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Oppenheimer (2023)

The Best Picture favourite going into awards season is none other than Chrostopher Nolan’s nuclear epic, Oppenheimer. Spanning the life and career of Robert J. Oppenheimer, the “Father of the Atomic Bomb”. Starring Cillian Murphy in the titular role, Oppenheimer is a three-hour insight into the work and personal life of one of the most controversial figures in modern history.

Written and directed by Christopher Nolan, Oppenheimer is based on the biography, American Prometheus by Kai Bird and Martin J. Sherwin. Nolan’s unique perspective stemmed from the writing process as the entire screenplay is written from the first-person. This exacerbates the fact that Oppenheimer provides a limited view as the titular character is in almost every scene. The film flits between key points in Oppenheimer’s life spanning his beginnings as a budding physicist to the aftermath of the nuclear bombings on Hiroshima and Nagasaki. Nolan’s direction feels controlled and focused, his passion for the project coming through in every frame.

As the titular character, it can be argued that Oppenheimer lives or dies from the Cillian Murphy performance. Murphy can always be trusted to bring a nuanced performance. His turn as Oppenheimer is so intimate and yet always holding the audience at a distance. Seeing his internal conflict between the scientific achievements and the ethics rise to the surface in the final act is gripping. The scene in which Hiroshima has been been bombed and Oppenheimer begins to envision corpses on the follow among the ruptuous applause from his colleagues is one of the best scenes in any Nolan film.

Providing a standout performance in support is Robert Downey Jr. Having dominated cinema screens for the past decade as Iron Man in Marvel Cinematic Universe, Oppenheimer may be the first project a lot of people have seen Downey Jr outside of the franchise. The performances couldn’t be more different and sees Downey Jr return to form. Playing the antagonistic Rear Admiral Lewis Strauss who is hellbent on taking Oppenheimer down, he commands every scene he is in. His scenes with Murphy are among the best in the film and it’s up there with his other phenomenal turns in films such as Chaplin and Tropic Thunder.

Cillian Murphy is J. Robert Oppenheimer in OPPENHEIMER, written, produced, and directed by Christopher Nolan.

There are a plethora of supporting turns in the film that are impressive. Another that is garnering a lot of attention is Emily Blunt as Katherine “Kitty” Oppenheimer. One consistent critique of Nolan’s previous films are the lack of female characters. When there are female characters, they tend to be underwritten. Kitty is probably the most in-depth female character that Nolan had included in his filmography. Blunt’s performance is subtle and brilliant, especially towards the end when her anger at the government is evident following their dismissal of her husband.

The score by Ludwig Gorrenson captures in the inevitability of the bomb. Filled with dramatic crescendo and loud bombastic sounds, Gorrenson’s music becomes a dominant force during the film’s climactic scenes. The opening track “Fission” really highlights the anticipation and inevitable change in history. Gorrenson isn’t afraid to change the tone and pacing of tracks to emphasise the unpredictability and shift in dynamics and events.

The cinematography by Hoyte van Hoytema is stunning. The standout scene in the film is when the Trinity Test is carried out and this is thanks to van Hoytema’s incredible work. The focus on Oppenheimer as he waits for the results swiftly followed by blinding light marks a visual change in the film. The scenery in Oppenheimer consists largely of open spaces but there is such a pinpointed focus on the characters that it really closes the environment in towards Murphy and his performance.

Overall, Oppenheimer does have a runtime that could have been edited down ever so slightly, especially in the first act. However, it is also one of Nolan’s best films as director. His passion and knowledge on its subject piercing through every frame from beginning to end. It is a film filled to the brim with details and nuanced performances that makes it easy to see why it is garnering so much critical and commercial praise.

What did you think of Oppenheimer? Let me know in the comments below!

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A Quiet Place Part II (2020)

One of the biggest horrors to be released this year is A Quiet Place Part II which has been deemed a precursor to the state of cinema following the reopening of cinemas around the globe. Like its predecessor, A Quiet Place Part II is written and directed by John Krasinski. Following the remaining members of the Abbott who aim to reach a fellow survivor’s hideout. With Emily Blunt, Millicent Simmonds and Noah Jupe returning as the Abbott family and Cillian Murphy and Djimon Hounsou joining the franchise as survivors. A Quiet Place Part II sees a more expanded world where the creatures have taken hold and follows on directly from where the last film left off whilst also giving insight into how the apocalypse began.

Directed and written by John Krasinski, A Quiet Place Part II seeks to give a wider view of this universe than its predecessor and opens with a flashback that takes place on the day of invasion before shooting back to the moment where the events of the first film ended. Due to the death of Krasinski’s character in the first film, he is only onscreen during the flashback sequence but then is able to commit fully to direction for the remainder of the film. This helps enormously, especially as we are introduced to new characters whilst also seeing the development of returning characters. Like the first installment, this film is highly impressive in its script and has the perfect balance of horror and drama as it gives the leading characters a fully rounded arc, especially Regan (Millicent Simmonds) who aims to be more active and independent in her search for a solution.

As expected, Emily Blunt is fantastic as Evelyn and proves that she can lead this film with ease. An actress who has acted flawlessly across many genres and with A Quiet Place bringing her a SAG Award, Blunt ups the ante in this sequel. Bearing the weight of familial responsibility solely on her shoulders following the death of her husband, Evelyn tries to find safety through any means possible for her children. However, just as it seems that Evelyn is the only one capable of taking care of her family, daughter Regan shows that she is more than capable of fighting off the creatures as well. Millicent Simmonds proved herself as a fantastic newcomer in the first film and only grows more as an actress in this film. Captivating and gripping, Simmonds’ performance is impeccable and hopefully is the sign of a long lasting career in film beyond the franchise.

In support, we have Cillian Murphy as Emmett who is the survivor that the Abbott family have been searching for. Initially reluctant to let them stay for fear of being found and killed, Emmett begins to open up and finds himself helping the Abbott family find supplies for Evelyn’s son, Marcus, who is injured on the journey. Whilst the characterisation of Emmett isn’t as organic as it could be, Murphy brings a great performance and having already had experience in horror films like 28 Days Later, he makes a great onscreen pairing with Simmonds. Another great supporting turn comes from Djimon Hounsou who makes a welcome appearance later on in the film. As we can expect from Hounsou, his performance is controlled as he leads a survivors’ colony that has found a solution.

In a film where the characters are forced to live in silence, the score is the only sound we have to convey the emotion and intensity of the scene. Marco Beltrami returns to compose the score for this sequel and it feels like an extension of the previous installment’s sound. With the score starting out extremely quiet and gradually building in intensity and volume as the film begins to unfold, the music becomes as much of a character without being onscreen. The score alone could play alongside the film and still bring that horror and characterisation that the script provides.

Overall, A Quiet Place Part II is just as good as its predecessor and shows Krasinski’s strength as a writer and director. Allowing the world to gradually expand and introducing new characters while allowing existing characters to develop in their own right makes A Quiet Place Part II a rather packed film but its impeccable pacing and gripping direction grabs your attention and allows you to become immersed in the world and invested in the characters. The only thing left is waiting for a third film to round up this trilogy.

What did you think of A Quiet Place Part II? Let me know in the comments below!