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Disney Animated Classics: Numbers 21-25 Ranking

This post looks at the film that continues the Disney legacy after his death. All of the films from now on are conceptualised and created without any input from Disney at all. We see a surge in humanised animals with some films pulling this off more successfully than others. This period was quite a dark time for the studio because the films were not well-received critically with the exception of The Many Adventures of Winnie the Pooh. I still enjoyed watching all of these films when I was younger and although they may not rank as highly as others have, there is plenty to love about these offerings.

Here are the previous rankings:

Films 1-5

Films 6-10

Films 11-15

Films 16-20

Let’s go ahead and look at Disney films 21-25:

21) Robin Hood (1973)

The first film post-Disney is another Medieval tale. The story of Robin Hood, the man who stole from the rich to give to the poor in a bid to rebel against the corrupt, thumb-sucking Prince John, is retold with animals. The film contains repeated sequences such as the dance scene taken from Snow White as well as familiar characters such as Robin’s sidekick, Little John, who is just like Baloo from The Jungle Book (both characters were voiced by Phil Harris) and Sir Hiss who is very similar to Kaa, also from The Jungle Book. It’s a fun film to watch with plenty of action and lots of different characters to root for which is great for the majority of the film; however, there are some scenes where the action can be a little too chaotic, mainly when there is a conflict. It’s hard to focus where Robin is because there are so many characters. My favourite supporting character is Toby, a shy turtle who is whisked on an adventure to meet Maid Marion, Robin’s true love. I think a lot of the films made during this decade suffer from a lack of character development which could be due to shorter running times which don’t last longer than 90 minutes. This is particularly problematic when you have multiple characters to develop and could be why the studio decided to create similar characters to what the audience has seen before. Nevertheless, it is a enjoying film to watch and has earned its cult following in recent years.

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22) The Many Adventures of Winnie the Pooh (1977)

One of the most classic Disney films featuring an ensemble of iconic Disney characters and adapted from the stories by A.A. Milne, The Many Adventures of Winnie the Pooh follows young boy, Christopher Robin and his animal friends who live in the Hundred Acre Wood, including Winnie the Pooh, a lovable bear with an addiction to honey. With the addition of the adorable Piglet and the gloomy Eeyore among others, the group go on lots of adventures. The stories are lovely and enjoyed by people of all ages, my favourite in this film is “Winnie the Pooh and the Blustery Day” in which we see the introduction of hyperactive tiger, Tigger, who baffles Pooh with his talk of “Heffalumps and Woozles” that steal honey. Pooh’s nightmare, including the song “Heffalumps and Woozles” is genuinely terrifying as he fights to protect his honey. It has a similar, trippy tone to “Pink Elephants” from Dumbo. Disney’s adaptations of Winnie the Pooh is globally adored and I can’t imagine how much money the studio has made from the merchandise based off it. I think that The Many Adventures of Winnie the Pooh is a film that is timeless and could be introduced to any generation and loved accordingly. What makes it so accessible is its ability to teach life lessons without feeling like a lecture and also there are no real villains. Each character has their positives and negatives which makes them more relatable to the audience.

23) The Rescuers (1977)

Disney’s second release in 1977 is a lot darker in tone than its predecessor. The Rescuers follows two mice, Hungarian aristocrat, Bianca and bashful cleaner, Bernard as they embark to the Deep South to rescue a little girl from her abusive aunt. Much like the recent offerings from the Disney studio, there are an array for animals that we encounter aside from the mice, including the lovable dragonfly, Evinrude. The film was pitched in 1962 but Walt Disney shelved it due to its political content. It feels as though the writers were away of this and tried to tone Penny’s background and the abusive relationship down but this is creates a flaw in the film. By attempting to simplify the politics in the film actually creates an imbalance in the writing. The scene in which Penny is forced underground to retrieve a huge diamond is terrifying and the tone of this scene should have been carried throughout the film but when this scene happens, it appears out of place. I do enjoy watching this film, particularly the aforementioned scene as it does bring something new to the table. The villain, Madame Medusa, is Penny’s abusive aunt who is a greedy individual willing to do anything to be rich. Her ruthlessness and evil nature make her a Disney villain who is often overlooked. She also has two pet crocodiles which makes her all the more terrifying to me. The Rescuers is often referred to as the first Disney film to spawn a sequel, The Rescuers Down Under. This film was a huge success critically and commercially on release and it’s a real shame that, despite its shortcomings, it appears to be forgotten as a Disney classic.

