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Malcolm X (1992)

Malcolm X is a revolutionary piece of cinema directed by one of the most prominent visionaries in film history. Often regarded as one of Spike Lee’s best outputs, the film follows the life of African American activist, Malcolm X (Denzel Washington) and chronicles his rise from turbulent childhood to one of the most prominent human rights activists in history. Malcolm X provides insight into both the personal and professional life of its subject, with director Spike Lee leaving no stone unturned.

It is clear that Malcolm X is a passion project for director Spike Lee. His admiration and determination to bring justice to Malcolm X’s story is evident from the very first shot as we see an American flag burn against a backdrop of historical and contemporary racial practices until the flag has formed an X shape. What makes Lee such a perfect visionary for this film is his fearlessness. Much like Malcolm X himself, Lee has always used his platform to talk about race relations and black empowerment. Through his films, he has given us decades of fully-fleshed characters, including those played by him (Mars Blackmon in She’s Gotta Have It for example). These characters are a stark contrast to the historical racism in cinema where African American characters are reduced to dangerous stereotypes. Lee also cowrote the screenplay with Arnold Perl basing the script on The Autobiography of Malcolm X by Malcolm X and Alex Haley. Incorporating Lee’s signature fast-paced dialogue and reluctance to rest, we are instantly thrust into Malcolm’s world.

In a career that has spanned decades and seen huge range, Denzel Washington hits his peak as the titular character. His portrayal of Malcolm X is vast and layered. Washington embodies the fight and struggle Malcolm X faces throughout his life. Biopics run the risk of becoming Oscar bait with insincere performances that exist solely to win awards. This is not the case with Malcolm X. There is clear passion and heart from the cast and crew which evokes in every minute. The film follows Malcolm X almost exclusively making it an intense and reflective performance. Washington proves himself to be among the greats with his excellent turn.

Angela Bassett is also excellent as Betty Shabazz, later known as Betty X. Bassett can always be relied on to bring a strong and subtle performance. As Malcolm’s public appearances are proving to be popular and controversial, Betty is there as an intellectual and emotional anchor. Commanding the screen, Bassett brings a performance that allows us to see Malcolm’s personal side.

The film has a stellar supporting cast which includes Spike Lee in a delightful turn playing Malcolm’s friend, Shorty. Among the highlights in support are Delroy Lindo and Giancarlo Esposito who are known for their collaborations with Lee. Playing West Indian Archie and Talmadge X Hayer, respectively, these performances are hugely significant to Malcolm’s lifestory. Lindo is fantastic as a gangster who mentors Malcolm as a young man while Esposito is chilling as one of the men who assassinated Malcolm.

With the 4K UHD release, it’s hugely important to discuss the cinematography by Ernest Dickerson. A testament to Dickerson’s work is how refined and elegant the use of lighting is, especially in the first half of the film. The audience is aware of a wider world beyond Malcolm and yet the camera seems intensely transfixed on him. This means the audience is truly seeing the world through Malcolm’s eyes.

Malcolm X marks the second collaboration with Terence Blanchard who provides an exceptional score. Much like the film itself, the music provides a constant backdrop filled with jazz-infused pieces. Blanchard’s use of trumpet echoes the yearning and struggle Malcolm X is faced with. Most of the pieces are tinged with sadness, as though Blanchard is foreshadowing the inevitable outcome. From the impactful “Opening Credits” to the tender choral “Black & White”, Blanchard’s soundtrack for Malcolm X matches the intensity of Lee’s direction.

Malcolm X could arguably be seen as Spike Lee’s magnum opus. Spanning 202 minutes, the film is a departure from Lee’s previous offerings such as Do the Right Thing. Boasting his largest budget to that point, Malcolm X showed that Lee was more than capable of handling an epic feature that allowed him to expand on his signature aesthetic and writing. What makes Spike Lee such an effective filmmaker is not only his distinct style and approach to directing, but the fearlessness in his artistry. Simply put, Lee has earned his place as one of the most important directors in cinema history.

