Categories
Review

CODA (2021)

There are some films that have humble begins and then grow in publicity and popularity unexpectedly. This year’s dark horse is undoubtedly, comedy-drama CODA, which has had a huge awards’ presence, and even been grabbing some unexpected wins. The film follows Ruby Rossi (Emilia Jones), who is a CODA (Child of Deaf Adults), and her experiences as the only hearing person in her family. As Ruby discovers that she loves music and singing, complexities arise, especially as her family set up their own fishing business. CODA’s achievements shouldn’t be ignored as 40% of the film is American Sign Language, which is a brilliant way of raising awareness and promoting inclusion within the film industry. The cast of Ruby’s family consists of Daniel Durant (who plays Ruby’s brother, Leo), Troy Kotsur (who plays Ruby’s father, Frank), and Oscar winner Marlee Matline (who plays Ruby’s mother, Jackie).

The film is written and directed by Siân Heder and is her second feature following her 2016 debut, Tallulah. CODA is a remake of the 2014 French film, La Famille Bélier, which did exceptionally well in the French box office on release and was nominated for numerous César Awards. Heder’s script relocates the story to a fishing community in Massachusetts, but maintains the main story element that the protagonist discovers that she loves singing and wants to audition for a place at a prestigious music school. What Heder’s script does really well is bring a great level of characterisation to each member of the Rossi family as the film chronicles the familial relationships and conflicts that Ruby has with each member. The direction shows life through Ruby’s eyes and rarely diverts from this with only a handful of scenes not involving Ruby included in the film.

Emilia Jones takes on the lead role of Ruby and proves to be the perfect casting choice. Jones has been slowly adding to her resume in recent years, providing brilliant performances such as the lead character in Catherine Linstrum’s 2019 film, Nuclear. It is this film, however, that has proven to be her big breakout performance and even garnered Jones a BAFTA nomination for Best Leading Actress. Ruby is a great central character thanks to her relatability as an awkward teenager trying to fit in, but her situation as a CODA makes her the prime target for bullies in school. When she realises that she can sing and wants to embark on a music career, familial conflict ensues as she won’t be able to act as her family’s interpreter. Jones perfectly captures Ruby’s dilemmas and internal conflict as she strives to follow her own dreams.

One of the big reasons why CODA was able to secure financing was thanks to Marlee Matlin, who stars as Ruby’s mother, Jackie. Matlin made history as the youngest winner of the Best Leading Actress Oscar in the 1986 film Children of a Lesser God and her career has proven to be vast, spanning across film and TV. Jackie and Ruby’s relationship is highly turbulent throughout the film, as they don’t seem to have a lot in common. When Ruby realises that she loves to sing, Jackie can’t understand as she had planned Ruby’s role in the family business. Although the role is fairly small, Matlin makes the most of every second she is onscreen, and it’s clear that she is having a lot of fun in the role. What is great is how developed Jackie’s characterisation is as the mother-daughter relationship goes through highs and lows.

The highlight of the film is undoubtedly Troy Kotsur in the role of Ruby’s father, Frank. Every time Kotsur is onscreen, he commands attention thanks to the amount of heart and depth that he brings to the character. Frank’s financial and social turmoil are brilliantly chronicled in the film. What makes Frank such a brilliant character is the mix between humour and drama that he goes through, and his scenes are among the most memorable in the entire film. The scene in which Frank lectures Ruby and Miles (Ferdia Walsh-Peelo) on safe sex is among the funniest moment in the film. The scene following Ruby’s school performance, in which Frank asks her to sing the song from her recital while feeling her vocal cords. Through doing this, he is able to experience the emotions of the song, and it’s one of the best scenes in this Oscar race and is why he is deserving of the Best Supporting Actor Oscar.

One important aspect of CODA is its soundtrack. The score is composed by Marius de Vries who incorporates calming, whimsical instrumental tracks that invoke the small fishing community which is then contrasted by an array of song covers that are beautifully sung by Emilia Jones and fellow members of the choir. The film’s climactic moment, in which Jones sings a cover of Joni Mitchell’s “Both Sides, Now” as part of her audition for college will bring tears to your eyes as she notices her family in the audience and begins to sign the lyrics for them. The music is imperative to the plot of the film and in the end, is made inclusive for all characters and the way that this is done helps to bring the family together.