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24) The Fox and the Hound (1981)

Following the success of The Rescuers, the Disney studio decided to bring another sombre topic for its next feature. The Fox and the Hound is a tale of friendship between two unlikely animals (I’m sure you can guess who) and how nature tears them apart as they grow up with Tod the fox being th;e target for Copper. This film has a starry cast including Mickey Rooney and Kurt Russell as Tod and Copper, respectively. It’s definitely not among the best films Disney has released but it’s beautifully drawn and the passion for the story is there. I think the film’s shortcomings come from the writing. It feels too fast-paced for a film that is all about characters. The titular characters should be more fleshed out than they are beyond the simple hunter/hunted dynamic that they ended with. Since the film is set within a forest, it could have been easy for Disney to create similar characters as Bambi, but they probably learned from Robin Hood and its similarities to The Jungle Book and created the characters and their personalities from scratch. Even Big Mama, a caring owl is the polar opposite of Friend Owl from Bambi. The Fox and the Hound is a film that definitely has flaws but it makes up for this with its heart.

25) The Black Cauldron (1985)

The first PG rated film in Disney history, The Black Cauldron is often known as the film that almost bankrupted the company. Set within a Medieval Welsh landscape, the film follows Taran, a young peasant boy who longs to be an Arthurian style hero. When tasked with hiding his master’s psychic pig from the evil Horned King, Taron finds himself in a world beyond his depth as he battles against the evil that threatens the land. It’s a film of extreme fantasy, filled with mythical creatures. The extravagant budget was used on top notch animation, leaving the substance high and dry in a bid to save the studio from its recent failures. The brilliant thing about this film is that it isn’t afraid to get dark and ugly, which is something that appealed to me when I was younger. Despite its mixed reaction, I love this film a lot and always enjoy watching it for the detail. I agree with the criticism that the narrative and characters fall flat, but the animation is pushed past the edge and brings the audience something new and revolutionary that hadn’t been seen since the first few Disney films. Also, I must mention the brilliant voice work by the late John Hurt who adds a layer of terror to the evil Horned King. I don’t think that this film gets the praise it truly deserves for its contribution to animation. There are numerous scenes that I love, particularly those that take place at the Horned King’s castle. It’s a film that inspires me in terms of how far the envelope can be pushed.

black-cauldron

Now we’re well into the Disney ranking journey and it’s getting harder and harder to slot the films into the table because the quality is so high.

Here is my ranking:

1) Snow White and the Seven Dwarfs (1937)

2) Fantasia (1940)

3) Sleeping Beauty (1959)

4) Bambi (1942)

5) The Many Adventures of Winnie the Pooh (1977)

6) Alice in Wonderland (1951)

7) The Aristocats (1971)

8) One Hundred and One Dalmatians (1961)

9) Peter Pan (1953)

10) The Three Caballeros (1945)

11) Pinocchio (1940)

12) Dumbo (1941)

13) The Black Cauldron (1985)

14) The Jungle Book (1967)

15) The Sword in the Stone (1963)

16) Cinderella (1950)

17) The Rescuers (1977)

18) Robin Hood (1973)

19) Lady and the Tramp (1955)

20) The Fox and the Hound (1981)

21) Fun and Fancy Free (1947)

22) The Adventures of Ichabod and Mr. Toad (1949)

23) Saludos Amigos (1943)

24) Melody Time (1948)

25) Make Mine Music (1946)

As always, let me know what you think of the films discussed in this blog and where you would rank them! Comment below!

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Disney Animated Classics: Numbers 16-20 Ranking

Continuing with the Disney rankings, this post is all about the last bunch of films before Disney’s death in 1966 (The Aristocats was the last film he approved). A mix of legends and contemporaries, these films remain favourites and have been the subject of remakes in recent years due to their followings.