Malcolm X 4KUHD is available to buy 29th July 2024.

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One Night in Miami (2020)

One of my biggest regrets of London Film Festival was that I accidentally missed the showing of Regina King’s directorial debut, One Night in Miami. Quickly becoming one of the most exciting films tonlook out for this awards season, the film follows the integral meeting that took place between boxer Cassius Clay (Eli Goree), activist Malcolm X (Kingsley Ben-Adir), football player Jim Brown (Aldis Hodge) and musician Sam Cooke (Leslie Odom Jr.) on the night that Clay became World Champion and leads up to the announcement that he is converting to Islam. Based on the play of the same name written by Kemp Powers, who also wrote the screenplay, One Night in Miami is fully engaging and beautifully shot. In an awards season that is dominated by films directed by women, King stands out as she brings a unique perspective to a film that is heavily dominated by men.

As the film is based on a play, it could have easily slipped into the trap of coming across too “stagey” and over the top. However, Powers did a brilliant job of adapting his script in a way where the location changes and long conversations feel completely natural and brings an authentic pace to the film that doesn’t feel jarring at all. Mixed with King’s ability to weave in the different backstories flawlessly, One Night in Miami tells its story effectively without patronising or spoon feeding the audience. We soon find as the film goes on just how complex each individual’s life is and how their own struggles reflect that of other African-Americans during that time as well as their power and influence to inspire change.

In the lead as activist Malcolm X, Kingsley Ben-Adir is absolutely astonishing. By far one of the most exciting breakouts of this awards season, Ben-Adir perfectly captures Malcolm’s strength and resilience that is often associated with Malcolm whilst also adding in the fearful side as we see Malcolm as a family man who is scared for his own wellbeing and mortality as he grows more paranoid of the FBI and the Nation of Islam. Naturally, Malcolm is the instigator of many conversations and arguments that occur in the film simply because he wants his friends to use their platforms to speak up about racial equality. Of course, this isn’t the first time Malcolm X has been brought to the big screen with the most notable performance coming from Denzel Washington in Spike Lee’s 1992 film, Malcolm X but Ben-Adir holds his own and shows that he is definitely a star on the rise.

In support we have Eli Goree, Aldis Hodge and Leslie Odom Jr. as Cassius Clay, Jim Brown and Sam Cooke. Each man a pioneer in their respective field through the worlds of sport and art, Malcolm invites his friends round to discuss the opportunities they have to promote racial equality thanks to the public platform they have. Every actor in this film pulls more than their weight and deliver performances that stay with you long after the film is over but the highlight in support has to be from Leslie Odom Jr. who shines as the conflicted musician Sam Cooke. Cooke is a successful musician who makes his own money and chooses to make music that caters to both black and white people because it makes him rich and allows him to be his own boss. After hearing Bob Dylan’s “Blowin’ in the Wind”, he is inspired to write his own song about racial injustice and the result is “A Change is Gonna Come”. To say that Odom Jr. is the perfect choice for the role is an understatement. He captures Cooke’s personality brilliantly and his voice is spot on, bringing out the passion and love Cooke has for music. It should also be noted by Odom Jr’s performance of the original song “Speak Now” which plays during the ending credits is just as beautiful as the film and I hope it receives an Academy Award come Oscars Night.

Overall, One Night in Miami is a standout among othet directorial debuts by actors because of its simplicity. King has created a film that physically is fairly still but there are a lot of moving pictures as loyalty is questioned and tensions rise. It’ll be excited where her directorial career will take her to next but right now, this film is definitely an important conversation piece that easily holds its own against the heavy hitters that boast extortionate budgets. King will no doubt be amongst the Best Director nominees when it comes to the Academy Awards and deservedly so.

What did you think of One Night in Miami? Let me know in the comments below!

One Night in Miami is available to stream on Amazon Prime now!