CODA has proven itself to be The Power of the Dog’s main competition and may even cause a huge shock by taking home the Best Picture Oscar next Sunday. Heder’s film is one that is filled with a lot of heart and amazing performances, especially by Kotsur, who is the favourite to bring home the Best Supporting Actor Oscar, and Matlin. Although some may find that the feel-good nature of this film is overwhelming, CODA has the performances and writing to back up a great story with a wonderful message. Although Ruby’s situation is not experienced by the majority of families, the familial conflicts and way that the relationships are portrayed feel universal and relatable.

What did you think of CODA? Let me know in the comments below!

CODA is available to watch on Apple TV+ now!

Categories
Uncategorised

Raindance Film Festival 2020: Nuclear

One of my most anticipated films for Raindance, Nuclear is the directorial debut by Catherine Linstrum. Co-written with David-John Newman, the film follows Emma, a young woman who witnesses her brother attack her mother in the woods. Together, Emma and her mother escape to a nearby town that sits beside a derelict nuclear plant. Whilst venturing around the town, Emma encounters an unnamed Boy and the film follows their blossoming friendship. What was important for me is that this film has connections to Wales and was funded by a variety of Welsh organisations so it definitely was a must-see on my list. A poignant piece on family conflict and the relationships that form in the aftermath of tragedy, Nuclear is a beautiful film that marks the start of a promising directorial career for Linstrum.

The script is phenomenal, chronicling the attack and Emma’s escape, Linstrum and Newman allow the characters to develop through natural encounters. Not allowing Emma to be defined by the tragedy of the beginning, we see her personality blossom through her interactions with the Boy. Despite only being 14, Emma acts much older than her age and longs for tattoos and piercings and a life of adventure far from the life she has had thus far. The writing follows a traditional dramatic route initially before enveloping into a psychological thriller. Through the course of the films we feel Emma’s journey and the anguish that she experiences.

Emilia Jones is a revelation as Emma. At only 18 years of age, she is able to convey the overwhelming fear and despair of the tragic incident that the character witnessed. Hopefully, this is the start of a flourishing career in film as she has made a name for herself on TV shows such as Netflix’s Locke & Key. Automatically assigning herself as her mother’s caregiver, Emma’s journey in the film is one that sees her emotional growth. When she encounters a Boy who lives nearby, she learns not to live in fear. She refuses to allow the incident with her brother define her. Jones’ performance is full of maturity which is rarely seen in an actor so young. Carrying the film on her shoulders, she brings a strength to Emma that makes her both likeable and resilient. Constantly asking questions, Emma wants to know more about the outside world so she has hope for when she escapes the situation she is currently in with her brother.

George Mackay is reliable as always as the boy who Emma encounters. Having made a name for himself in indies such as Pride and Captain Fantastic as well as blockbusters such as 1917, Mackay has a knack for choosing interesting projects that showcase his range and challenge him. Unreserved and carefree, the unnamed Boy encourages Emma to go out of her comfort zone. Where Emma’s life is full of fear, the Boy wants to strip away her fear. Mackay has proven himself to be one to watch and his performance in this film is a brilliant addition to his resume. The Boy is wacky and unpredictable but this is what provides an exciting contrast to Emma and makes the rapport between the two a fantastic combination.

Also in support there is Sierra Guillory as Emma’s mother who is brutally attacked. Known for playing Jill Valentine in the Resident Evil series, it is refreshing to see Guillory take on this dramatic role that is the polar opposite of the action packed Resident Evil films. Despite being a supporting turn, the Mother’s character is also deeply developed. Juxtaposing a seemingly happy exterior for her daughter’s sake, it is clear that inside she is broken and unsure what to do. When she repeatedly encounters a Japanese Lady (Noriko Sakura) around the town, the Mother is unsettled and longs to leave whilst knowing that this is nearly impossible as the car is crashed and they have no money. Guillory’s performance allows her to display her dramatic range and I hope that this leads to more serious roles in the future.

Linstrum’s tale of tragedy is one filled with much tragedy and heartbreak. As the characters find themselves in an unpredictable predicament, they learn how to let go of the past and allow themselves to move on. Nuclear is a film that shows the mental anguish and shock that comes from a broken childhood. The score composed by Stephen McKeon is also absolutely enchanting and helps to enhance the various situations that Emma finds herself in. I really look forward to seeing what Linstrum works on next and hope that Wales serves as the setting again.

Nuclear is showing at Raindance Film Festival.