver is a kitten who teams up with a group of dogs in his bid to find a true home within the big city. This film has struggles in its pacing and writing but the animation brings the audience into an urban city that we haven’t experienced before in Disney. It’s a shame that we don’t really get to know any of the characters beyond a single trait and their looks as they provide an interesting foundation for a film that could have been much better if given more time and a higher budget. There are moments that are exciting such as the song “Why Should I Worry?” belted out by Billy Joel, who voices Dodger, Oliver’s first friend who gives him a tour of the city. The two travel around and find themselves in precarious situations but the song acts as a safeguard as they ease themselves through and end up with a string of hot dog sausages at the end. I think that it was a clever idea to bring Dickens into 1980s New York as it is something unexpected and new, but as I have stated, I felt that this film could have brought more than it does.

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28) The Little Mermaid (1989)

The film that helped Disney out of the financial and critical mess it was in. The Little Mermaid, based on the Hans Christian Anderson fairy-tale of the same name, is about a mermaid called Ariel who longs to be a human and what she will sacrifice in order to get there. It’s a beautiful return to the classic Disney films that people love and marks the beginning of fantastic songs written by Alan Menken and Howard Ashman, who would begin to collaborate with Disney through the Disney Renaissance. It’s a film that remains a favourite with fans due to its brilliant songs and charismatic characters. Yet again, Disney provides us with another iconic villain in the form of Ursula, a sea witch who is half human/half octopus. She’s charismatic and relentless in her attempt to get what she wants. I don’t know if there is a more manipulative character in the Disney universe than Ursula. My favourite character is enigmatic crab, Sebastian who tries to act as Ariel’s mentor as she learns about being a princess and controlling her desires. He brings us two of the most memorable songs in the Disney catalogue “Under the Sea” and “Kiss the Girl” but a special mention also goes out to Ariel’s ballad “Part of Your World” which you can’t help but belt out whenever you watch the film.

29) The Rescuers Down Under (1990)

Disney’s first sequel takes us across the world to Australia where Bernard and Bianca travel to rescue a young boy kidnapped by a poacher who is hunting a rare eagle. It’s not a terrible film but it feels like the same concept but placed in a different environment therefore making it predictable and at times dragging. The animation also isn’t as ground-breaking as other films released around this time. It’s an enjoyable film to watch but The Rescuers is a far more superior film. I imagine the reason the studio played it safe and repeated the story was due to the film being Disney’s first sequel and with The Rescuers proving to be a success, they didn’t want to tarnish its reputation. The problem is that although this film was released within the Disney Renaissance, it is often forgotten because compared to the other films released during this time, it is by far the weakest instalment of the non-segmented features so far but then the quality of the rest is so high and it’s a shame to see this film fall short of the mark.

30) Beauty and the Beast (1991)

Disney’s only Best Picture nomination from the Disney Classic catalogue comes in the form of this flawless fairy-tale adaptation of Beauty and the Beast. This is always discussed as one of the best Disney films ever made and with good reason. There are countless memorable songs, flawless character development for both leads and supporting and writing that is perfectly paced. This film feels like Disney going back to its roots and creating a film that is both full of action and full of heart at the same time. The tale of the beautiful Belle, daughter of eccentric inventor, Maurice, is imprisoned in a castle ran by the Beast in exchange to free her father. As their relationship develops, word gets out to the villainous Gaston, the town hunk who loves Belle and wishes to marry her. It’s a film that is simple on the surface but incorporates complex issues underneath making it perfect for people of all ages. It’s a film filled with beautiful animation and intricate details, particularly in the castle as we venture around with the anthropomorphic objects such as Lumiere the candelabra and Cogsworth the clock. It’s a timeless tale of love that has inspired sequels and remakes galore and Disney are constantly releasing merchandise and incorporating the characters in the parks. The songs are the highlight of this masterpiece with songs again written by Alan Menken and Howard Ashman (who sadly passed before the film’s release). It’s legacy will no doubt stand even beyond the 100th film as it proved that The Little Mermaid wasn’t just a fluke and that Disney had managed to reignite its power again.

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Now we’ve entered a truly exciting era of Disney and it’s truly difficult where to place them among the classics! It would be wrong not to recognise the reputation and legacy of The Little Mermaid and Beauty and the Beast in particular because they are still well-loved by people of all ages.

