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BFI Flare Festival 2021: Roundup

BFI Flare Festival is an important event that showcases films made by and revolving around the LGBT+ experience. Having followed the festival for years, I was given the chance to cover the festival and it did not disappoint. From the incredibly opener Jump, Darling to an array of biopics on iconic LGBT+ figures, this year’s festival left me spoilt for choice and it was really exciting to see lots of films from emerging filmmakers showing their debuts. I managed to watch eight films in total and I was really impressed with each one. I wanted to watch films from all kinds of countries and managed to see films from Canada, Estonia, New Zealand and Finland to name a few. This allowed me to see varying approaches to filmmaking and made it really exciting with every film. Each film impacted me in some way whether it was the topic, a performance or some other aspect of the filmmaking.

As usual, I have done my little awards which was really difficult because each of these films were full of strengths. They were all so different that it was hard to pick a winner for each category. After many hours of deliberating, I have finally managed to select the winners.

Here are the Smaller Pictures Winners of BFI Flare Festival:

Best Picture – Tove

Best Director – Zaida Bergroth for Tove

Best Leading Actor – Elz Carrad for Rūrangi

Best Leading Actress –  Alma Pöysti for Tove

Best Supporting Actor – Shiv Palekar for The Greenhouse

Best Supporting Actress – Cloris Leachman for Jump, Darling

Best Original Screenplay – Eeva Putro for Tove

Best Adapted Screenplay – Peeter Rebane and Tom Prior for Firebird based on The Story of Roman by Sergey Fetisov

Best Debut Screenplay – Katie Found for My First Summer

Best Original Score (TIE) – Freya Berkhout for The Greenhouse and Matti Bye for Tove

Best Cinematography – Carl-Friedrich Koschnick for Enfant Terrible

Best Editing – Thea Aae for Boy Meets Boy

Best Production Design – Oskar Roehler for Enfant Terrible

Best Costume Design – Marjatta Nissinen and Mare Raidma for Firebird

Best Hair and Makeup – Tove

It goes without saying that each of the films are worth a watch. What was so great about the selection of films that I was able to watch for the festival is the range of topics and scope of setting available. There really was a film for all kinds of fans so whether you like experimental films or prefer traditional biopics, BFI Flare had you covered.

So with BFI Flare done, that means I have had the chance to cover three festivals now and it is still super exciting every time. Being able to see films from emerging and established filmmakers is always a brilliant opportunity and BFI Flare has not disappointed. All explore the LGBT+ experience and perspective in varying ways making it wildly unpredictable as well as important. All of the films are guaranteed to stay with you long after you finished watching them.

Here are the links to the reviews if you want to learn more about them:

Boy Meets Boy

Enfant Terrible

Firebird

The Greenhouse

Jump, Darling

My First Summer

Rūrangi

Tove

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BFI Flare Festival 2021: My First Summer

One of the films I have even excited to view was Katie Found’s directorial debut, My First Summer. The film follows Claudia (Markella Kavenagh), who is grieving after her mother drowned herself and Grace (Maiah Stewardson), a girl who lives nearby who saved Claudia from drowning with her mum. Claudia has lived a life in seclusion due to her mum’s negative outlook on the world and Grace’s entry into her life opens Claudia’s eyes and makes her see the beauty in life. With polar opposite personalities, the differences between the girls is what draws them together and ignites a romance. As the title suggests, this film doesn’t span a long period of time but the beautiful slow burning pace allows us to become familiarised with the characters. Delving into topics of loss and grief and contrasting this with the promises of hope and love that is found, Found explores a wide range of emotions and the internal and external conflicts that they can inspire.

Written and directed by Found, My First Summer makes the most from its limited location. Using Claudia’s house and the surrounding woodland primarily, there seems to be a lot of freedom in the amount of space and yet Claudia is trapped and disconnected from society because of how secluded it is. Found’s direction is beautiful and makes the most of the summery weather, allowing those bright colours and the warm tones contrasting with the topics of loss and grief. Considering the short running time of 90 minutes, Found does a great job with her screenplay as we really get to know Claudia and Grace and get an understanding of their points of view. It’s a film that doesn’t rely on being big and bold to get its point across and allows the two protagonists to become fully realised in a way that feels real and natural.

Markella Kavenagh’s performance is heartbreaking as Claudia has to deal with both the loss of her mum and the realities of the world outside. Having to hide from the police who would take her away due to her age, Claudia is initially alone and dealing with her grief with her dog by her side. Compared to Grace, Claudia is introverted and is academically intelligent without actually knowing how to properly communicate with people. Despite the natural world around her, the rooms in her house are undecorated and muted colours to reflect the fact that she is a blank canvas waiting to start her life. Kavenagh’s performance is quietly strong, when put against Stewardson who is the extroverted Grace, we see Claudia come out of her shell and grow into herself. A remarkable leading performance that is layered and nuanced.

The second lead in My First Summer is Maiah Stewardson who plays Grace perfectly. Outspoken and extroverted, Grace knows what she wants to get out of life. Suffering from her own experience of entrapment by her neglectful mother and step-father, Grace finds her own safety net with Claudia. After saving Claudia’s life, Grace acts as a guardian for her and helps keep her hidden from the police. Stewardson is captivating as Grace and makes the perfect onscreen partner for Kavenagh and the two have a chemistry that works organically and naturally. The slow burning nature of the relationship doesn’t feel rushed even though the film itself spans a short amount of time. Stewardson’s performance is tinged with maturity and naivety at the same time, reflecting the reality that these two girls are only 16 and haven’t had a lot of life experience.

Overall, My First Summer was even better than I had expected and left me speechless at its ending. The screenplay has a wonderful, steady pace and the girls are perfectly cast. I am very excited to see where Found, Kavenagh and Stewardson’s careers take them as this film is a very promising start and shows a great future for them. Showing the world through the eyes of a 16 year old who may not understand everything helps to create a film that feels grounded in its own universe and Found has captured this flawlessly. This film is not to be missed.

My First Summer is showing at BFI Flare Festival.