This period of films sees my favourite animation in the entire Disney catalogue. Even after gaining a reputation as the frontrunner in animation, Disney is still trying to incorporate different styles to match the context of the films. Beginning with Sleeping Beauty’s Medieval setting which makes way for a glorious tapestry of block colours and simple shapes that is immediately striking and bold to the charming early 1900s Parisian setting of The Aristocats which brings a more classic style with it’s beautiful textured animals and heavy use of brush strokes and pastel colours.

Here are the other links if you haven’t read them:

Films 1-5

Films 6-10

Films 11-15

Here we go with films 16-20:

16) Sleeping Beauty (1959)

Initially a box office bomb on release, Sleeping Beauty has grown into one of the most loved Disney films due to its charm and beautiful animation style. Telling the story of a young princess who is forced into hiding to avoid an evil fairy’s spell is a fairy-tale that everyone is familiar with. When Princess Aurora pricks her finger on a cursed spinning wheel, she falls into a deep sleep that can only be woken by true love’s kiss. The film home to arguably the most iconic Disney villain, Maleficent, who is my personal favourite villain in any Disney films. Like Snow White, I was fascinated with this film from an early age due to the fact that it terrified me with Maleficent’s ugly henchmen keeping me up at night. Not to mention getting me into the habit of checking the fireplace in case Maleficent was in there. The protagonist, Briar Rose, is a pretty one-dimensional character whose wish is to meet the love of her life; however, the film more than makes up for this shortcoming with the supporting characters of Maleficent and the three fairies, Fauna, Flora and Merryweather. The animation in this film is also arguably my favourite featuring some of the most beautiful sequences in the Disney repertoire such as the fairies blessings at the start and Prince Phillip’s battle with the dragon at the end.

sleepingbeauty

17) One Hundred and One Dalmatians (1961)

Pongo and Perdita are two dalmatians living in London with their owners, Rodger and Anita. When Perdita gives birth to puppies, we are introduced to another Disney villain that has become instantly recognisible. The notorious Cruella de Vil is a lover of furs and plans to use the puppies’ furs to create a Dalmatian coat for herself. When she hires two men to kidnap the puppies, it is up to Pongo and Perdita to rescue them and bring them back home. Like Sleeping Beauty before it, the animation in this film is so unique and suits the London backdrop beautifully. The scenes in the countryside where the puppies are hidden is particular beautiful and quaint which is disrupted in the iconic scene when Cruella speeds done the road in a manic state. It’s a hugely enjoyable film that does a great job of creating identifiable characteristics for the main 12 puppies which is a tricky feat to do in a film that is 80 minutes long.

18) The Sword in the Stone (1963)

The Sword in the Stone is based on the novel of the same name about squire, Arthur, who is tutored by wizard Merlin while living with his foster father and brother, who is due to fight in a tournament to become the King of England. This film is often overlooked for a number of reasons. Although it is enjoyable to watch, the lack of narrative doesn’t fit with this particular story. The animation is fantastic as ever, particularly when Merlin is staying in the tower on a rainy night. The film’s faults lie in its heavy use of animal scenes compared to memorable human characters (with the exception of Merlin and Madam Mim) and the character of Arthur isn’t fleshed out well enough for the film. The fight between Merlin and Madam Mim is brilliant to watch bringing a nice element of fun that had been missing beforehand.

swordinthestone

19) The Jungle Book (1967)

Disney’s retelling of the Rudyard Kipling classic follows Mowgli, a boy raised by wolves in the Jungle as he grows up and struggles with his identity all while escaping the wrath of the evil Shere Khan, a tiger who wants to eat Mowgli. Featuring the lovable Baloo, a bear who befriends Mowgli and shows him the way of the jungle, hypnotic snake Kaa and the elephant colonels, The Jungle Book seems to be the complete opposite of One Hundred and One Dalmatians, allowing the animators to cross continents and create the jungle. The animation style is more traditional like Dumbo and Cinderella but there is so much detail in the environment that it was a good choice not to make it over-styled or overcomplicated. One unique inclusion in this film is the incorporation of four vultures who are inspired by The Beatles which is unusual in Disney as the classics rarely incorporate popular culture.