Here is my ranking:

1) Snow White and the Seven Dwarfs (1937)

2) Fantasia (1940)

3) Beauty and the Beast (1991)

4) Sleeping Beauty (1959)

5) Bambi (1942)

6) The Many Adventures of Winnie the Pooh (1977)

7) The Little Mermaid (1989)

8) Alice in Wonderland (1951)

9) The Aristocats (1971)

10) One Hundred and One Dalmatians (1961)

11) Peter Pan (1953)

12) The Three Caballeros (1945)

13) Pinocchio (1940)

14) Dumbo (1941)

15) The Black Cauldron (1985)

16) The Great Mouse Detective (1986)

17) The Jungle Book (1967)

18) The Sword in the Stone (1963)

19) Cinderella (1950)

20) The Rescuers (1977)

21) Robin Hood (1973)

22) Oliver & Company (1988)

23) Lady and the Tramp (1955)

24) The Fox and the Hound (1981)

25) Fun and Fancy Free (1947)

26) The Adventures of Ichabod and Mr. Toad (1949)

27) Saludos Amigos (1943)

28) Melody Time (1948)

29) The Rescuers Down Under (1990)

30) Make Mine Music (1946)

The next blog is another exciting one because we’re delving deeper into the Disney Renaissance featuring more big hitters in the Disney repertoire such as Aladdin and The Lion King.

What did you think of this post and the ranking so far? Let me know in the comments below

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Disney Animated Classics: Numbers 41-45 Ranking

Sorry for the long break! I’ve been so busy that I haven’t found the time to write up my articles. However, I’m back and ready to carry on with my rankings. I’m sure you’re all dying to see the end result!

Riding on the success of the Disney Renaissance, the studio finds itself in a period of cockiness and nostalgia and proves that the overwhelming success of the 90s didn’t just come on a whim. The head honchos believe that now is a good time to release direct-to-video sequels and prequels galore to accompany the re-releases of the classics that are released from the Disney Vault. This is also a time when lots of projects that were overlooked during the Renaissance find their way onto the big screen.

As ever you can read the previous instalments here:

Films 1-5

Films 6-10

Films 11-15

Films 16-20

Films 21-25

Films 26-30

Films 31-35

Films 36-40

The majority of these films were not kindly looked upon critically or commercially compared to the predecessors of the previous decade. I do have a soft spot for this bunch as I went to see all of them in the cinema (with the exception of Home on the Range) and I have fond memories of watching them all on a loop. However, I do admit that they don’t have the lasting legacy that other Disney offerings have and despite being under 20 years old, they are often overlooked.

Without further ado, let’s crack on with the reviews for films 41-45:

41) Atlantis: The Lost Empire (2001)

Disney spared no expense on the production and marketing for this film (between $90-120 million was spent) and it was everywhere you looked. Atlantis was expected to be the next great Disney epic and the media and audience lapped the hype up only to be disappointed by the end result. Following Atlantis enthusiast Milo Thatch (voiced by Michael J. Fox) who embarks on a mission to find the lost kingdom, Atlantis is visually stunning and boasts some of Disney’s finest animation. What this film brings in style, it lacks in substance with a script that doesn’t feel finished. We’re presented with an array of one-dimensional characters but the real star of the show is Atlantis’ Princess Kida who is fascinated by the outsiders and wants to form a relationship with the outside world. It’s a shame that Disney hasn’t followed on her legacy in the past few years as she is overlooked in the Disney Princess canon constantly. This is a film that I thoroughly enjoy watching as there are numerous scenes that I hugely appreciate such as the Leviathan attack on the submarine, the scene where Kida is taken over by the protective crystal and the climatic battle in the volcano where Milo faces off the corrupt soldiers. It’s a film that (like 1985’s The Black Cauldron) deserved better writing and fleshed out characters but ultimately falls flat and has become forgotten with time.

42) Lilo & Stitch (2002)

One of the most loved modern Disney films about a young Hawaiian girl who befriends an alien on the run from his creator, Lilo & Stitch is a heartwarming film about differences and the struggle to fit in. Lilo is a quirky little girl whose hobbies include taking pictures of sunburnt tourists and playing Elvis Presley songs full blast. She is badly bullied by those in her dance class and unknowingly acts out, causing problems for her older sister, Nani who is also her guardian. When social services start to look into taking Lilo away, Nani thinks it’d be good for Lilo to get a pet dog to keep her preoccupied. Enter Experiment 626, the runaway alien who finds himself in the dog kennel. Lilo is immediately taken by his physical differences and ability to speak that she immediately adopts him, names him Stitch and shows him around the island. There’s a reason that this film has become among the most iconic and recognisable of modern Disney. Its message about the importance of family is one that immediately resonates with the audience. The scene in which Nani sings “Aloha Oe” to Lilo as she comes to terms with the prospect that Lilo will be taken away is one of the most heartbreaking and, because of this, daring scenes that Disney have put to screen. This aspect of loss makes the payoff even better when Stitch recites Lilo’s motto that “ohana means family” to Nani. The film is one that has touched hearts around the globe and Stitch is among the most iconic Disney characters of the modern era.

