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Raindance Film Festival 2020: Roundup

Raindance Film Festival has ended and I can’t believe that this is not my first but second festival. I have managed to watch 7 films that are proof that indie films are still thriving and exciting as ever. Having viewed a selection of films from different countries that explore a variety of topics from identity struggles to death row to flamingos. There really was a film for everyone on my watch list. Admittedly, I would have watched a couple more but my birthday fell right in the middle and I gave myself a couple of days off hence the lower final film count. However, what I did manage to watch were fine examples of filmmaking that is intuitive and creative with the directors all utilising their resources brilliantly.

From my first film The Eagle’s Nest to the last, Ella es Cristina, Raindance has exceeded my expectations and all of the films felt poignant and relevant exploring very real issues that affect the world today. After looking at the list, I knew Nuclear was one I had to watch for its Welsh connections as well as Ella es Cristina as it was directed by the man who co-wrote A Fantastic Woman. I didn’t know what any of the films were about going in which made it an even more exciting experience.

As with my London Film Festival Roundup (which you can read here), I thought I would pick my personal winners. Now, bear in mind I only watched 7 films but all 7 proved to be amazing contenders in each category and it was still really hard to decide.

Here are the Smaller Pictures Winners of Raindance Film Festival:

Best Picture – Ella es Cristina

Best Director – Catherine Linstrum for Nuclear

Best Leading Actor – Andriy Lidagovskiy for My Thoughts Are Silent

Best Leading Actress –  Mariana Derderián for Ella es Cristina

Best Supporting Actor – George Mackay for Nuclear

Best Supporting Actress – Felicity Asseh for The Eagle’s Nest

Best Original Screenplay – Gonzalo Maza for Ella es Cristina

Best Debut Screenplay –Antonio Lukich for My Thoughts Are Silent

Best Documentary Feature – The State of Texas vs Melissa

Best Original Score – Cristobal Carvajal for Ella es Cristina

Best Cinematography – Arsene Romuald Mvondo for The Eagle’s Nest

Best Editing – Yago Muñiz for The Mystery of the Pink Flamingo

Best Production Design – Carly Larson for Under My Skin

Best Costume Design – Nicole Capasso for Under My Skin

Best Hair and Makeup – KC Mussman for Under My Skin

Being able to review films for Raindance has been another highlight of my year and a huge step for this site. Having the chance to watch such amazing films is always a treat and to be accepted as press for one of my favourite festivals is something I won’t forget.

So that’s my Raindance Film Festival Roundup done and dusted. I highly recommend giving the films I reviewed a watch. All of them were so different and unique, I hope to catch them again in the future. Let me know your thoughts on my reviews and if you had the chance to watch the films.

As ever, here are the reviews I wrote for Raindance Film Festival if you would like to read them:

The Eagle’s Nest

Ella es Cristina

My Thoughts Are Silent

The Mystery of the Pink Flamingo

Nuclear

The State of Texas vs Melissa

Under My Skin

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Raindance Film Festival 2020: My Thoughts Are Silent

The next on my list for Raindance is this quirky Ukrainian comedy-drama film written and directed by Antonio Lukich. Following sound engineer, Vadym (Andriy Lidagovskiy) who is tasked with recording the sound of a rare bird that can only be found in the mountains in Transcarparthia and embarks on this journey with his mother, Galia (Irma Vitovska-Vantsa). If he succeeds in doing this, he will be able to move to Canada where he will work for a huge gaming company as a sound engineer. Visually, the film is absurd, striking and really entertaining to watch. Making the most of the Ukrainian landscapes as Vadym and Galia journey across country, Lukich really thrives at making the ordinary seem extraordinary.

Lukich’s script is well-balanced between its comedy and drama. Never needing to veer into too dark a place, My Thoughts Are Silent shows the contradictions in the mother-son relationships and the differing expectations they have of themselves and each other. Initially, the plot centres around Vadym’s research into the rare bird, known as the “Fussy Mallard” and whether he will be able to record its voice but the film becomes much more than that. The voice that is important is Vadym’s creative voice and knowing what he wants to achieve in life as well as his mother’s wishes. It is a film about their fragmented relationship and them getting to know each other and piecing together the puzzle.

Andriy Lidagovskiy’s performance as Vadym is fantastic. Aspirational and creative, Vadym is headed for success in the gaming industry. His mother, Galia, is less impressed and would like to see him settled with children. The lengths Vadym goes to to capture the sounds of various animals for his game is hilarious with one incident requiring him to seduce an older woman so her parrot will chirp. Lidagovsky has great screen presence and really dives into Vadym’s determination to be creatively fulfilled. The idea of a settled life bores him and the adventure that ensues reflects that. Often donning ridiculous disguises to record the animals and be amongst them, Vadym isn’t bothered by the outward appearances. Lidagovsky’s performance brings an all rounded characterisation that is fantastically developed throughout the film.

In support we see Irma Vitovska-Vantsa as Galia, Vadym’s mother. A woman who refuses to let her age define her, Galia strives to find a partner and settle down. Constantly feeling unwanted and unloved, she urges Vadym to search for the love that she doesn’t have. This isn’t to say that Galia doesn’t have strength as a character. Her arc explores that she doesn’t need anyone else to define who she is. An avid fan of Victoria Beckham, we are introduced to her driving her taxi to pick Vadym up with the CD player blasting “Viva Forever” which I absolutely loved. Vitovska-Vantsa and Lidagovskiy have a striking relationship onscreen which feels authentic and raw. The ups and downs portrayed will resonate with any familiar conflict.

The music in the film composed by Sam Kuzel is a huge standout. The synthesised music juxtaposing with the natural noises that Vadym records makes for a great combination. The heavily synthesised pieces assist in elevating the absurdity of the film at times and lighten the dramatic moments. It’s a great rhythmic score that provides the heartbeat for the film. Vadym’s own creative musical aspirations are more in line with the electronic sounds than the animal noises in nature. He is inspired by the written notes of the Fussy Mallard in a museum and this becomes the driving force through the film.

What Lukich achieves in this film is portraying a normal family conflict in an overly eccentric way. Combining serious moments with touches of absurd comedy ensures that your attention is grasped at all times. My Thoughts Are Silent is captivating, beautifully shot and feature great comic performances, particularly its leads Ludagovsky and Vitovska-Vantsa.

My Thoughts Are Silent is showing at Raindance Film Festival.