20) The Aristocats (1971)

The last film to be approved before Disney’s death, The Aristocats tells the story of 3 aristocrat kittens who are kidnapped by a jealous butler, Edgar, when he finds out they are inheriting the entirety of their owner’s estate. The kittens’ mother, Duchess finds the kittens and together they embark to return to Paris with the help of alley cat, Thomas O’Malley. It’s a simple yet charming tale that is filled with memorable characters. The three kittens in particular are among my favourite characters in Disney. The film is also home to some lovable songs as well with my favourite being “Scales and Arpeggios”. The brilliant use of the paints in the songs bring literal splashed of bright colour that work brilliantly with the pastel backgrounds. There is an array of supporting characters across the animal kingdom from Roquefort, the friendly mouse to Napolean and Lafayette the suspicious dogs on a mission to hunt down Edgar and the brilliant Uncle Waldo, a goose who is found in Paris to be heavily drunk from a sauce he was due to be cooked with. It’s often seen as a middling effort from the Disney studio but I personally love this film a lot and remember watching it on repeat when I was younger.

aristocats-03

Now we’ve come to the end of the films approved by Disney before his death, but where do they rank?

Here is my ranking:

1) Snow White and the Seven Dwarfs (1937)

2) Fantasia (1940)

3) Sleeping Beauty (1959)

4) Bambi (1942)

5) Alice in Wonderland (1951)

6) The Aristocats (1971)

7) One Hundred and One Dalmatians (1961)

8) Peter Pan (1953)

9) The Three Caballeros (1945)

10) Pinocchio (1940)

11) Dumbo (1941)

12) The Jungle Book (1967)

13) The Sword in the Stone (1963)

14) Cinderella (1950)

15) Lady and the Tramp (1955)

16) Fun and Fancy Free (1947)

17) The Adventures of Ichabod and Mr. Toad (1949)

18) Saludos Amigos (1943)

19) Melody Time (1948)

20) Make Mine Music (1946)

My next blog begins to focus on the films created post-Disney. This period is known for producing underwhelming films pre-Renaissance so it will be interesting to see where they will rank.

What do you think of the ranking? What are your favourites? Let me know in the comments below!

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Disney Animated Classics: Numbers 11-15 Ranking

The next bunch of films see a return to the classical format of animated offerings based on 19th and early 20th century classics (with the exception of Cinderella). This blog also looks at some of the most controversial films in the catalogue for its racist depictions of Native American Indians (Peter Pan) and Asian stereotypes (Lady and the Tramp) as well as misogynistic qualities that will sadly become even more so prevalent in Disney animations. The films, however, have stood the test of time and remain among the most loved classics in the Disney repertoire.

As ever, here are the links to previous installments:

Films 1-5

Films 6-10

Here we go with films 11-15:

11) The Adventures of Ichabod and Mr. Toad (1949)

I don’t know if there is a darker tone in the Disney catalogue than the “Ichabod Crane” segment in this collection. Consisting of two segments inspired by The Wind in the Willows and “The Legend of Sleepy Hollow”, this is the last of the segmented features found in the Disney collection. I would watch this on repeat when I was younger and “Ichabod Crane” certainly made an impression in terms of how I see films today and approach them. It taught me that you don’t always need the happy ending that is usually given in family films and can be dark without being overtly scary. I am not as fond of The Wind in the Willows segment as much but I still find it a joyful treat to watch. Telling the story of Mr. Toad, an eccentric proprietor and his friends, Ratty and Moley, who are tasked with finding him before he gets himself in serious trouble, The Wind in the Willows follows Mr. Toad as he finds himself eventually jailed for car theft despite being framed. This differs greatly to the following segment of “The Legend of Sleepy Hollow” where Ichabod Crane moves to the lazy town of Sleepy Hollow where he tries to woo Katrina von Tassel in a bid to take her family inheritance while also being bullied by Brom, the village hero who also loves Katrina. It’s a film littered with flawed characters but this adds to the suspense as the audience doesn’t know who to trust.

