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Being the Ricardos (2021)

One of the films that Amazon Studios is pushing this awards season is Aaron Sorkin’s Being the Ricardos which follows a week in the life of TV superstar Lucille Ball (Nicole Kidman) and her husband, Desi Arnaz (Javier Bardem) in which the former is accused of being a member of the Communist party and has to wait to see how the media portrays this which in turn could threaten to kill her career. This biopic weaves in and out of the studio as Ball has to balance dealing with her professional and personal life from the domestic dynamics with her husband to the business meetings with studio heads and legal teams as they plan for the turbulent week ahead. Despite covering a short period of time, Sorkin is able to cover a wide emotional spectrum and brings one of television’s brightest stars to life in this whimsical drama that harkens back to the golden age of film and television.

The film marks Aaron Sorkin’s third directorial effort and he naturally provides the script as well. The script follows an intense week as it has emerged that Lucille filled a form stating she was a Communist decades before which the media has managed to get ahold of. During this week, we see Lucille grapple with the possibility that her career may end as well as the news emerging that she is pregnant while also having to deal with one of the most iconic episodes of her TV show. All of this chaos weaves together to create a tapestry of Lucille’s life in a way that we are able to get a clear view of who she is without feeling overwhelmed by the script.

Nicole Kidman has been experiencing somewhat of a resurgence in recent years, although it could easily be argued that she never really went anywhere at all and has always pulled out great performance after great performance. Her turn as Lucille Ball, however, is among her best performances as she inhabits Ball’s mannerisms and quick wit. From beginning to end, Kidman is dedicated to the character and we experience the struggle Ball faces from within the male-dominated industry and those in the media who threaten to end her career when it is unveiled that she once ticked a box as “Communist” when she was younger. Undoubtedly, Kidman will be receiving a lot of awards attention and it is well-deserved as she is absolutely gripping and does a fantastic job when reenacting filming the scenes from I Love Lucy. Kidman’s performance is strong and commanding and her presence is felt in the moments that she is not which proves the strength of the character and Kidman’s interpretation.

Paired with Kidman is none other than Javier Bardem who plays Lucille Ball’s husband, costar, and producer, Desi Arnaz and he proves himself as the perfect choice to play alongside Kidman’s powerhouse performance. While Kidman has deservedly been receiving an abundance of praise for her performance, Bardem’s turn as Arnaz shouldn’t be forgotten either. His performance is electric and he brings out a career-best since his Oscar-winning turn in No Country For Old Men. Bardem has always proved that he can act in a variety of different genres with ease and playing someone as iconic as Desi Arnaz could have been extremely challenging for any other actor but not Bardem. We get to see Arnaz in his element as he performs in the bars but this is then contrasted with the stresses he faces at work and the reality that he lives in a world that expects the husband to be the provider and the head of the family and yet Lucille seems to be the headliner and more popular than he is. Bardem’s chemistry with Kidman is fantastic and they work well at showing the ups and downs of a very public marriage.

As expected from any Sorkin project, this film has a strong supporting cast and J. K. Simmons, in particular, provides one of the most heartwarming and funny performances that are among some of the film’s highlights despite him having a limited amount of time onscreen. Simmons plays Ball and Arnaz’s I Love Lucy costar, William Frawley, who has spent decades in the industry and has experienced the ups and downs that come with it. Simmons’ portrayal of Frawley is one of sentiment and sadness as he has an awareness of his own drinking problem while also advising Lucille on how to make life easier for both herself and Desi. What makes Simmons such a brilliant actor is his ability to tap into a character’s psyche and really bring out a rawness and depth that is not often seen but even with a small role, the performance makes such a huge impact on the film’s dynamic as well as proving to be integral to the script.

Another highlight of the film is its score which is provided by Daniel Pemberton who has quickly established himself as a brilliant composer and has worked on a wide variety of films. His score for Being the Ricardos feels classical and nostalgic while also providing undertones of thrillers as Pemberton plays on Ball’s ongoing struggles and the looming threat that her career may be coming to an end. The scenes in which Lucille and Desi argue amongst themselves are undercut by ominous and threatening strings that bring plenty of tension.

Being the Ricardos takes us back to a golden age in television and is filled to the brim with strong performances from the leading and supporting cast. Paired with Sorkin’s innovative direction and beautifully paced script, it is a film that does a great job at capturing the hectic celebrity lifestyle behind the scenes while also showing the delicate balance required in order to stay at the top. As Ball’s career is threatened by a form she filled in decades prior as well as having to deal with misogynists on a regular basis. Kidman is undoubtedly the star of the show and proves yet again why she is one of the best living actresses thanks to her fearless approach to the character and her ability to capture every aspect of Lucille’s personality.

