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Raindance Film Festival 2020: Roundup

Raindance Film Festival has ended and I can’t believe that this is not my first but second festival. I have managed to watch 7 films that are proof that indie films are still thriving and exciting as ever. Having viewed a selection of films from different countries that explore a variety of topics from identity struggles to death row to flamingos. There really was a film for everyone on my watch list. Admittedly, I would have watched a couple more but my birthday fell right in the middle and I gave myself a couple of days off hence the lower final film count. However, what I did manage to watch were fine examples of filmmaking that is intuitive and creative with the directors all utilising their resources brilliantly.

From my first film The Eagle’s Nest to the last, Ella es Cristina, Raindance has exceeded my expectations and all of the films felt poignant and relevant exploring very real issues that affect the world today. After looking at the list, I knew Nuclear was one I had to watch for its Welsh connections as well as Ella es Cristina as it was directed by the man who co-wrote A Fantastic Woman. I didn’t know what any of the films were about going in which made it an even more exciting experience.

As with my London Film Festival Roundup (which you can read here), I thought I would pick my personal winners. Now, bear in mind I only watched 7 films but all 7 proved to be amazing contenders in each category and it was still really hard to decide.

Here are the Smaller Pictures Winners of Raindance Film Festival:

Best Picture – Ella es Cristina

Best Director – Catherine Linstrum for Nuclear

Best Leading Actor – Andriy Lidagovskiy for My Thoughts Are Silent

Best Leading Actress –  Mariana Derderián for Ella es Cristina

Best Supporting Actor – George Mackay for Nuclear

Best Supporting Actress – Felicity Asseh for The Eagle’s Nest

Best Original Screenplay – Gonzalo Maza for Ella es Cristina

Best Debut Screenplay –Antonio Lukich for My Thoughts Are Silent

Best Documentary Feature – The State of Texas vs Melissa

Best Original Score – Cristobal Carvajal for Ella es Cristina

Best Cinematography – Arsene Romuald Mvondo for The Eagle’s Nest

Best Editing – Yago Muñiz for The Mystery of the Pink Flamingo

Best Production Design – Carly Larson for Under My Skin

Best Costume Design – Nicole Capasso for Under My Skin

Best Hair and Makeup – KC Mussman for Under My Skin

Being able to review films for Raindance has been another highlight of my year and a huge step for this site. Having the chance to watch such amazing films is always a treat and to be accepted as press for one of my favourite festivals is something I won’t forget.

So that’s my Raindance Film Festival Roundup done and dusted. I highly recommend giving the films I reviewed a watch. All of them were so different and unique, I hope to catch them again in the future. Let me know your thoughts on my reviews and if you had the chance to watch the films.

As ever, here are the reviews I wrote for Raindance Film Festival if you would like to read them:

The Eagle’s Nest

Ella es Cristina

My Thoughts Are Silent

The Mystery of the Pink Flamingo

Nuclear

The State of Texas vs Melissa

Under My Skin

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Raindance Film Festival 2020: The State of Texas vs Melissa

My third film at Raindance is a heartbreaking documentary by Sabrina Van Tassel. The films follows the case of Melissa Lucio, the first Hispanic woman sentenced to death in Texas for the abuse and death of her toddler, Mariah. The interviews with Lucio take place 11 years into her life on death row as she is approaching her final appeal. A mother of 14 children, Lucio expresses her regret at the situation and states that she often thinks about Mariah while also insisting her innocence. The tone of the film from the outset is one of great sadness as Melissa and the interviewees are forced to recount their memories of the case. With the forensic team claiming the results were the worst cases of child abuse they had witnessed, the appeal defence team argues that it is possible that Melissa wasn’t responsible for the death and that she was coerced into confessing due to the corrupt justice system.

What the documentary does is study both the prosecution and defence into the case through interviews with the forensic team, family members and lawyers amongst others. Chronicling Melissa’s life from her troubled past being abused as a child to a drug riddled adult life in poverty and the tragic results that followed. Losing her children due to neglect, Melissa’s life continues to delve deeper downwards. The interviews with her children who were sent to foster care are devastating as they all believe in her innocence and claim that the investigation and trial weren’t carried out properly. Van Tassel seeks to expose the defence that was left out of the investigation, showcasing the different angles and sides to the case and painting a picture that wasn’t taken into account. The footage of police using various tactics to get Melissa to confess is particularly difficult as it shows the mental anguish and breakdown until she eventually does admit to beating her. Having spent hours without water  food or a bathroom break, she is manipulated by the police force. Recollecting the experience, Melissa explains this breakdown giving a commentary on the footage.

Her trial also showcased many injustices such as evidence that was set aside and politicians using the case to assist with his electoral campaign. Lucio’s 9 year old son saw Mariah fall down a large flight of stairs as confirmed in a video interview but he was not brought to speak at the trial. Van Tassel incorporates home footage as well as footage taken from outside the house showing their now derelict home. Outside the home is a long broken flight of stairs were Mariah fell and Van Tassel constantly revisits that shot so it doesn’t leave the audience’s mind throughout. It is clear that Lucio was being used a political pawn in the duration of her trial. Her lawyer doesn’t allow the children to testify due to the potential that they could be manipulated but this is clearly a misjudged step as some of her children witnessed the incident. There was no attempt to contact her family or friends to testify which makes you question the motives of the defence team. Whether or not Lucio is guilty cannot be known from the trial alone as she was not given the fair trial she was entitled to.

Overall, The State of Texas vs Melissa is a powerful and harrowing documentary that shows the tragic consequences that rippled from a devastating childhood. It will linger with you long after the credits roll. What Van Tassel does is investigate what could have happened and exploit the misjustices that occur against minorities in the justice system. Even though the trial took place over a decade ago, it is clear that these issues are still relevant today. Van Tassel helps to shine a light on this topic.

The State of Texas vs Melissa is showing at Raindance Film Festival.