12) Cinderella (1950)

Probably the most iconic Disney princess, Cinderella is the classic fairy-tale about a young girl subjected to servitude at the hands of her Evil Stepmother and Ugly Stepsisters. With the help of her Fairy Godmother, Cinderella attends a ball where she meets a prince before leaving her glass slipper. The palace search for the mysterious woman who captured the prince’s heart and the glass slipper is tried on by every woman claiming to be the woman. However, Cinderella puts the slipper on and they live happily ever after. There is no doubt that this film is a classic and for good reason. It is a simple film with likable animal sidekicks and a strong moral purpose; however, I believe that there are a lot of better films that captured my imagination as a child. I always enjoy watching Cinderella but it has never been among my top favourite Disney films simply because I find that there is more development given to secondary characters than primary characters. Ultimately, we learn more about Jacques and Gus more than Cinderella herself. Her character is supremely passive with events simply happening to her rather than her actually doing anything herself. Whereas Snow White shows an achievement in the animation field as a whole, I completely appreciate that she too is a passive character but what separates it for me is that there are fantastic sequences throughout the film such as when she flees the huntsman whereas Cinderella doesn’t do anything spectacular in the animation that we haven’t seen before.

13) Alice in Wonderland (1951)

The most famous adaptation of the classic Lewis Carroll novel, Alice in Wonderland follows the titular character as she delves in an absurd world filled with the unlikeliest of characters from the White Rabbit to the evil Queen of Hearts. Filled with lots of songs that have stood the test of time such as “Golden Afternoon” and “Painting the Roses Red”, it is a film filled with colour and nonsense and knows it. Disney makes the most of the bonkers plot by allowing the animators to create the most unimaginable creatures such as those found in the forest. Characters such as the Cheshire Cat and the Madhatter are also designed brilliantly with the former being among the most recognisible of Disney characters.

14) Peter Pan (1953)

Peter Pan tells the story of Wendy Darling and her brothers, John and Michael, as they venture to Neverland with Peter Pan, a young boy who never grows up. It is probably the trickiest Disney film to write about because it spawned some of the most iconic characters including Tinkerbell and the film itself is loved around the world; however, its damaging representation of Native American Indians and misogyny throughout the film make it an uncomfortable film to watch. The infamous scene I am talking about in particular is when Peter and co are celebrating the return of the Chief’s daughter, Tiger Lily in what is a highly racist collection of stereotypes with every aspect of Native American Indian culture being ridiculed. I thoroughly enjoy every other part of the film, particularly the baddies Captain Hook and Mr. Smee and a special mention to the Crocodile who I am convinced spawned my fear of alligators and crocodiles. It’s a film that I remember watching frequently and I think it sparked my imagination and writing. I love the scene when we see Captain Hook’s reaction to the Crocodile for the first time. It’s comical and terrifying at the same time but it’s the fear that keeps me going back to watch it, very much like Snow White.

15) Lady and the Tramp (1955)

Now for a film that is simultaneously classic but always understated and quite forgotten a lot of the time compared to other offerings. Lady and the Tramp is about an upper class spaniel called Lady who falls for a stray dog, Tramp and the two fall in love despite their different backgrounds. It’s a clever take on classicism during a time in which society was very much torn in the aftermath of the war. As Lady begins to venture out of her comfort zone, her character becomes three dimensional as she becomes fearless and most importantly flawed in a world that expects her to be perfect. Again, much like Peter Pan, we see another racist trope in the form of the infamous Siamese cats who are the epitome of Asian stereotypes. Their appearance and song is frowned upon in modern times and again is uncomfortable to watch. Thankfully, their appearance doesn’t last long and we are served with famous songs like “Bella Notte” and “He’s a Tramp”. With a remake in the works to be released this year, this is a love story that has stood the test of time and can melt the hardest of hearts.

So that’s films 11-15 reviewed with some of the most famous Disney films covered. As you can see, Disney appear to have fully recovered financially and critically from the segmented offerings made during and after the war.

