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London Film Festival 2021: Roundup

This year’s London Film Festival 2021 brought back some of the traditional elements of attending the cinema to see some of the films while others I had the pleasure of watching online. This hybrid experience made it both exciting and busy whilst also allowing me to see some of the biggest films of the year as well as some indie films I may not have had the chance to see otherwise (which is always a good thing!).

It’s become a little tradition to do a small awards at the end of each festival so it only makes sense to point out the highlights of my London Film Festival experience. From the Palme d’Or winning Titane to Jane Campion’s The Power of the Dog (her first film in 12 years!) to two of Ryusuke Hamaguchi’s new films, Drive My Car and Wheel of Fortune and Fantasy, there were so many films to see. In total, I saw 14 films with 3 of those being at Chapter Cinema in Cardiff (The Harder They Fall, The Power of the Dog and Titane) and the rest online, being successful in the online ballots for Petite Maman and Lamb so I got to experience the best of both mediums.

Here are the Smaller Pictures Winners of London Film Festival 2021:

Best Picture – Titane

Best Director – Julia Ducournau for Titane

Best Leading Actress – (TIE) Agathe Rousselle for Titane and Annes Elwy for Gwledd (The Feast)

Best Leading Actor – Benedict Cumberbatch for The Power of the Dog

Best Supporting Actress – Regina King for The Harder They Fall

Best Supporting Actor – Jason Isaacs for Mass

Best Original Screenplay – Julia Ducournau for Titane

Best Adapted Screenplay – Jane Campion for The Power of the Dog

Best Original Score – Jim Williams for Titane

Best Cinematography – Eli Arenson for Lamb

Best Editing – Julien Lacheray for Petite Maman

Best Production Design – Martin Whist for The Harder They Fall

Best Costume Design – Antoinette Messam for The Harder They Fall

Best Hair and Makeup – Olivier Afonso, Marison De, Amelie Grossier, Céline Llerena, Antoine Mancini and Flore Masson for Titane

Special Shoutout Winner – Ryusuke Hamaguchi for Drive My Car and Wheel of Fortune and Fantasy

The calibre of the films this year was so high and each film I watched had something important to say. With even more non-English language films being incorporated into the roster, it’s great to be given the chance to view even more films from around the world that I may not have had the chance to watch otherwise.

That’s it for my roundup! It’s been extremely busy and a lot of work but definitely worth it and makes me excited to see what next year will bring!

Here are the films I saw at this year’s London Film Festival in alphabetical order. My reviews for Gwledd (The Feast) and The Phantom of the Open were commissioned by Wales Arts Review so the link will take you to the page on their website:

Between Two Worlds

Boiling Point

Drive My Car

Gwledd (The Feast)

The Harder They Fall

Lamb

Language Lessons

Mass

Memory Box

Petite Maman

The Phantom of the Open

The Power of the Dog

Titane

Wheel of Fortune and Fantasy

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London Film Festival 2021: Language Lessons

With the COVID-19 pandemic taking place all over the world, recent years have seen new innovative ways of filmmaking to accommodate the restrictions that came with. The result has seen an abundance of films released that utilise the use of screen recording where we see characters interact over social media and chat programs such as Skype and Zoom. Language Lessons is one such example and follows Adam (Mark Duplass), a man whose husband Will (Desean Terry) buys him 100 Spanish lessons with Cariño (Natalie Morales). The premise is simple but the result is anything but as the Spanish lessons serve as as introduction into deeper issues and a blossoming friendship between the two main characters.

Directed by Morales who cowrote the screenplay with Duplass, Language Lessons is clearly a film that the two were deeply passionate about and this comes across in how well they share the screen together. Morales’ direction is simple and yet manages to make the world of the film feel as though it is wider than viewing the characters’ computer screens. Morales does this by incorporating different locations for the characters to call from so the environment doesn’t become too familiar and there is always something different to talk about. The screenplay is written by both Morales and Duplass and it is clear that they have both delved deep into their characters to ensure that there is more to them that meets the eye. This is especially important given the limitations in how the film is shot and serves well to make sure that the characters have a well-developed backstory.

Mark Duplass delivers a great performance as Adam, showcasing his emotional range despite the short running time. What makes Duplass such a great fit for the role is his charisma and likeability which lends itself nicely to Adam’s character. We see Adam’s journey quickly take a turn for the worse following the sudden death of his husband but through his friendship with Cariño, he finds an outlet to express his emotions, good and bad, through the turbulent time. Adam’s character feels real because, despite his kindness, we are able to see his flaws, especially during heated discussions with Cariño.

In their role as Cariño, Natalie Morales is a great onscreen partner for Adam. Where Adam is an emotional character who wears his heart on his sleeve, Cariño is more reserved and guarded, even when the two begin to form a friendship. However, Morales is still able to showcase emotional range including the brilliant scene when Cariño is extremely drunk and calls Adam on his birthday where she begins to divulge personal and incriminating information about herself. It is up to Adam to put these pieces together and he still doesn’t know a lot about her. However, Morales’ performance is on that is unpredictable which makes the film so watchable and eager to know what will happen next.

What makes Language Lessons such an impactful film is its simplicity and allowing the characters’ relationship to naturally form in a way that feels genuine. Mixing comedy and drama, this film will have you laughing one minute and crying the next, taking the audience through a journey that feels authentic. Both charming and sincere, this is a film that shows the genuine nature of online connection and how it can build into a real life friendships.

Language Lessons is playing at this year’s London Film Festival!