43) Treasure Planet (2002)

A project that had been pushed back for ten years, Treasure Planet finally saw its release in 2002. Featuring an all-star cast that includes Joseph Gordon-Levitt and Emma Thompson and an extortionate budget ($140 million!), this futuristic retelling of Robert Louis Stevenson’s Treasure Island about a young man who comes in possession of a highly-sought treasure map and sets off with a group of pirates to seek it has been subject to countless adaptations throughout the year. Never has this story been told in space where aliens take up most of the characters and the audience is taken across the galaxy in search of an entire planet that is filled with treasure. Utilising computer animation more so than previous films, Treasure Planet attempts to hurl Disney into a new era. Sadly, like Atlantis before it, the result is hugely underwhelming and we’re left with another forgettable entry in the Disney catalogue. I think the script is strong, following the premise of its source material but the style feels inconsistent to me. Visually, it is quite overwhelming as there is a lot going on. It’s a world inhabited by humans, aliens, traditional structures and futuristic architecture. It feels like a mesh of the past and the future which comes across disjointed as there isn’t a middle-ground. 

44) Brother Bear (2003)

Made on a more modest budget of $46 million, Brother Bear follows Kenai, a young tribesman who is transformed into a bear after recklessly hunting down and killing a bear in the mountains of the spirits. Joined by young cub, Koda, Kenai must find his way back to the mountain in order to be turned back. The film is definitely a middling effort and feels rushed in execution. My favourite aspect of the film is the great soundtrack that includes songs by Phil Collins and the mesmerising track “Transformation” sang by the Bulgarian Women’s Choir. The scene in which Kenai is transformed is beautifully done and it’s a shame that the rest of the film doesn’t follow that standard. It’s an enjoyable watch but doesn’t hold its own against the greater works by Disney. It’s a shame that it wastes such a talented cast that includes Joaquin Phoenix as Kenai and Rick Moranis making a rare return to voice work as one half of a randomly included moose duo. It feels that the tone is imbalanced throughout as there is a serious undertone that is constantly overthrown by characters such as the moose. Their humour doesn’t fit in well and it makes the overall experience jarring.

45) Home on the Range (2004)

By far one of the worst films ever to come out of the Disney studio, Home on the Range follows a group of cows who attempt to capture a cattle rustler called Alameda Slim. I enjoyed this film on release but sadly I don’t enjoy it at all watching it now. It’s forgetful and doesn’t have the same amount of Disney charm as the other instalments. The plot is weak and generic and the characters are bland. Featuring voice work by Judi Dench, Jennifer Tilly and Randy Quaid among others, Home on the Range falls into the trap of style over substance and suffers tremendously for it. Continuing the trend for middling efforts and released among a fleet of direct-to-video sequels and prequels, Home on the Range doesn’t stand out for its mundane effort. Sadly, there is a reason why Home on the Range is always forgotten and eschewed in Disney marketing and merchandise. There isn’t anything in the film that is marketable or memorable for the audience.

It’s mad to think that there are only two more posts left in this series until we’re up to date. The next post sees Disney delve into computer animation with Chicken Little (2005) and Meet the Robinsons (2007) and enter a new era of Disney masterpieces with The Princess and the Frog (2009) and Tangled (2010)

Here is my ranking:

1) Snow White and the Seven Dwarfs (1937)

2) Fantasia (1940)

3) Beauty and the Beast (1991)

4) Sleeping Beauty (1959)

5) Bambi (1942)

6) The Many Adventures of Winnie the Pooh (1977)

7) The Lion King (1994)

8) Mulan (1998)

9) The Little Mermaid (1989)

10) Alice in Wonderland (1951)

11) Aladdin (1992)

12) The Aristocats (1971)

13) One Hundred and One Dalmatians (1961)

14) The Emperor’s New Groove (2000)

15) The Hunchback of Notre Dame (1996)

16) Lilo & Stitch (2002)

17) Peter Pan (1953)

18) The Three Caballeros (1945)

19) Pinocchio (1940)

20) Pocahontas (1995)

21) Tarzan (1999)

22) Dumbo (1941)

23) Hercules (1997)

24) The Black Cauldron (1985)

25) Atlantis: the Lost Empire (2001)

26) The Great Mouse Detective (1986)

27) Treasure Planet (2002)

28) Brother Bear (2003)

29) The Jungle Book (1967)

30) The Sword in the Stone (1963)

31) Cinderella (1950)

32) The Rescuers (1977)

33) Robin Hood (1973)

34) Oliver & Company (1988)

35) Lady and the Tramp (1955)

36) The Fox and the Hound (1981)

37) Fun and Fancy Free (1947)

38) The Adventures of Ichabod and Mr. Toad (1949)

39) Saludos Amigos (1943)

40) Melody Time (1948)

41) Fantasia 2000 (2000)

42) The Rescuers Down Under (1990)

43) Make Mine Music (1946)

44) Home on the Range (2004)

45) Dinosaur (2000)

 

What do you think of the list? Do you think I’ve been too harsh on these entries? Let me know in the comments below!