Here is my ranking:

1) Snow White and the Seven Dwarfs (1937)

2) Fantasia (1940)

3) Bambi (1942)

4) Alice in Wonderland (1951)

5) Peter Pan (1953)

6) The Three Caballeros (1945)

7) Pinocchio (1940)

8) Dumbo (1941)

9) Cinderella (1950)

10) Lady and the Tramp (1955)

11) Fun and Fancy Free (1947)

12) The Adventures of Ichabod and Mr. Toad (1949)

13) Saludos Amigos (1943)

14) Melody Time (1948)

15) Make Mine Music (1946)

The next blog looks at the last bunch of films made and approve before Disney died including classic favourites, Sleeping Beauty and The Jungle Book. Check it out and see where the films rank!

Do you agree with the ranking so far? What are your favourites from this blog? Let me know in the comments below!

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The Cornetto Trilogy

The Cornetto Trilogy consists of three films by writer/director Edgar Wright that are unconnected in plot but star Simon Pegg and Nick Frost in the lead roles and stars a different flavour Cornetto at some point in the film. The trilogy began with horror Shaun of the Dead (2004) followed by action Hot Fuzz (2007) and concludes with sci-fi The World’s End (2013). Each film was critically and commercially well-received and has a dedicated fan-base. As with any Edgar Wright film they all have strong language in abundance, brilliant soundtracks and a striking aesthetic. I go back to these films time and time again and find myself noticing things that I hadn’t seen before.

Here’s a quick summary of each installment in chronological order:

Shaun of the Dead (2004)

Part horror, part family drama, all comedy. Shaun of the Dead follows Simon Pegg as the titular character whose life seems to be going nowhere (except local pub, The Winchester that is). Accompanied by his lazy housemate, Ed (Nick Frost), Shaun navigates his way through a random zombie apocalypse that has befallen the country to get to his ex-girlfriend’s house in a bid to win her back. It’s a film that is filled with a lot of heart and even more guts that is both genius and revolutionary in the horror comedy genre. It’s one of those films that you can quote for hours on end. Horror comedy is not an easy genre to pull off well critically and in a sincere manner but Shaun of the Dead does this through its flawed protagonist who is as layered as the blood paving the streets.

Hot Fuzz (2007)

The second film in the trilogy is an action-packed story filmed in Edgar Wright’s hometown. Overachieving police officer, Nicholas Angel (Simon Pegg) is relocated to the tiny village of Sandford, aptly known as “the safest village in Britain”. As a series of gruesome deaths occur throughout the village, Nicholas believes that there is a murderer on the loose despite the townspeople constant protestations that the deaths are accidents. Alongside local police officer, Danny (Nick Frost), the pair attempt to track down the killer and bring them to justice. Although it does have strong points, it is my least favourite of the trilogy for a number of reasons. Unlike the other two films, it is plot heavy rather than a character study and I personally prefer the latter. Action isn’t my favourite genre but I do think it is a strong film that brings something different to the genre.

The World’s End (2013)

The final film in the trilogy is also my favourite. Simon Pegg plays Gary King, an alcoholic who hasn’t moved on from school days and longs to complete the Golden Mile in his hometown which he failed to finish as a teenager. The Golden Mile is a pub crawl that consists of 12 ending with the titular pub, The World’s End. He gathers up his childhood mates, including his former best friend, Andy (Nick Frost) and they attempt to conquer The Mile while fighting off an alien invasion that has turned the townspeople into androids (or Blanks as they are called in the film). Featuring a brilliant cast as always and a higher budget than the two previous films combined, Wright is tasked with giving this trilogy the grand finish it deserves and he succeeds with flying colours. Everything about this film emulates the previous installments with its attention to detail, layered characters and brilliant script. The writing in this film is what I enjoy most about this film as the timing and pacing is flawless.

The Cornetto Trilogy is a career-defining set of films that put Edgar Wright on the map. Not many directors can easily transition from low to high budget but Wright does this easily. He’s clearly a lover of a wide spectrum of films and isn’t afraid to pay tribute in an original way.

What is your favourite film in the Cornetto Trilogy? Let me know in the comments below!