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Pieces of a Woman (2020)

A little bit late watching this one but better late than never. Pieces of a Woman is the heartbreaking drama following Martha (Vanessa Kirby), a woman who loses her child during birth. Directed by Kornél Mundruczó and a script written by Kata Wéber, Pieces of a Woman is a film that is an absolute masterclass of acting by all involved. A really poignant portrayal of grief and how difficult it is to find closure from such a traumatic event. With supporting turns from Shia LaBeouf and Ellen Burstyn who play Martha’s partner, Sean and mother, Elizabeth, respectively, this film is not an easy watch by any means for obvious reasons but it is an intricate character study that feels authentic while shedding light on an issue that is commonly unspoken off due to taboo. The film premiered at the Venice Film Festival where it received unanimous praise and Kirby walking away with the Best Actress prize. Scooped up by Netflix, Pieces of a Woman has been in the awards race for a while and eagerly awaiting its release.

The first thing to discuss is the opening half hour in which we see the excruciating birth scene in which Martha has a difficult labour with tragic result as the baby dies shortly after being born. With her original midwife caught up with another birth, replacement Eva (Molly Parker) steps in to assist Martha. This opening act is by far one of the most unflinching scenes I have come across as we see the whole birthing process from the relief when the baby is born to the tragic death a few moments later. The way it is directed is relentless without giving a moment to breathe to the point where the scene completely immerses the audience into its chaos. The physical pain of the situation is too much for Martha that she quickly becomes deranged and cannot control what she says or the sounds she makes. Knowing what the scene is going to result in and seeing that level of distress makes the experience of watching it even more devastating.

Kirby, previously known for her stellar performance as Princess Margaret in the first two seasons of The Crown, pulls out all the stops as grieving Martha. Her acting is on par with actors who have been giving decades of flawless performances. We feel Martha’s physical and emotional pain in the first act and that devastation as she comes to terms with what has happened. Although the film doesn’t have the same level of momentum as the first act, Kirby keeps us gripped as she delves into Martha’s inability to move on or seek help for her trauma. Initially Martha wishes to remove any proof that the baby even existed hoping that this will help her to move on to the next chapter but she feels pulled back by her family, especially her mother, who insists that they should hold a funeral for the baby before burying her. It’s clear that Martha wants to move on but just doesn’t know what to do in order to be able to. The scene in which she testifies at Eva’s trial and is forced to describe what her birthing experience was like is hugely intense with Kirby using that intensity to deliver her performance through movement and emotion and not just by her words.

In support we have Ellen Burstyn as Martha’s overbearing mother, Elizabeth. She clearly has Martha’s best interest at heart but she doesn’t allow her daughter to truly have space to grieve and this puts an enormous amount of friction on their relationship. Burstyn makes the most of the small role she has as is expected of her and proves to rise to Kirby’s leading performance. Her speech to Martha about her own birth and upbringing hammers home just how great Burstyn is. I would have liked to have seen more scenes between Elizabeth and Martha just to show more of their relationship dynamic rather than the limited arguments we see. I think that the film would have benefitted from seeing how they act around each other when things are more settled.

Overall, Pieces of a Woman may fall a little short in terms of keeping a steady momentum in the script following the incredible first act but the strong performances, particularly by Kirby make it a film to watch this coming awards season. I have no doubt that Kirby will lock in her first Academy Award nomination and hopefully this is a sign of a fruitful career for years to come.

What did you think of Pieces of a Woman? Let me know in the comments below!

Pieces of a Woman is available to stream now on Netflix.

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The Peanut Butter Falcon (2019)

One of the films I was dying to watch last year but not got round to watching was the stellar The Peanut Butter Falcon. A first time directorial effort by Tyler Nilson and Michael Schwartz and featuring their close friend and aspiring actor Zack Gottsagen who dominates in his first performance as Zak, a young man with Down Syndrome who wants nothing more than to be a wrestler. Escaping the retirement home he has been forced to live at for the past two and a half years, Zak encounters local troublemaker Tyler (Shia LaBeouf) and the two embark on a journey to find a prestigious wrestling school so Zak can start his training. Also featuring Dakota Johnson as Zak’s carer and friend and Bruce Dern in a welcome cameo as Zak’s roommate Carl, The Peanut Butter Falcon is an outstanding debut that will make you laugh and cry as it explores the development of friendship and kinship between its characters.

The screenplay is also written by Nilson and Schwartz and it’s clear they took their time with it to make sure the tone was just right. The pacing is quick and constantly moving as all good road movies do and every minute adds more layers to the relationships between the characters. We learn about Tyler’s background through short flashbacks which are then paralleled with his new friendship with Zak and it’s enough to create that extra dimension for his character. Zak’s character on the other hand is the physical driving force of the movie as the literal journey is to visit the wrestling school that he wants to train at. The dialogue is tight and even the supporting characters are fleshed out enough despite the film’s short running time. It’s the type of screenplay that many spend years trying to craft but can never quite get the tone right.Shia LaBeouf and Zack Gottsagen are nothing short of spectacular and it is clear that their friendship goes beyond the silver screen. The rapport they have makes for one of the best duos I have seen in a film in quite some time. The contrast between the two is also important to consider when looking at this film. Gottsagen holds his own with ease against LaBeouf who has been acting since he was a child and has been showing real development in his film choices over recent years. I have always been a fan of LaBeouf’s acting since his early acting days in Holes (2003) and Even Stevens (2000-2003) to his more recent roles in Nymphomaniac (2013) and Fury (2014) showing his full transition from family films to more mature films. Compared to Gottasgen who is a complete newcomer, the casting could have caused serious unbalance but the two bounce off each other brilliantly. It’s obvious they are having fun with their roles and it makes it wonderful to watch from the audience perspective. Not to mention the groundbreaking inclusion of Gottsagen being an actor with Down Syndrome who is playing the lead in a film that celebrates talents and shows that dreams can come true without being overly sentimental. It’s a film that will be remembered and should be remembered thanks to its heart.

Dakota Johnson is also brilliant as retirement home nurse, Eleanor. Eleanor is naive and thinks she knows what is best for Zak but slowly comes to realise that he is capable of thinking for himself. I think Johnson really came into her own as the lead in Luca Guadagnino’s 2018 film Suspiria, a remake of the iconic 1977 Dario Argento film of the same name. She looks to be continuing her streak of good role choices as Eleanor presents a new challenge. Unlike her performance as ballet student Susie, Eleanor works tirelessly taking care of others while also dealing with her own loss having lost her husband. She refuses to be swayed by the consistent flirting by the men she encounters when finding Zak and has no problem putting them in their place.

Another aspect I enjoyed in the film is its soundtrack. The film takes place in North Carolina and this is reflected in the bluegrass tracks that provide the backing in the film. The music adds to the authenticity and rawness that Nilson and Schwartz were going for. The selection of songs are not too heavy and feel relaxed and stripped back, much like Zak and Tyler’s attitudes when they find comfort in their friendship.The Peanut Butter Falcon is a great film to watch with friends and family as well as being a film that can resonate with its audience really well. I am looking forward to seeing where Gottsagen career will go after this and see this film as a huge welcome to his career. I also hope that the studios act on the discussions of being more inclusive when casting.

What did you think of The Peanut Butter Falcon? Let me know in the comments below!