What did you think of Being the Ricardos? Let me know in the comments below!

Being the Ricardos is available to watch on Amazon Prime!

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Palm Springs (2020)

Palm Springs has finally landed on Amazon Prime in the UK and it was definitely worth the wait. A modern take on time loops, this film follows carefree Nyles (Andy Samberg) and troubled Sarah (Cristin Milloti) as they find themselves living the same day again and again and again. As Nyles has become used to the time loop life and enjoys it, Sarah is adamant to get out as soon as she can. Naturally, the two begin to bond due to their circumstance and a relationship blossoms. It’s a film that has garnered a lot of praise since its premiere and deservedly so. Directed by Max Barbakow from a script written by Barbakow and Andy Siara, Palm Springs is guaranteed to have you in stitches and in tears as we see how living the same day over and over can actually offer a different perspective on life.

The direction and nonlinear structure makes it different from your average Groundhog Day situation. The topic is actually quite dark as the protagonists cannot escape but Barbakow contrasts this with the idyllic setting of the Palm Springs desert. The nonlinear structure works perfectly with the plot and Barbakow isn’t afraid to let the audience piece everything together rather than spoonfeeding the plot bit by bit. Rather than leading the audience into the time loop, we’re already thrown in there immediately which makes it feel like a puzzle that we have to put together ourselves. It is this unpredictable nature that makes Palm Springs an entertaining watch as we really don’t know what the characters are going to do next even though we know what their day would be like.

Andy Samberg can always be relied upon to turn wonderful comedic performances and his turn as Nyles is no exception. Although Palm Springs is primarily a comedy, there are some brilliant dramatic moments in there as well, especially when Nyles has to decide whether he wants to stay in the time loop or attempt to get back to reality. Samberg’s carefree character quickly becomes affected by his growing relationship with Sarah as she finds herself stuck in the same loop. It is during these moments of inner turmoil that we really see how Nyles’ carefree persona is really just bravado as he has become complacent in this life. Samberg is well known for his comedic roles, mainly as Detective Jake Peralta on Brooklyn Nine-Nine, however, this film marks a small step in drama at times and it would be interesting to see him take on more dramatic roles in the future.

Cristin Milloti has been building an interesting career to date spanning TV (How I Met Your Mother), theatre (Once) and film (The Wolf of Wall Street) but with Palm Springs she gets the leading role she needs to properly breakout. Milloti is absolutely wonderful as Sarah and showcases the character’s conflicted feelings perfectly throughout the film. The chemistry she has with Samberg is great and they work really well on building the jokes and making the film an enjoyable experience. We never feel that Sarah has to rely on Nyles to be saved, she looks to herself for the solution and proves to be more practical and reliable than Nyles is. This is because we are actually seeing the film through her eyes as we are introduced to the time loop through Sarah’s eyes.

JK Simmons is phenomenal as Roy, a man who Nyles accidentally introduced to the time loop life when the two were inebriated with alcohol and drugs. Set on hellbent revenge, he appears every so often to torture and kill Nyles knowing that the two of them will spawn again the next day. It’s great seeing Simmons take on interesting roles that allow him to become immersed in a character. After winning his Oscar, it would have been easy for him to take on leading man roles in blockbusters but Simmons has carried on doing the roles he is clearly passionate about and it really adds in excitement to the overall film as we anticipate his return in the film.

The soundtrack is one of the best parts of this film. With an eclectic mix of genres from a variety of decades including a brilliant use of Kate Bush’s “Cloudbusting” which is used in the film’s climactic scene, the random quality of the soundtrack helps brings the absurdity of the film’s plot. A lot of period films incorporate music from their respective time period to help the audience get a feel for the sounds of the time, however, Palm Springs completely rejects this and refuses to allow its music choices to conform to this. We are not supposed to get a feel for its time and it is wonderfully unpredictable with tunes from Leonard Cohen and David Bowie.

Palm Springs proves to be an incredibly original take on a subject that has been done lots of times before. Despite the time loop making the repeated day a predicted experience, it is actually the film’s unpredictability that makes it exciting to watch. From the beautiful cinematography to the brilliant script, Palm Springs may only be an hour and a half but it makes the most out of every second and never puts a foot wrong.

What did you think of Palm Springs? Let me know in the comments below!

Palm Springs is available to watch on Amazon Prime UK now!